William (1789-1862) Turner Prints

82 Items

Enamels from the Royal Manufactory at Sevres
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Charles Augustus Howell, 1882 (coloured chalk on pale blue paper)
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Masada on the Dead Sea, 1858 (pencil, pen & ink, w/c and bodycolour on blue paper)
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The Dawn, Kirk Newton Church, Northumberland (w/c & bodycolour on paper)
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The Sweet Waters of Asia
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Loch Garry, Invernesshire, Autumn 1856
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Salisbury (oil with watercolour and bodycolour on tinted paper)
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Sheep Grazing At Stonehenge (watercolour)
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The Highlanders Burial Ground (w/c)
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Interior of Villa Emo (photo)
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A View from Moel Cynwich: Looking Over the Vale of Afon Mawddach and Toward Cader Idris
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Dort, Holland, 1826 (watercolour on paper)
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The Old Mill, date unknown (watercolour on paper)
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Extensive Wooded Landscape with a Distant View of a Town (oil)
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Study for Horace and Lydia (oil on canvas)
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Dale Park, Arundel, Sussex (pencil and w / c)
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Group Portrait of Mrs Henry Baring and Two of her Children and a Large Dog
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The Lord of Burleigh (pen and black ink)
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View of Oxford from Headington (watercolour on paper)
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Gravel Pit on Shotover Hill, near Oxford, c. 1818 (oil on millboard)
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View of Marston, near Oxford (oil on millboard)
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Design for the Lodges in Edensor in Chatsworth Park, 1837 (w / c on paper)
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View of Stonehenge (w / c on paper)
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Head of a Young Man (oil on panel)
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View of Broadway Hill, Worcester (w / c on paper)
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A Bargain With the Devil, 1907 (w / c, pen & ink on paper)
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River Cherwell Waterlilies, 1851 (w / c on paper)
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Portrait of General James Edward Oglethorpe, c. 1932 (oil on canvas)
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View of Oxford from a Distance (oil on canvas)
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Figurine of Demosthenes, Burslem, Staffordshire, c. 1790 (lead glazed earthenware)
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Grouse Shooting on the Moor near Dalmally (w / c)
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The Seduction, 1857
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Pembroke Castle
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Water Lillies on the Cherwell
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Crested Boatbill, 1781-5 (handcoloured engraving)
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Bolton Abbey from the River Wharfe (w / c on paper)
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Reflections, 1911 (w / c on paper)
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Sheep at Stonehenge (w/c)
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Little Red Riding Hood Went to the Bedside
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Italianate Landscape with Travellers on a winding Road, 1775 - 1779
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Stonehenge: Stormy Day, 1846 (watercolour over graphite, on paper)
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Mariana (pen & black ink)
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Iffley Mill (watercolour with pen and brown ink)
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A set of sixteen tiles arranged in pairs to form eight illustrations of
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Stonehenge - A Showery Day (watercolour on paper)
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James Oglivie Fairlie Esq. Knight of the Golden Lion, 1839 (pencil
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Birch tree (gouache on paper)
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Ludlow Castle, Shropshire
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British scouts leaving their aerodrome on patrol over Asiago Plateau, Italy
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Ben Nevis, from British Adventure published by Collins, 1947 (colour litho)
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The Gate of Memory, 1864 (coloured chalks on paper)
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Oxford from Hinksey Ferry, 1852 (w / c)
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Cyril Benoni Holman Hunt, 1880 (oil on canvas)
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The Dawn, Loch Torridon (w / c)
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Nuneham Courtenay rustic bridge and cottage, near Abingdon (w/c & bodycolour on paper)
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Sheep Grazing at Stonehenge (w/c on paper)
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Three girls on rocking horse, 1860s (albumen print)
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Magdalen Tower (oil on canvas)
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December, c. 1790 (w / c on paper)
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Loch Duich, Summer Moonlight (w / c on paper)
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The Ford Brothers in an interior
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A Gypsy Camp (w / c)
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The New and Old Hotwell Houses by moonlight, c. 1825
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Portsmouth
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Luxembourg (w / c on paper)
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Portsmouth Harbour from Portsdown Hill
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Christ Church, Oxford, 1795 (w / c)
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The Garden and Fellows Building of Corpus Christi College, Oxford (w / c on paper)
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New College from the Parks, c. 1790 (w / c on paper)
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The Garden Quadrangle at New College, Oxford, 1877 (oil on canvas)
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Portrait of General George Washington (1732-1799) at the Battle of Trenton, full-length
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Venus and Cupid, c. 1624 (ivory)
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Self-portrait, c. 1824 (oil on paper on canvas)
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Italian sailing Vessels at Anchor (watercolour over indications in graphite on rough
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View of Oxford from the River (watercolour on paper)
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A Vase of Flowers, 1663 (oil on canvas)
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Woodland Landscape, c. 1816 - 1820 (oil on millboard)
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Donatis Comet, Oxford, 7. 30pm, 5th October 1858 (w / c & bodycolour over graphite
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A View of Oxford (oil on millboard)
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