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Samuel Palmer
Samuel Palmer Prints
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In Shoreham Garden by Samuel Palmer
From £69.98
The Rising of the Skylark (oil on board)
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Cornfield by Moonlight, with the Evening Star, c. 1830 (w / c & bodycolour with pen & ink)
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The Harvest Moon, 1833 (oil on paper laid on panel)
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View from the Villa d Este at Tivoli, 1839 (w / c)
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The Magic Apple Tree (indian ink & w / c)
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Hampstead Heath, Branch Hill Pond, 1828 (oil on canvas)
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Return of the Fore and Aft, Gloucestershire Regiment advancing to the attack
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Carting the Wheat, 1844-48 (w/c on paper)
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Ruins of Walsingham Priory, Norfolk, 1807-08 (w/c on paper)
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Amulet of a Son of Horus, Greco-Roman period, 332 BC-395 AD (blue faience)
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An Ancient Barn at Shoreham (pen & ink and grey and brown wash over graphite on paper)
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Advertising for The Hundred Powders and The Hundred Colours of Caron
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The Golden Valley (watercolour on paper)
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Evening in Italy, the Deserted Villa
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Millbank, 1829 (w/c on paper)
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Near Underriver, Sevenoaks (w/c and gouache on paper)
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Portrait of Caroline (La Belle) Otero (1868-1965) - Otero et Jacquinet - Postcard sd debut 20th century
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Near Underriver, Sevenoaks, Kent (w/c on paper)
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The Draw Bridge from St. Augustine's Bank, Bristol (w/c)
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Backways near Tintagel, Cornwall (w/c)
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Gustavus escaping from prison
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The Bay of Naples (w/c on paper)
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Panel detail representing various food offerings, from Sarcophagus of Irinimenpu
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Caernarvon Castle, North Wales, 1836 (w/c, gouache & black chalk on white paper)
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So for a heart-beat she saw him
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Fanny Cornforth, c.1862-65 (graphite on paper)
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In the Chequered Shade, c.1861 (w/c over pencil heightened with gouache and gum arabic)
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Her Captain was a Cuban, from The Cruise of the Caribee by Thomas V
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A Concert: Laura Deveria Singing, 1831 (w/c with ink & pastel)
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The Golden Hour, 1865 (w/c and gouache with graphite and scraping)
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David by Michelangelo Buonarroti (1475-1564), 1501-04 (marble) (detail of 4344)
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Madame Valentine Fray, 1901 (oil on canvas)
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B1977. 14. 4102
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On the Tilt, Perthshire, 1826 (oil on millboard)
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Sunset over the Gleaning Fields, 1855 (pencil, w/c & bodycolour on paper)
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Three Coins (engraved wooden block)
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The Bright Cloud, 1833-34 (oil & tempera on mahogany panel)
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Landscape after Turner's The Dogana
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Conway Castle, 1836 (w/c, bodycolour & chalk on paper)
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Persian falconer tile panel, Pilkington's Tiles Group Plc
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Study of a Willow Tree, c. 1850 (w/c on paper)
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Corset (view N), 1840-50 (cotton, metal, leather & satin)
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The Bright Cloud, 1833-34 (oil on panel)
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A Home Agricultural Show, 1927 (colour litho)
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The Sheepshearers, c. 1863 (w/c & bodycolour over traces of pencil on paper)
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The Pert Fairies and The Dapper Elves (w / c and pen and black ink)
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A Mountain Road in Italy (pencil, w / c and body colour)
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Rocking the Cradle ( oil on canvas)
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The Lonely Tower (etching)
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The Bad News (oil on canvas)
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The Bay of Naples (w / c on paper)
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Sepay Fortress near Viggiu, by Francesco Gonin (1808-1889), oil on canvas, 81x100 cm
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Portrait of George Sand (drawing)
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Dream in Apennines, circa 1864
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Portsmouth Harbour from Gosport, (pencil and watercolour)
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Illustration to Miltons Lycidas, c. 1864
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James Guthrie Orchar, 1885-86 (oil on canvas)
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The Rising Moon, c. 1857 (etching)
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Robespierre amene blesse, dans l anti-salle du comite de Salut public le 28 Juillet
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The White Cloud, c. 1833-34 (oil on canvas)
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Saint Bacchus Sideboard, 1858 (stained, painted & gilded wood with marble and iron mounts)
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Portrait of a Flaxen-Haired Woman (oil on canvas)
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Landscape with a Barn, Shoreham, Kent (w / c on paper)
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Haymaking, 1832 (w / c on paper)
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The Gypsy Dell - Moonlight (w / c & bodycolour with touches of gold on paper)
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James Hare, M. P. (oil on canvas)
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The Bellman (w / c & bodycolour on board)
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The Fair Nun Unmasked (oil on canvas)
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Moonrise (pen & ink and wash on paper)
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The Baptism of Christ, 15th century (tempera on panel)
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The Rest on the Flight into Egypt, 19th century (oil on panel)
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Proserpina, 1871 (coloured chalk on paper)
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Early Morning, 1825 (pen and brush in sepia)
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Saints Zosimus and Sabbatheus of Solovetsk with scenes from their lives
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Illustration to Miltons Lycidas (w / c and gouache on paper)
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Rape of Proserpine (oil on panel)
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The Bay of Baiae from Monte Nuovo (w / c on paper)
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Mr Addison, engraved by George Vertue (1684-1756), 1721 (engraving)
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Harvest in the Vineyard, 1859 (w / c, gouache and gum arabic on paper)
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Finishing skivers demonstrating their techniques (sepia print)
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View of Pisa, c. 1859
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The City at Sunset
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Portrait of the Chevalier Philip Hinckaert and St. Philip the Apostle
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