Robert Polhill Bevan Prints

101 Items

An Arab (w/c over pencil on paper)
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Mountain Village in Light Mist, 1450-99 (ink on paper)
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Palermo, Sicily, 1847 (oil on canvas)
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The Poplars (lithograph)
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Rosemary No. II, 1917 (oil on canvas)
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Simon of Sudbury, 1896 (stained glass)
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The Poplars, 1893-94 (litho)
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Bad News, The Parting, 1872 (oil on canvas)
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Maples at Cuckfield, Sussex, 1914 (oil on canvas)
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Cumberland Landscape, 1928 (oil on plywood)
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Horse Dealers, 1918 (oil on canvas)
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La Vache Enragee
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7383426
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Le Pont de Pierre, Rouen, 1881 (oil on canvas)
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Horse Dealers at the Barbican, 1918 (oil on canvas)
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Every Sweet Must Have Its Bitter, 1911 (woodcut)
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Hunting scene (litho)
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Rene Laennec (1781-1826) listening to the chest of a man with consumption
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Brimley Hill, Devon, 1915 (painting)
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Girl in a Punt (oil on canvas)
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Adelaide Road in Sunlight, 1910 (oil on canvas)
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Penmanmawr, 1855 (w / c on paper)
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Sale at Wards Repository, No. 2, c. 1918 (crayon & charcoal on paper)
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Self Portrait, 1859 (pencil on paper)
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Polish Tavern, 1901-03 (oil on canvas)
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Brimley Hill, Devon, 1914-16 (oil on canvas)
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Mydlow Village, Poland, 1907 (oil on canvas)
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Madame Helleu Writing (red pencil & charcoal)
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Horse Sale at the Barbican (see also 10003)
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Elizabeth Woodville (c. 1437-92) Queen Consort of King Edward IV of England (1442-83
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Across Bolham Water
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A Street in Newlyn, (oil on panel)
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Showing the Paces, Aldridge s, c. 1914 (watercolour and soft pencil)
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Azaleas, Geraniums, Roses and other Potted Plants by a Window, 1888 (oil on canvas)
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West Country Landscape (oil on canvas)
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Under the Hammer (see also 68797)
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St. Anthony Distributing Alms, relief from the Salviati chapel (bronze)
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Showing at Tattersalls (oil on canvas)
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The Crucifixion (pen and wash)
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Fields Farm, Somerset
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The Horse Mart (Barbican No. 1) 1920 (litho)
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Tennis at Exmouth in the 80s and the Australian Cricket team who toured England in 1884
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Hay Carts, Cumberland Market, c. 1915 (crayon on paper)
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The Russo-Japanese War: a hand-to-hand struggle in the earthworks at Port Arthur
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The Caller at the Mill, 1918-19 (crayon on paper)
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Young Boy in an Interior, 1913 (oil on canvas)
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Devon Cottage, c. 1920-24 (oil on canvas)
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Punchinellos on Swings, making Music and doing Acrobatics in a Landscape (oil on canvas)
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Weeping Ash, 1923 (oil on canvas)
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The River at Dusk (w / c with bodycolour on paper)
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Study for Hay Carts, Cumberland Market, c. 1915 (crayon on paper)
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Appy Amstead in the Nineties on a Bank Holiday
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Regency a la Mode, 1812 (coloured etching)
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Burford Farm, Devon, 1918 (oil on canvas)
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Cumberland Market, North Side, 1912 (oil on canvas)
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The Smith at Szeliwy, Poland, 1904 (board)
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Landscape
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The Selektir Agassi, plate 7 from Collection of One Hundred Prints Representing
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Hunting scene (litho)
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A Ploughed Field, c. 1808 (pencil and w / c on paper)
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Dunns Cottage (oil on canvas)
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The Horse Mart. c. 1918 (black chalk on paper)
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Study for the Horse Dealers, c. 1917 (pencil on squared paper)
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Gold penannular rings (gold)
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Queens Grove, St Johns Wood, 1918 (oil on canvas)
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A Castle by a River, 1647 (oil on oak panel)
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In the Downs near Lewes, 1906 (oil on canvas)
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Trees, Provence, 1912 (oil on board)
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Outside the Wine Shop (black chalk with watercolour)
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Trumpet tube (copper alloy)
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The Chestnut Tree, 1916-1919 (oil on canvas)
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Bring hither the water and sprinkle the room, illustration from
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Irises in a Tall Vase, 1928 (oil on canvas)
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Study for Sussex Farm Horse, c. 1904-6 (oil on canvas)
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The Sleeping Princess, illustration for The Allies Fairy Book
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Woman at Prayer (oil on panel)
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Morning, the South Downs, 1906 (oil on canvas)
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Better to Sit Still than Rise Up and Fall, 1911 (woodcut)
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Hunting scene (litho)
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Hunting scene (litho)
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danet and the Strolling Fortune-Teller, 1859 (oil on canvas)
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The Horse Dealers (chalk on paper)
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The Horse Mart (Barbican No.1) 1920 (litho)
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Horse Dealers, c. 1918 (crayon on paper)
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