Philip Webb Prints

46 Items

German Fashions from Leipzig published in Moniteur de la Mode
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Settle, c.1800-85 (oak, gilded gesso & brass)
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Design for a house for G.P. Boyes, Cheyne Row, Chelsea by Philip Webb (1831-1915)
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Lovers with a Birdcage, 1736 (hard-paste porcelain, polychrome enamels & gilding)
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Pharmacy cabinets, by Paolo Moschini (1789-after 1850)
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Scenes from the war between Japan and Korea
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Three mermaids, 1879 (oil on canvas)
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Settle, c.1800-85 (oak, gilded gesso & brass)
From £69.98

Settle, c.1800-85 (oak, gilded gesso & brass)
From £69.98

Settle, c.1800-85 (oak, gilded gesso, & brass)
From £69.98

Entry of the Gods Into Valhalla, 1880 (oil on canvas)
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Settle, c.1800-85 (oak, gilded gesso, brass)
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A Goldsmith Melting Down a Woman's Jewellery in the Presence of a Notary: The Alchemist
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Settle, c.1800-85 (oak, gilded gesso & brass)
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Arts and Crafts style Sussex chair
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Doll, c.1890 (deerskin & glass beads)
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South rose window (stained glass)
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Rose window (stained glass)
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Angels Climbing and Descending, Detail of Jacobs Ladder (stained glass
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Adam Naming the Beasts, detail from the Creation Window
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Silverwork, c.1900-06 (silver)
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Tennis Racquets and Billiard Cues, from the Encyclopedia
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Plans for the Red House, Bexley Heath, 1859 (pen and ink and w / c on paper)
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Arabian Windows, In Campo Santa Maria Mater Domini, from
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King Edward VI (1537-53)
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Hall table (mahogany wood)
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13th century tile designs, illustration from Specimens of Tile Pavements
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Plans and elevations for The Red House
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Parvati, Consort of Siva, Indian, 13th century (bronze)
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Spinning Yarn
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Window depicting birds and flowers (stained glass)
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Side table, designed for Morris and Co. (oak wood)
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Detail of Christ Blessing the Children, 1861 (stained glass) (detail of 150156)
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Birds and Fishes, detail from the Creation Window, 1861 (stained glass) (see 120153)
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First interview with the native women at Port Jackson, New South Wales, 1788 (w / c)
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Settle with gilded gesso decoration, made by Morris and Company, c.1865 (oak wood)
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Metalwork, c.1895-1900
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Wine Glasses, c.1862-63 (glass)
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Adjustable Back Chair, c.1870 (ebonized wood, embossed velvet & metal)
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Design for Joldwyns, Surrey, 1872 (pen & ink and w / c on paper)
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Plans for the Red House, Bexley Heath (pen and ink and w / c on paper)
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A Perspective View of a Scutch Mill with a Method of Breaking the Flax
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Symbols of the Evangelists, designs for stained glass (ink on paper)
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The Galaxy, detail from the Creation Window, 1861 (stained glass) (detail of 120153)
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The Holy Spirit, detail from the Creation Window, 1861 (stained glass) (detail of 120153)
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Printed to Order and Licensed for Personal Use