Paul Nash Prints

376 Items

Vierge a l'Enfant "Nostre Dame de Grasse" / Anonyme 15e
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Gilbert Keith Chesterton, 1874 - 1936. English writer. From The Wonderful Year 1909
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Poster advertising the exhibition Paul Nash
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Zweig 59, f. 3v
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MS Ashley 156 The Search after Happiness: a tale
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You are not fake, but you are fickle. 19th century (painting)
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St. Paul the Apostle (temper on tooled gold ground)
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Portrait of E. M. Forster, 1923 (sanguine with white heightening on grey paper)
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Study for Landscape of Bleached Objects, 1934 (watercolour and pencil on paper)
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Danseuse vue de dos: Port de bras, c. 1875-85 (charcoal on paper)
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The White Horse, Uffington, Berkshire, 1931-46 (photo)
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The White Horse, Uffington, Berkshire, 1931-46 (photo)
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Monster Field, Carswall's Farm, Newent, Gloucestershire, 1931-46 (photo)
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Object Trouve, 1931-46 (photo)
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Stone Post, 1931-46 (photo)
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Laocoon, Carswall's Farm, Newent, Gloucestershire, 1931-46 (photo)
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Washing drying on the beach, Nice, 1931-46 (photo)
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Chain and Net, John Nash's home, Meadle, Berkshire, 1931-46 (photo)
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Totems, old shipyard, Rye harbour, 1931-46 (photo)
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Atlantic Voyage, 1931-46 (photo)
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Cicely Hey, 1923 (Oil on canvas)
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Sunrise over Valley, 1943 (watercolour and pencil on buff wove paper)
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Robin Hood's Bay with Donkeys, c. 1935 (oil on board)
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Ironmaster's Folly, 1941 (pencil and watercolour on paper)
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Study of a Cat, c. 1910-20 (watercolour and graphite pencil on paper)
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The Mine Crater, Hill 60, Ypres Salient, 1917 (Lithograph on cream wove)
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The Landscape Through the Window and Through the Looking Glass
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Dorset Landscape, 1935 (pencil, chalk and watercolour on cream paper)
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Portrait of Brownlow, 9th Earl of Exeter, 1764 (oil on canvas)
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Ploughed Field and Haystacks, 1931-46 (photo)
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Boat, Atlantic, 1931-46 (photo)
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Rock recessed in grass, 1931-46 (photo)
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Step Edge; below Nash's garden at New House, Rye, Sussex, 1931-46 (photo)
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Blue Pool, near Wareham, Dorset, 1931-46 (photo)
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Dead Tree, Romney Marsh, 1931-46 (photo)
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The Cenotaph (Morning of the Peace Procession), 1919 (oil on panel)
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Landscape Towards Bredon, 1942 (watercolour on paper)
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Moonlight Voyage, Hampden Flying Above the Clouds
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Spring Landscape, 1935 (Pen and ink, watercolour and pencil on paper)
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Barnes Map of Philadelphia, 1861 (print)
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The Peacock Path, 1912 (pen and ink, chalk and watercolour on paper)
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Battlefield, 1917 (watercolour, Ink and pencil on paper)
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L'église à Essoyes, c.1900 (oil on canvas)
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Sea Wall, 1935 (pencil, chalk and watercolour on paper)
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Harbour and Room, 1931 (watercolour and pencil on paper)
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Returning from Flower Viewing in the Third Month, 1820-48 (woodcut)
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Pictorial History of Heroes (Eiyū gashi), 1836 (woodblock printed book; ink on paper)
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Shellburst, Zillebeke, 1917 (coloured chalks on brown paper)
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German Double Pill-box, Gheluvelt, 1918 (lithograph on white wove paper)
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Dahlias, 1927 (oil on canvas)
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A Farm, Wytschaete, 1917 (Ink, chalk and watercolour on paper)
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The great kiva at Chetro Ketl Anasazi ruins, Chaco Canyon, 2014 (photo)
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Avebury Sentinel, 1931-46 (photo)
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Empty Market Stalls, Ceuta, Morocco, 1931-46 (photo)
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The Bull Ring, Ronda, Spain, 1931-46 (photo)
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Bench Seats, Swanage, 1931-46 (photo)
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The blue anemone girl (painting)
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Rabbit Pendant, 600-900 (shell)
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The Box Garden, Beckley Park, Oxfordshire, 1931-46 (photo)
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Seashore and Steps, Swanage, Dorset, 1931-46 (photo)
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HM King Edward VIII, 1936 (Oil on canvas)
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Ruin in the Forest of Dean, 1946 (pencil and watercolour on paper)
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William Sydney Smith
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