Fraud Blocker Skip to main content

Home > Fine Art Finder > Artists > Michelangelo (after) Buonarroti

Michelangelo (after) Buonarroti Collection

Choose a picture from our Michelangelo (after) Buonarroti Collection for your Wall Art and Photo Gifts

75 items

Background imageMichelangelo (after) Buonarroti Collection: Ancora imparo, engraved by William Blake, illustration from Lectures on Painting

Ancora imparo, engraved by William Blake, illustration from Lectures on Painting
XJF701454 Ancora imparo, engraved by William Blake, illustration from Lectures on Painting by Henry Fuseli, published 1801 (engraving) by Buonarroti

Background imageMichelangelo (after) Buonarroti Collection: 8626797

8626797

Background imageMichelangelo (after) Buonarroti Collection: Venus and Cupid, after Michelangelo Buonarroti (oil on panel)

Venus and Cupid, after Michelangelo Buonarroti (oil on panel)
7064162 Venus and Cupid, after Michelangelo Buonarroti (oil on panel) by Buonarroti, Michelangelo (1475-1564) (after); Museo di Capodimonte, Naples, Campania, Italy; (add.info.: Venus and Cupid)

Background imageMichelangelo (after) Buonarroti Collection: Leda, engraved by Jacobus Bos, Boss or Bossius (b. c. 1520) (b / w photo)

Leda, engraved by Jacobus Bos, Boss or Bossius (b. c. 1520) (b / w photo)
XIR233738 Leda, engraved by Jacobus Bos, Boss or Bossius (b.c.1520) (b/w photo) by Buonarroti, Michelangelo (1475-1564) (after); Bibliotheque Nationale, Paris, France; (add.info.: wife of Tyndareus)

Background imageMichelangelo (after) Buonarroti Collection: 8626803

8626803

Background imageMichelangelo (after) Buonarroti Collection: 8626787

8626787

Background imageMichelangelo (after) Buonarroti Collection: Head of a man on a herm, known as Xenocrates, 2nd century AD (marble)

Head of a man on a herm, known as Xenocrates, 2nd century AD (marble)
7146489 Head of a man on a herm, known as Xenocrates, 2nd century AD (marble) by Roman, (2nd century); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Head of a man on a herm)

Background imageMichelangelo (after) Buonarroti Collection: Head of Satyr

Head of Satyr
7146473 Head of Satyr by Buonarroti, Michelangelo (1475-1564) (after); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Head of Satyr, after Michelangelo Buonarroti (attr)

Background imageMichelangelo (after) Buonarroti Collection: Assumption with Saint John the Baptist and Saint Catherine of Alexandria, 1516

Assumption with Saint John the Baptist and Saint Catherine of Alexandria, 1516
7064169 Assumption with Saint John the Baptist and Saint Catherine of Alexandria, 1516, Fra Bartolomeo della Porta (oil on panel) by Bartolomeo

Background imageMichelangelo (after) Buonarroti Collection: The Lamentation by Michelangelo, by Antonio Salamanca (from Nicolas Beatrizet), 1547

The Lamentation by Michelangelo, by Antonio Salamanca (from Nicolas Beatrizet), 1547
6375610 The Lamentation by Michelangelo, by Antonio Salamanca (from Nicolas Beatrizet), 1547. This is the first engraving representing Michelangelos masterpiece

Background imageMichelangelo (after) Buonarroti Collection: Lamentation, plaster cast of Michelangelos Pieta today in San Pietro

Lamentation, plaster cast of Michelangelos Pieta today in San Pietro. This cast was made by the marble restoration
6375607 Lamentation, plaster cast of Michelangelos Pieta today in San Pietro. This cast was made by the marble restoration laboratory of the Vatican Museums in 1975

Background imageMichelangelo (after) Buonarroti Collection: Temptations of St Anthony. 16th century. Painting. Anonymous. Genoa. Italy

Temptations of St Anthony. 16th century. Painting. Anonymous. Genoa. Italy
7137072 Temptations of St Anthony. 16th century. Painting. Anonymous. Genoa. Italy. by Italian School, (16th century); ePascal Deloche/Godong; Italian, out of copyright

Background imageMichelangelo (after) Buonarroti Collection: Pieta. Resin cast. Michelangelo Buonarroti. Vatican Pieta 1497-1499. Genoa. Italy

Pieta. Resin cast. Michelangelo Buonarroti. Vatican Pieta 1497-1499. Genoa. Italy
7137068 Pieta. Resin cast. Michelangelo Buonarroti. Vatican Pieta 1497-1499. Genoa. Italy. by Buonarroti, Michelangelo (1475-1564) (after); ePascal Deloche/Godong; Italian, out of copyright

Background imageMichelangelo (after) Buonarroti Collection: The Pier at Trouville, 1864 (oil on canvas)

The Pier at Trouville, 1864 (oil on canvas)
2653516 The Pier at Trouville, 1864 (oil on canvas) by Boudin, Eugene Louis (1824-98); 30.4x47.7 cm; Private Collection; (add.info.: L embarcadAre A Trouville ); Photo eChristies Images; French

Background imageMichelangelo (after) Buonarroti Collection: Vanerella, c. 1870 (marble)

Vanerella, c. 1870 (marble)
2641327 Vanerella, c.1870 (marble) by Barzaghi, Francesco (1839-92); 119.4 cm; Private Collection; (add.info.: On a columnar grey veined marble revolving pedestal figure: 119.4cm pedestal)

Background imageMichelangelo (after) Buonarroti Collection: Pieta (chalk on paper)

Pieta (chalk on paper)
2637293 Pieta (chalk on paper) by Buonarroti, Michelangelo (1475-1564) (after); 28x20.8 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageMichelangelo (after) Buonarroti Collection: The Woman of Samaria, from the picture in the Royal Collection (engraving)

The Woman of Samaria, from the picture in the Royal Collection (engraving)
5199051 The Woman of Samaria, from the picture in the Royal Collection (engraving) by Guercino (Giovanni Francesco Barbieri) (1591-1666) (after); Private Collection; (add.info.: The Woman of Samaria)

Background imageMichelangelo (after) Buonarroti Collection: The Last Judgment (engraving)

The Last Judgment (engraving)
5199042 The Last Judgment (engraving) by Buonarroti, Michelangelo (1475-1564) (after); Private Collection; (add.info.: The Last Judgment)

Background imageMichelangelo (after) Buonarroti Collection: The legend of the Coronation Oil and the Ampulla, The Virgin appearing to Thomas A Becket

The legend of the Coronation Oil and the Ampulla, The Virgin appearing to Thomas A Becket (colour litho)
5236278 The legend of the Coronation Oil and the Ampulla, The Virgin appearing to Thomas A Becket (colour litho) by Cuneo

Background imageMichelangelo (after) Buonarroti Collection: A note in the handwriting of Michelangelo (etching)

A note in the handwriting of Michelangelo (etching)
5236256 A note in the handwriting of Michelangelo (etching) by Buonarroti, Michelangelo (1475-1564) (after); Private Collection; (add.info.: A note in the handwriting of Michelangelo)

Background imageMichelangelo (after) Buonarroti Collection: Coolie ships Erne and Elbe, St Helena, 1894 (b / w photo)

Coolie ships Erne and Elbe, St Helena, 1894 (b / w photo)
5236249 Coolie ships Erne and Elbe, St Helena, 1894 (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Coolie ships Erne and Elbe, St Helena, 1894)

Background imageMichelangelo (after) Buonarroti Collection: Samson and Delilah (etching)

Samson and Delilah (etching)
5236244 Samson and Delilah (etching) by Buonarroti, Michelangelo (1475-1564) (after); Private Collection; (add.info.: Samson and Delilah)

Background imageMichelangelo (after) Buonarroti Collection: Dear Old Grandad! (chromolitho)

Dear Old Grandad! (chromolitho)
5236242 Dear Old Grandad! (chromolitho) by English School, (19th century); Private Collection; (add.info.: Dear Old Grandad)

Background imageMichelangelo (after) Buonarroti Collection: Study of several figures for the bottom part of THe Last Judgement (etching)

Study of several figures for the bottom part of THe Last Judgement (etching)
5236240 Study of several figures for the bottom part of THe Last Judgement (etching) by Buonarroti, Michelangelo (1475-1564) (after); Private Collection; (add.info)

Background imageMichelangelo (after) Buonarroti Collection: A female portrait in profile (etching)

A female portrait in profile (etching)
5236238 A female portrait in profile (etching) by Buonarroti, Michelangelo (1475-1564) (after); Private Collection; (add.info.: A female portrait in profile)

Background imageMichelangelo (after) Buonarroti Collection: Falaise, Eglise de la Trinite et Statue de Guillaume-le-Conquerant (colour photo)

Falaise, Eglise de la Trinite et Statue de Guillaume-le-Conquerant (colour photo)
2803498 Falaise, Eglise de la Trinite et Statue de Guillaume-le-Conquerant (colour photo) by French Photographer, (19th century) (after); Private Collection; (add.info.: Falaise)

Background imageMichelangelo (after) Buonarroti Collection: Le Parche (chromolitho)

Le Parche (chromolitho)
2803480 Le Parche (chromolitho) by Buonarroti, Michelangelo (1475-1564) (after); Private Collection; (add.info.: Le Parche. Chromolithographic fine art reproduction by Stengel, Desden)

Background imageMichelangelo (after) Buonarroti Collection: Rosalind (oil on canvas laid on panel)

Rosalind (oil on canvas laid on panel)
619214 Rosalind (oil on canvas laid on panel) by Gotch, Thomas Cooper (1854-1931); diameter: 38.1 cm; Private Collection; (add.info.: Portrait of Rosalind Seaton.); Photo eThe Ms Gallery

Background imageMichelangelo (after) Buonarroti Collection: Landscape Sketch with a brief Study of the Virgin Marys head turned to left

Landscape Sketch with a brief Study of the Virgin Marys head turned to left
1216697 Landscape Sketch with a brief Study of the Virgin Marys head turned to left, 1500-1504 (pen and brown ink over metalpoint on white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520)

Background imageMichelangelo (after) Buonarroti Collection: Detail from the Sistine Ceiling (black chalk with touches of white chalk on pale buff

Detail from the Sistine Ceiling (black chalk with touches of white chalk on pale buff
1216694 Detail from the Sistine Ceiling (black chalk with touches of white chalk on pale buff paper) by Buonarroti, Michelangelo (1475-1564) (after); 17.5x13.3 cm; Ashmolean Museum

Background imageMichelangelo (after) Buonarroti Collection: Detail from the Sistine Ceiling (red chalk on pale buff paper)

Detail from the Sistine Ceiling (red chalk on pale buff paper)
1216693 Detail from the Sistine Ceiling (red chalk on pale buff paper) by Buonarroti, Michelangelo (1475-1564) (after); 26x18.8 cm; Ashmolean Museum, University of Oxford

Background imageMichelangelo (after) Buonarroti Collection: Brutus and Portia, c. 1500-50 (oil on canvas)

Brutus and Portia, c. 1500-50 (oil on canvas)
3247638 Brutus and Portia, c.1500-50 (oil on canvas) by Verona, Michelle da (16th Century) (attr. to); 118x148 cm; (add.info.: plotting to overthrow Julius Caesar; detail of 229126; ); Italian

Background imageMichelangelo (after) Buonarroti Collection: Meadow with oak and peasant (oil on canvas)

Meadow with oak and peasant (oil on canvas)
702902 Meadow with oak and peasant (oil on canvas) by Palizzi, Filippo (1818-99); Galleria Nazionale d Arte Moderna e Contemporanea, Rome, Lazio, Italy; Italian, out of copyright

Background imageMichelangelo (after) Buonarroti Collection: Pieta (oil on panel)

Pieta (oil on panel)
MMT223870 Pieta (oil on panel) by Buonarroti, Michelangelo (1475-1564) (after); 15.5x11.5 cm; Musee Marmottan Monet, Paris

Background imageMichelangelo (after) Buonarroti Collection: The Last Judgement (pen with wash on paper)

The Last Judgement (pen with wash on paper)
AMO427683 The Last Judgement (pen with wash on paper) by Buonarroti, Michelangelo (1475-1564) (after); 55.3x40.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian

Background imageMichelangelo (after) Buonarroti Collection: Ecce Homo (colour litho)

Ecce Homo (colour litho)
3116778 Ecce Homo (colour litho) by Reni, Guido (1575-1642) (after); (add.info.: John 19:5 Then came Jesus forth, wearing the crown of thorns, and the purple robe)

Background imageMichelangelo (after) Buonarroti Collection: It is finished (colour litho)

It is finished (colour litho)
3116770 It is finished (colour litho) by Buonarroti, Michelangelo (1475-1564) (after); (add.info.: John 19:30 When Jesus therefore had received the vinegar, he said)

Background imageMichelangelo (after) Buonarroti Collection: Virginie from the Galerie Dramatique (colour litho)

Virginie from the Galerie Dramatique (colour litho)
982256 Virginie from the Galerie Dramatique (colour litho) by Lacauchie, Alexandre (19th century) (after); Private Collection; (add.info.: Virginie, act 5, with Mademoiselle Rachel as Virgnie)

Background imageMichelangelo (after) Buonarroti Collection: Figure from the Sistine Chapel fresco in the Vatican (engraving)

Figure from the Sistine Chapel fresco in the Vatican (engraving)
982246 Figure from the Sistine Chapel fresco in the Vatican (engraving) by Buonarroti, Michelangelo (1475-1564) (after); Private Collection; (add.info)

Background imageMichelangelo (after) Buonarroti Collection: Mending Lobster Pots

Mending Lobster Pots
OJ42724 Mending Lobster Pots by Shayer, William (1811-92); Private Collection; eAckermann Johnson; English, out of copyright

Background imageMichelangelo (after) Buonarroti Collection: Studies of Nudes (red chalk on paper)

Studies of Nudes (red chalk on paper)
BAL42708 Studies of Nudes (red chalk on paper) by Buonarroti, Michelangelo (1475-1564) (after); British Museum, London, UK; (add.info.: Inv.1946/7/13/371 Recto (W.99); ); Italian, out of copyright

Background imageMichelangelo (after) Buonarroti Collection: Abraham offering up his son Isaac for sacrifice, bronze relief by Filippo Brunelleschi (engraving)

Abraham offering up his son Isaac for sacrifice, bronze relief by Filippo Brunelleschi (engraving)
5999614 Abraham offering up his son Isaac for sacrifice, bronze relief by Filippo Brunelleschi (engraving) by German School

Background imageMichelangelo (after) Buonarroti Collection: View of Michelangelos design for the facade of St Peters Basilica, Rome, Italy (engraving)

View of Michelangelos design for the facade of St Peters Basilica, Rome, Italy (engraving)
5999613 View of Michelangelos design for the facade of St Peters Basilica, Rome, Italy (engraving) by Buonarroti, Michelangelo (1475-1564) (after); Private Collection; (add.info)

Background imageMichelangelo (after) Buonarroti Collection: David, bronze statue by Donatello (engraving)

David, bronze statue by Donatello (engraving)
5999612 David, bronze statue by Donatello (engraving) by German School, (19th century); Private Collection; (add.info.: David, bronze statue by Donatello)

Background imageMichelangelo (after) Buonarroti Collection: Christ the Judge, detail from Michelangelos Last Judgment, painting on the altar wall of

Christ the Judge, detail from Michelangelos Last Judgment, painting on the altar wall of the Sistine Chapel
5999607 Christ the Judge, detail from Michelangelos Last Judgment, painting on the altar wall of the Sistine Chapel, St Peters Basilica, Rome, Italy (engraving) by Buonarroti

Background imageMichelangelo (after) Buonarroti Collection: Liverpool, Old Custom House (engraving)

Liverpool, Old Custom House (engraving)
5236250 Liverpool, Old Custom House (engraving) by English School, (19th century); Private Collection; (add.info.: Old Custom House)

Background imageMichelangelo (after) Buonarroti Collection: Studies of hands and the back of a male figure (etching)

Studies of hands and the back of a male figure (etching)
5236243 Studies of hands and the back of a male figure (etching) by Buonarroti, Michelangelo (1475-1564) (after); Private Collection; (add.info.: Studies of hands and the back of a male figure)

Background imageMichelangelo (after) Buonarroti Collection: The International Exhibition (engraving)

The International Exhibition (engraving)
1620387 The International Exhibition (engraving) by English School, (19th century); Private Collection; (add.info.: The International Exhibition)



All Professionally Made to Order for Quick Shipping



-

Why Choose Us?

We are a leading provider of Art Prints and Photo Gifts since 2003, working in partnership with a range of Sporting Clubs, Charities, Museums and Picture Libraries. A large share of profits from any of their images will go directly towards supporting that charity or club. Our archive of images is carefully curated to bring you a wide range of subjects, including landscapes, wildlife, architecture, and more. We ship from our partner labs in the UK, USA, EU (Netherlands) and Australia.
+

How do I place an order?

Ordering is quick & easy - Just follow 5 Simple Steps:
  1. Find your image: Use our search box or browse our online photo Collections to find the image you want.

  2. Choose your print format: Select your desired product and add it to your cart.

  3. Enter your details: If you're a returning customer, simply enter your email address and password, and we'll fill in your billing and shipping address details. All personal details are held securely and are fully GDPR compliant. As standard, we remove all Personally Identifiable Information after 12 months.

  4. Pay for your purchase: We use state-of-the-art security for online shopping and do not have access to your card details.

  5. Sit back and relax: We'll email you confirmation of your order and when it's dispatched. Registered customers can also track orders in the 'My Account' area.

+

How do I pay for an order?

You can pay for your order with most of the major credit and debit cards, or PayPal. For added security, major financial institutions process payment details separately and securely on our behalf. We do not have access to your online payment card details. Online payments are preferred however we do take phone orders. For UK customers only we accept cheques issued against a UK bank.
+

Is my data safe?

We take data security very seriously. We do not have access to your full card details and all payments are requested over a fully secure connection. Additionally, we fully comply with current European and GDPR legislation, and automatically remove all personal data after at most 12 months (unless you have an account with us and have signed in recently). We also have a strict opt-in policy and would never sell your personal details. Your data is only used to fulfill your order promptly and efficiently.
+

Is wall art ready to hang?

For quick and easy installation all wall art, including framed prints, canvas prints and metal prints are supplied with a ready to hang solution on the back. Generally, saw tooth hangers are applied as they allow wall art to hang flush against the wall. The serrated edge of the hanger prevents the frame from shifting or tilting when hung.
+

Are the photo prints fade resistant?

Yes, we use archival quality photo paper photographic paper for vivid reproduction Prints are an accurate representations of the original artwork, which is preserved for artistic character and authenticity. We guarantee they match previews shown on our web site