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Abraham offering up his son Isaac for sacrifice, bronze relief by Filippo Brunelleschi (engraving)
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Abraham offering up his son Isaac for sacrifice, bronze relief by Filippo Brunelleschi (engraving)
5999614 Abraham offering up his son Isaac for sacrifice, bronze relief by Filippo Brunelleschi (engraving) by German School, (19th century); Private Collection; (add.info.: Abraham offering up his son Isaac for sacrifice, bronze relief by Filippo Brunelleschi. Illustration from Handbuch der Kunstgeschichte, by Anton Springer (E A Seemann, Leipzig, 1895).); © Look and Learn
Media ID 22573760
© Look and Learn / Bridgeman Images
Abraham Book Of Genesis Filippo Brunelleschi Genesis Interceding Intervening Intervention Isaac Offering Old Testament Stories Sacrifice Seraph Seraphs Stopping 15th 15 Xv Xvth Fifteenth Century Early Xv Century Hebrew Bible Late Xv Century Psalms The Books Of The Bible
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EDITORS COMMENTS
This bronze relief, created by Filippo Brunelleschi and engraved by the German School in the 19th century, depicts a profound biblical moment - Abraham offering up his son Isaac for sacrifice. The intricate details of this artwork are beautifully captured in this photo print. In this scene from the Book of Genesis, we witness Abraham's unwavering faith as he prepares to sacrifice his beloved son upon God's command. The anguish on Abraham's face is palpable, while young Isaac appears both innocent and trusting. However, just as Abraham raises his knife to carry out the act, an angel intervenes dramatically. This divine intervention showcases God's mercy and tests Abraham's devotion. The artist skillfully captures the emotional intensity of this pivotal event in religious history through their masterful use of bronze relief sculpture. Every line and contour brings depth and realism to each figure portrayed. It is a testament to Brunelleschi's talent that even in engraving form, these characters seem almost lifelike. This artwork not only serves as a visual representation of an important biblical story but also reflects the artistic style prevalent during the Renaissance period in Italy. Its inclusion in Anton Springer’s Handbuch der Kunstgeschichte further solidifies its significance within art history. As we gaze upon this remarkable piece, we are reminded of humanity’s enduring search for spiritual meaning and our capacity for unwavering faith even amidst great challenges.
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