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Antinous from Unpublished Monuments of Antiquity (Monumenti antichi inediti) by Johann Joachim Winckelmann (1717-1768) after a bas-relief of Villa Albani in Rome, engraving, 1767

Antinous from Unpublished Monuments of Antiquity (Monumenti antichi inediti) by Johann Joachim Winckelmann (1717-1768) after a bas-relief of Villa Albani in Rome, engraving, 1767


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Antinous from Unpublished Monuments of Antiquity (Monumenti antichi inediti) by Johann Joachim Winckelmann (1717-1768) after a bas-relief of Villa Albani in Rome, engraving, 1767

Antinous from Unpublished Monuments of Antiquity (Monumenti antichi inediti) by Johann Joachim Winckelmann (1717-1768) after a bas-relief of Villa Albani in Rome, engraving, 1767 18th century, Biblioteca Nazionale Braidense (Library), archaeology

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Media ID 9502193

© DEA / A. DAGLI ORTI

1767 18th Century Classical Garland Illustration Technique Laurel Wreath One Man Only Profile Robe Semi Dress Waist Up Johann Joachim Winckelmann Marcus Antonius


EDITORS COMMENTS
This engraving, titled "Antinous from Unpublished Monuments of Antiquity" transports us back to the grandeur of ancient Rome. Created by Johann Joachim Winckelmann in 1767, it is a reproduction of a bas-relief found at Villa Albani in Rome. The print showcases the waist-up profile of Antinous, an enigmatic figure from Roman history. Dressed in a flowing robe that drapes elegantly around his body, Antinous exudes classical beauty and grace. His gaze is fixed on something beyond our view, adding an air of mystery to his countenance. In his hands, he delicately holds a garland as if preparing for a ceremonial offering. The artist's attention to detail is evident in every stroke of this engraved image. From the intricate folds of Antinous' robe to the meticulously rendered laurel wreath adorning his head, each element reflects Winckelmann's dedication to capturing the essence of ancient art. This illustration technique brings out the timeless allure and significance of Marcus Antonius' beloved companion. It serves as a testament not only to Winckelmann's artistic skill but also to his passion for archaeology and preserving antiquities. Displayed prominently within Biblioteca Nazionale Braidense (Library), this engraving invites viewers into an immersive journey through time. It allows us to appreciate both the artistic mastery behind its creation and the historical importance it represents – reminding us that even centuries later, we can still be

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