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ROSSELLINO, Antonio (1427-1479). Saint John

ROSSELLINO, Antonio (1427-1479). Saint John


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ROSSELLINO, Antonio (1427-1479). Saint John

ROSSELLINO, Antonio (1427-1479). Saint John. 1477. Renaissance art. Quattrocento. Florentine school. Sculpture on marble. ITALY. Florence. Bargello National Museum

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Media ID 8271297

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Antonio Bargello Florence Florentine Insides Marble Quattrocento Renaissance Up Right


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> Arts > Art Movements > Renaissance Art

> Arts > Portraits

> Arts > Sculpture

> Europe > Italy > Florence

> Europe > Italy > Sculptures

> Europe > Italy > Tuscany > Florence

> Historic > Renaissance art > Portraits in renaissance art

> Historic > Renaissance art > Renaissance sculpture

> Historic > Renaissance art


EDITORS COMMENTS
This striking sculpture, titled "Saint John," is a masterpiece by the renowned Florentine artist Antonio Rossellino (1427-1479). Created in the Quattrocento period of the Italian Renaissance, this sculpture is a testament to Rossellino's exceptional skill in marble sculpture. The young Saint John, depicted here, is shown in an introspective pose, with his head slightly tilted down and his hands folded in prayer. His youthful features, characterized by a strong jawline, piercing gaze, and delicate facial features, are beautifully rendered in the marble. The intricate details of the fabric folds on his robe and the subtle textures of the marble add depth and dimension to the piece. The interior setting of the Bargello National Museum in Florence provides the perfect backdrop for this sculpture. The muted lighting and the quiet, contemplative atmosphere of the museum enhance the spiritual quality of the piece. The vertical orientation of the sculpture and its prominent placement in the museum add to its visual impact. Rossellino's "Saint John" is a prime example of the artistic innovation and technical mastery that characterized the Florentine school during the Quattrocento period. The use of color in the marble, though not immediately apparent, is a testament to Rossellino's ability to bring depth and vitality to his sculptures. This sculpture is a must-see for anyone interested in the history of art and the development of Renaissance sculpture.

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