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Purple stock, Wall-flower-leaved pyramidal
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Purple stock, Wall-flower-leaved pyramidal
Purple stock, Wall-flower-leaved pyramidal stock Mauve Beauty, Matthiola.. Handcolored botanical drawn and lithographed by W.G. Smith from H.H. Dombrains Floral Magazine 1872. Worthington G. Smith (1835-1917), architect, engraver and mycologist. Smith also illustrated The Gardeners Chronicle. Henry Honywood Dombrain (1818-1905), clergyman gardener, was editor of the Floral Magazine from 1862 to 1873
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14207553
© Florilegius / Mary Evans
1872 Dombrain Honywood Leaved Mauve Purple Pyramidal Stock Wallflower Worthington Matthiola Smith
EDITORS COMMENTS
This exquisite handcolored botanical print showcases the Purple Stock, Wall-flower-leaved Pyramidal (Matthiola x gravelotii 'Mauve Beauty'), a captivating and elegant flowering plant that was a popular addition to Victorian gardens. The intricately detailed illustration was drawn and lithographed by the skilled hand of Worthington G. Smith in 1872 for Henry Honywood Dombrain's Floral Magazine. Smith, an architect, engraver, and mycologist, was known for his meticulous and accurate botanical illustrations. He also contributed to The Gardeners Chronicle, further solidifying his reputation as a leading figure in the field of botanical art during the late 19th century. Dombrain, the editor of the Floral Magazine from 1862 to 1873, was a clergyman and gardener. Under his tenure, the magazine became a leading authority on horticulture and botany, showcasing the latest discoveries and advancements in the field. The Mauve Beauty, a hybrid of the common stock and the wallflower, is depicted in all its glory in this print. Its distinctive purplish-mauve hue and pyramidal shape make it a standout among other flowers of its time. The intricate details of its leaves, stem, and bloom are rendered with exceptional precision, making this print a true testament to the artistry and dedication of Smith and Dombrain. This historical print provides a glimpse into the rich history of botanical illustration and the fascination with the natural world during the Victorian era. The intricacy and beauty of the Mauve Beauty continue to captivate and inspire gardeners and botanists alike, making it a valuable addition to any collection of botanical prints.
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