Pierre-Joseph Redoute (1759-1840)
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Pierre-Joseph Redoute (1759-1840)
Portrait of Pierre-Joseph Redoute, a French painter. From Les Roses (1817) Vol. 1, by Pierre-Joseph Redoute
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Media ID 8614359
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10706167
Illustrator Pierre Joseph Redouté Redoute
EDITORS COMMENTS
Pierre-Joseph Redoute (1759-1840): A Tribute to the Master of Botanical Illustration This exquisite portrait captures the essence of Pierre-Joseph Redoute, the renowned French painter and botanical illustrator whose works graced the pages of some of the most prestigious publications of his time. Redoute's mastery of the art of botanical illustration is evident in this portrait, which was included as the frontispiece of his seminal work, "Les Roses" (1817), Volume 1. Born in Belgium, Redoute began his career as a painter of miniatures and portraits before turning his attention to botanical illustration. His innovative approach to the medium, which involved the use of watercolors to create intricately detailed and lifelike images, revolutionized the field. Redoute's meticulous attention to detail and his ability to capture the delicate beauty of flowers in all their splendor made him a favorite among the scientific community and the aristocracy alike. "Les Roses" was just one of many groundbreaking works produced by Redoute during his long and productive career. His other notable publications include "Les Liliacées" (1802-1811), "Les Orchidées" (1822-1829), and "Les Nympheas" (1827-1833). These works, which feature stunning illustrations of roses, lilies, orchids, and water lilies, among other plants, are considered masterpieces of botanical illustration and continue to inspire artists and horticulturists to this day. Redoute's legacy as a pioneering figure in the field of botanical illustration is secure. His works, which are characterized by their exceptional beauty, technical precision, and scientific accuracy, remain a testament to his unwavering dedication to capturing the natural world in all its splendor. This portrait, with its intimate and revealing depiction of the artist himself, serves as a fitting tribute to a man whose contributions to the world of botanical illustration were truly unparalleled.
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