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Valentina Visconti, Valentine de Milan, Duchess

Valentina Visconti, Valentine de Milan, Duchess


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Valentina Visconti, Valentine de Milan, Duchess

Valentina Visconti, Valentine de Milan, Duchess of Orleans, 1371-1408. Handcoloured lithograph by Leopold Massard after a sculpture on her tomb in the convent of the Celestines in Paris in Roger de Gaignieres portfolio V 12 from Le Bibliophile Jacob aka Paul Lacroixs Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852

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Media ID 23155054

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Bibliophile Dorleans Duchess Duchesse Historiques Jacob Lacroix Milan Orleans Valentina Valentine Visconti


FEATURES IN THESE COLLECTIONS

> Arts > Artists > J > Jacob Jacobs

> Arts > Sculpture

> Europe > France > Orleans

> Europe > France > Paris > Related Images

> Europe > Italy > Lombardy > Milan

> Mary Evans Prints Online > New Images August 2021


EDITORS COMMENTS
Valentina Visconti, Duchess of Orleans, also known as Valentine de Milan (1371-1408), is depicted in this exquisite handcoloured lithograph by Leopold Massard. The image is based on a sculpture on her tomb in the Convent of the Celestines in Paris and is part of the "Historical Costumes of France" portfolio by Roger de Gaignières, published by Le Bibliophile Jacob in 1852. Valentina was the daughter of Gian Galeazzo Visconti, Duke of Milan, and Isabella of Valois. In 1389, she married Louis I, Duke of Orleans, who was the brother of King Charles VI of France. This marriage was a significant political alliance between the powerful Visconti and Valois families. Valentina is shown here in the regal attire of a duchess of the late 14th century. She wears a richly decorated gown, likely made of velvet or brocade, with a fitted bodice and a voluminous skirt. The gown is fastened with a belt that emphasizes her waist and is adorned with intricate gold and pearl embroidery. Her hair is styled in elaborate curls and is held in place by a diadem or crown. Despite her young age, Valentina played an active role in the political affairs of both Milan and France. She was known for her intelligence, beauty, and diplomatic skills. After her husband's death in 1407, she returned to Milan and became regent for her son, John II. She continued to serve as a powerful figure in Milanese politics until her own death in 1408. This stunning lithograph provides a glimpse into the opulence and grandeur of the European aristocracy during the late Middle Ages. It also serves as a reminder of Valentina Visconti's significant role in the political history of both Milan and France.

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