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A portrait of Florence Rogge, ballet mistreess

A portrait of Florence Rogge, ballet mistreess


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A portrait of Florence Rogge, ballet mistreess

A portrait of Florence Rogge, ballet mistreess at the Roxy Theatre, New York, 1931 Date: 1931

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23420560

© Mary Evans / Jazz Age Club Collection

1931 Ballet Choreographer Dancer Florence Roxy Rogge


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EDITORS COMMENTS
Florence Rogge, Ballet Mistress at the Roxy Theatre, New York, 1931 This portrait captures the elegant and enigmatic presence of Florence Rogge, the renowned ballet mistress of the Roxy Theatre in New York City during the Jazz Age of the 1930s. The image, taken in 1931, showcases Rogge in her element, exuding grace and authority as she prepared dancers for performances at one of the most famous entertainment venues of the time. Born in the United States, Rogge's career in dance began in the early 1900s. She started as a dancer and later transitioned into choreography and teaching. Her expertise and passion for ballet led her to the Roxy Theatre, where she played a pivotal role in shaping the performances that captivated audiences in New York and beyond. In this portrait, Rogge is dressed in a sophisticated costume, complete with a flowing skirt and a fitted top that accentuates her slender figure. Her expressive eyes and poised posture convey a sense of focus and determination, reflecting her dedication to the art of dance. The portrait, taken against a plain backdrop, allows Rogge to truly shine as the central figure, highlighting her importance in the world of dance during the 1930s. As ballet mistress at the Roxy Theatre, Rogge played a crucial role in the preparation and execution of the theatre's elaborate dance productions. Her influence extended beyond the stage, as she mentored and trained the next generation of dancers, passing on her knowledge and passion for the art form. This portrait serves as a testament to her enduring legacy and the indelible mark she left on the world of dance during the Jazz Age in New York City.

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