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Mademoiselle Anais as Kettly in V la c qui
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Mademoiselle Anais as Kettly in V la c qui
French actress Anais-Pauline-Nathalie Aubert or Mademoiselle Anais as the milkmaid Kettly in V la c qui vient de Paraitre, Theatre du Vaudeville, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollets Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845
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Media ID 23177426
© Florilegius/Mary Evans
Alexandre Anais Aubert Dollet Drama Dramatique Galerie Lacauchie Lasalle Mlle Theater Theatres Vaudeville Victor Vient
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Mademoiselle Anais as Kettly in V la c qui vient de Paraitre: A Stunning Handcoloured Lithograph from the Theatre du Vaudeville in 1846 This exquisite handcoloured lithograph, titled "Mademoiselle Anais as Kettly in V la c qui vient de Paraitre," is a captivating glimpse into the world of French theatre in the mid-19th century. The image features the talented actress Anais-Pauline-Nathalie Aubert, known as Mademoiselle Anais, in the role of Kettly from the play "V la c qui vient de Paraitre," which was performed at the Theatre du Vaudeville in Paris in 1846. The illustration, created by the skilled artist Alexandre Lacauchie, beautifully captures the essence of Kettly's character. Dressed in traditional milkmaid attire, complete with a white apron, bonnet, and carrying a wooden pail, Mademoiselle Anais embodies the simplicity and innocence of rural life. Her expressive face and engaged gaze convey a sense of warmth and charm that draws the viewer in. This lithograph is taken from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, published in Paris in 1845. The collection aimed to document the costumes and stage designs of popular plays performed in Parisian theatres, providing a valuable record of the fashion and theatrical trends of the time. The intricate handcolouring adds an extra layer of detail and richness to the image, bringing Mademoiselle Anais's costume to life and enhancing the overall effect. This stunning lithograph is not only a testament to the artistry of the actors and artists involved but also a fascinating window into the world of 19th-century French theatre.
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