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Two gowns from Henri Bendel, New York suggesting
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Two gowns from Henri Bendel, New York suggesting
Two gowns from Henri Bendel, New York suggesting they were created or inspired by Vionnet, Paris, and worn by the Warner brothers movie star Irene Delroy, 1930. Used to emphasise the importance of stylish dancing frocks, one evening gown was of white net, the other a formal gown of shell pink panne velvet Date: 1930
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Media ID 23420424
© Mary Evans / Jazz Age Club Collection
Ballroom Brothers Couture Created Formal Frock Frocks Gown Gowns Henri Importance Inspired Irene Movie Panne Shell Stylish Suggesting Used Velvet Vionnet Warner Worn
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EDITORS COMMENTS
In this photograph from 1930, two exquisite gowns from Henri Bendel, New York, are showcased, evoking an air of glamour and elegance. These stunning frocks, which hint at being inspired by the renowned French fashion house, Vionnet, of Paris, are a testament to the importance of stylish dancing frocks during the Jazz Age. The first gown, a breathtaking creation in white net, exudes an ethereal and delicate beauty. Its intricate beading and delicate layers of netting evoke the grace and poise of the 1930s ballroom scene. The second gown, a formal number in shell pink panne velvet, radiates sophistication and allure. The rich, velvety texture and elegant silhouette are reminiscent of the opulence and glamour of the era. These exquisite gowns were once worn by the Warner Brothers movie star, Irene Delroy, adding an extra layer of intrigue and allure to the image. Delroy, a popular actress during the 1930s, was known for her captivating performances and impeccable sense of style. The photograph, which captures the essence of the 1930s, is a reminder of the importance of fashion in entertainment during this era. The frocks, with their intricate designs and timeless elegance, continue to inspire and captivate audiences even today. This image, a treasure from Mary Evans Picture Library, offers a glimpse into the world of 1930s fashion and the enduring allure of the dance floor.
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