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28 Aug 2021
Images Dated 28th August 2021
15,968 Items
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Osage, c. 1934 (watercolor)
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A Saint (pastel and watercolor on paper mounted on plywood)
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A Saint (pastel and watercolor on paper)
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St. Francis of Assisi, c. 1460 (tempera on panel)
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Arimatsu shibori, 1834 (colour woodblock print)
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A Ferry on the Rokugo River, 1834 (colour woodblock print)
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Toyokawa Bridge, 1834 (colour woodblock print)
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Enshu Bank of the Oi River, 1834 (woodblock print)
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Okitsu River, 1834 (colour woodblock print)
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Satta Pass, 1834 (colour woodblock print)
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Snow at Night, 1834 (colour woodblock print)
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Autograph letter with sketch, 1914 (pen, ink & coloured pencil on paper)
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Headhunters jacket (baju kirai), c. 1825-75 (homespun cotton)
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Vajravarahi (gilt bronze, semiprecious stones & traces of pigment)
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A Convent Near Naples, with a View of Capri, 1816 (oil on canvas)
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Water Lilies, 1908 (oil on canvas)
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Valle Buona, Near Bordighera, 1884 (oil on canvas)
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Nwenka mask, 20th century (wood, pigment, and metal)
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Portrait of the theatre singer Thornsbury, c. 1870 (photo)
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Peace, but not business. 1885 (colour litho)
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Souls in Purgatory, 1893 (drypoint)
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Stirrup-spout vessel depicting felines and cacti, Early Horizon, c. 900-200 BC (ceramic)
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Ceremonial mask, c. 500-1 B. C. (gold)
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Madonna and Child with St. John, c. 1525 (oil on panel)
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Study for The Spanish Dancer, 1882 (w / c on paper)
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St. George on Foot, 1504-05 (engraving)
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St. Sebastian at the Column, 1499-1500 (engraving)
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The Pancake Woman, 1635 (etching)
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Cup in form of female figure, Wongo people, late 19th or early 20th century (wood)
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Head of the rain god Tlaloc, Late Postclassic period, c
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From Paintings in Old Imperial Palace, 1644-1912 (hand-coloured etching)
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From Paintings in Old Imperial Palace, 1644-1912 (hand-coloured etching)
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Dance Folie (etching)
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Two Views of Edo (colour woodcut)
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Mercury and Two Women (etching & aquatint)
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The Wool Carder, c. 1856 (etching)
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The Dreamer (Le Songeur), 1854 (cliche-verre)
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Pillage of a Farm (Le Pillage d un ferme), from The Miseries of War
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The Wheel (La Roue), from The Miseries of War, 1633 (etching)
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The Promenade (oil on copper)
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Danaid, c. 1885 (bronze)
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Human Weaknesses, no. 1, 1840 (litho)
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Current Events, no. 385: Essential Precaution, Paris, 1857 (litho)
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Narumi #41 (from the series Fifty-three Stations of the Tokaido')
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Hercules Conquering Cacus, c. 1496 (woodcut)
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The Promenade, c. 1496-1497 (engraving)
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Cottage and Farm Buildings with a Man Sketching, c. 1645 (etching)
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East Bridge, St Louis, 1919 (litho)
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Enjoying Leisure at a Restaurant Before Receiving Customers
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Page 271 from Plutarchs Lives of the Noble Grecians and Romanes
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Page 420: Asia from Iconology by Cesare Ripa, 16th century
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Seated Female Nude, 1906 (soft-ground etching)
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The Tramps, c. 1894 (litho)
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Christ before Annas, 1511 (woodcut)
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Wash Women (oil on panel)
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Flowers, 1915-19 (oil on canvas)
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Seated Figure (pen & ink with charcoal on paper)
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Courtyard of Arundel House, from the South, 1646 (etching)
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Maternity: Gabrielle, Jean, and a Girl, 1895-96 (transfer litho)
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Frontispiece, 1894 (litho)
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Emma in a Purple Dress, 1920-23 (oil on canvas)
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Morning, drawn by F. R. Roffe (fl. 1850-63), engraved by William Callio Roffe (1817-89)
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The Pensive (aquatint)
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Four Heads from the Raphael Cartoons at Hampton Court, c. 1729 (etching)
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Sensuality, 1898 (etching)
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The Pond, after Theodore Rousseau (1812-67), 1872 (litho)
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Max Klinger at Work, 1902 (soft-ground etching)
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Fishermen fleeing the storm (etching)
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Wood box with collection of 325 marble samples from quarries of Russian Empire, Russia
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Close-up of a vase, Nancy, France
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Batik with traditional design called peksi podang, Surakarta, Java, Indonesia, detail
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Traditional batik design called peksi yawoto, Surakarta, Java, Indonesia, detail
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Display of Berber handicraft products (carpets and pottery), Morocco
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Drying of colored, raw wool, Bhadgaon, Nepal
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Cullercoats, 1877 (bodycolour & w / c on paper)
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The Sphinx of Gizah, 1870 (watercolour on paper)
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A Damaged Boat (pencil on brown paper)
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Bay in South of France (bodycolour on paper)
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The Darn Crook, Newcastle upon Tyne (ink & pencil on paper)
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Barnard Castle (w / c on paper)
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A Tarn, Westmorland (Small Water Tarn from Nanbield, Looking into Mardale
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The Letter, 1864 (ink & w / c on card)
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Woman Peeling Apples (ink & w / c on paper)
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Rydal Water (w / c on paper)
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