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The Virtues Crushing the Vices, Strasbourg Cathedral, 1853. Creator: Charles Marville

The Virtues Crushing the Vices, Strasbourg Cathedral, 1853. Creator: Charles Marville


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The Virtues Crushing the Vices, Strasbourg Cathedral, 1853. Creator: Charles Marville

The Virtues Crushing the Vices, Strasbourg Cathedral, 1853

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Media ID 20770819

© Heritage Art/Heritage Images

Alter Charles Marville Marville Charles Salted Paper Print Strasbourg Cathedral Vice Vices Virtue Virtues Thirteenth Century


FEATURES IN THESE COLLECTIONS

> Architecture > Cathedrals

> Architecture > Country > France

> Architecture > Related Images

> Architecture > Religious

> Arts > Artists > M > Charles Marville

> Arts > Artists > W > Charles White

> Arts > Contemporary art > Photography > Landscape photography

> Arts > Landscape paintings > Landscape art > Landscape paintings

> Europe > France > Strasbourg

> Historic > Medieval architecture > Cathedrals and churches > Church history


EDITORS COMMENTS
This print captures the essence of "The Virtues Crushing the Vices" sculpture at Strasbourg Cathedral, created by Charles Marville in 1853. The image transports us back to the 13th century, showcasing the intricate architecture and carved statues that adorn this magnificent religious site. As we gaze upon this remarkable artwork, we are reminded of the enduring power of Christianity in France's cultural heritage. The cathedral stands tall as a symbol of faith and devotion, its grandeur blending seamlessly with nature's beauty in the surrounding landscape. Marville's expert photography skillfully captures every detail of this masterpiece. The salted paper print technique adds depth and texture to each element, enhancing our appreciation for both artistry and craftsmanship. "The Virtues Crushing the Vices" is not just a representation of religious concepts; it also serves as a testament to human morality. Through his lens, Marville invites us to reflect on these timeless virtues that triumph over vices - an eternal struggle depicted through stone sculptures frozen in time. Displayed within the National Gallery of Art Washington, this photograph allows viewers to experience firsthand Marville's ability to capture history and spirituality through his lens. It reminds us that art has no boundaries or limitations – it transcends time and place. In contemplating this image by Charles Marville, we are transported into a world where religion meets artistry; where centuries-old traditions intertwine with contemporary vision. It is an invitation to explore our own virtues while appreciating those who came

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