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Resurrected Christ with Mary Magdalen and Saints John the Baptist and Jerome, c. 1492. Artist: Montagna, Bartolomeo (1449-1523)
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Resurrected Christ with Mary Magdalen and Saints John the Baptist and Jerome, c. 1492. Artist: Montagna, Bartolomeo (1449-1523)
Resurrected Christ with Mary Magdalen and Saints John the Baptist and Jerome, c. 1492. Found in the collection of Staatliche Museen, Berlin
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Media ID 15026600
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Agony In The Garden Bartolomeo 1449 1523 Belief Berlin Calvary Christ On The Mount Of Olives Crucifixion Devoted Disciple Of Jesus Christ Faith Garden Of Gethsemane Gethsemane Gethsemani Golgotha Golgotha Hill Hieronymus Jerome Jerusalem John The Baptist Loyalty Magdalen Magdalene Mary Magdalen Mary Magdalene Mary Of Magdala Montagna Mount Of Olives Noli Me Tangere Saint Jerome Saint John The Baptist Staatliche Museen Venetian School
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This print showcases the masterpiece "Resurrected Christ with Mary Magdalen and Saints John the Baptist and Jerome" by Bartolomeo Montagna, created around 1492. Housed in the esteemed collection of Staatliche Museen in Berlin, this painting epitomizes the essence of Italian Renaissance art. The scene depicts a profound moment after Jesus Christ's resurrection, where he stands triumphantly alongside Mary Magdalen, Saint John the Baptist, and Saint Jerome. Their expressions reflect unwavering belief and faith in their Savior. The artist skillfully captures their loyalty to Jesus through intricate details that evoke a sense of devotion. Montagna's composition transports us back to biblical times as we witness these revered figures amidst significant locations such as Golgotha Hill, Calvary, Gethsemane (the Mount of Olives), and Jerusalem. Each element symbolizes different aspects of Christianity's core teachings: sacrifice on Golgotha Hill, prayerful agony at Gethsemane, and divine redemption through Christ's resurrection. Mary Magdalene takes center stage as a devoted disciple who witnessed both the crucifixion and resurrection firsthand. Her presence represents unwavering love for Jesus Christ while also embodying themes of forgiveness and transformation found within her own story. Through his masterful use of oil on canvas technique characteristic of Venetian School artists like Montagna himself, this artwork becomes an enduring testament to religious devotion during the Renaissance period. It invites viewers to contemplate not
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