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Portrait Vessel of a Ruler with Face Paint and Large Earflares, 100 B. C. / A. D. 500
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Portrait Vessel of a Ruler with Face Paint and Large Earflares, 100 B. C. / A. D. 500
Portrait Vessel of a Ruler with Face Paint and Large Earflares, 100 B.C./A.D. 500. Four women with musical instruments lounge in a massive garden courtyard
Heritage Images features heritage image collections
Media ID 24043466
© Heritage Art/Heritage Images
1st Century Ad 1st Century Bc 2nd Century 3rd Century 4th Century Ceramic And Pigment Cream Cream Colour Ear Disc Ear Flare Early Intermediate Earring Earrings Face Paint Handle Moche Mochica Peru Peruvian Pre Colombian Pre Columbian Precolombian Precolumbian South American Spout Spouted Vessel 1st Century Arts Of The Americas Earthenware
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This print showcases the "Portrait Vessel of a Ruler with Face Paint and Large Earflares" dating back to 100 B. C. /A. D. 500. The vessel, crafted from earthenware and adorned with intricate ceramic and pigment designs, offers a glimpse into the rich artistic heritage of South America. The ruler depicted on the vessel is striking, with face paint highlighting their features and large earflares adding an air of regality. Their expression exudes power and wisdom, inviting viewers to ponder about their significance in ancient Peruvian society. Surrounding this remarkable artifact are four women lounging in a massive garden courtyard. Each woman holds a musical instrument, suggesting that they may have been entertainers or musicians within the ruler's court. The vibrant colors of their attire complement the earthy tones of the vessel itself, creating a harmonious visual composition. This photograph captures not only the beauty of this precious artwork but also provides insight into early intermediate cultures such as Moche or Mochica civilization. It serves as a testament to their mastery in ceramics and decorative arts during this period. Displayed at an art institute gallery like Art Institute Chicago, this portrait vessel stands as a testament to human creativity throughout history. Its presence invites us to appreciate both its aesthetic value and its cultural significance within pre-Columbian societies in South America.
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