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Portrait of a Lady in Red, 1460-1470, (1934). Creator: Unknown
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Portrait of a Lady in Red, 1460-1470, (1934). Creator: Unknown
Portrait of a Lady in Red, 1460-1470, (1934). Portrait of an unknown woman in an embroidered cap decorated with pearls. Her high forehead, achieved by shaving or plucking, is emphasised by the prophile view. Painting originally acquired as a portrait of Isotta da Rimini by Piero della Francesca but probably by a Florentine artist, in the National Gallery in London. From " The Connoisseur", Vol 93, No 389, January 1934. [The Connoisseur Ltd. London, 1934]
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Media ID 19047043
© The Print Collector/Heritage Images
Edward Edward Gordon Wenham Edward Wenham Embroidered Fele Fell Florentine School Francesca Granville Herbert Granville Herbert Granville Fell Pearl Pearls Piero Della Francesca The Connoisseur Veil Wenham
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Portrait of a Lady in Red, 1460-1470 (1934) - A Captivating Glimpse into Renaissance Elegance
EDITORS COMMENTS
. This mesmerizing print captures the essence of Renaissance beauty with its depiction of an unknown woman adorned in a vibrant red dress. Created by an anonymous artist from the Florentine school, this portrait showcases the intricate details and exquisite craftsmanship that defined this artistic era. The lady's embroidered cap, embellished with lustrous pearls, adds a touch of opulence to her ensemble. Her high forehead, achieved through meticulous shaving or plucking, is accentuated by the profile view chosen for this painting. Originally believed to be Isotta da Rimini by Piero della Francesca, it now resides at the National Gallery in London. Published in "The Connoisseur" magazine in January 1934, this image transports us back to both the fifteenth century and the thirties when it was rediscovered. The rich colors and delicate patterns showcased here evoke a sense of timeless elegance that transcends centuries. As we gaze upon this remarkable artwork today, we are reminded of how art has always been a powerful medium for capturing not only physical beauty but also cultural nuances and historical significance. This portrait serves as a testament to the enduring allure of portraiture and its ability to transport us across time and space.
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