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Medieval wood mosaic, (1898). Creator: Unknown

Medieval wood mosaic, (1898). Creator: Unknown


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Medieval wood mosaic, (1898). Creator: Unknown

Medieval wood mosaic, (1898). Figs 1-6: From a reading-desk in the cathedral of Orvieto [Italy]. Figs 7 and 8: From the stalls of Frari Church at Venice. Figs 9-17: From the vestry-door in S. Anastasia at Verona. Figs 18-27: From the stalls in the minster at Ulm [Germany]...we meet most frequently with band and line ornament, in conjunction with a kind of mosaic work, consisting of small pieces of wood being arranged as stars, etc. Inlaid wood in geometrical patterns. Plate 39 from " The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]

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Media ID 19778100

© The Print Collector/Heritage Images

B T Batsford Batsford Bt Batsford Choir Stall Chromolithograph Dolmetsch Geometric Geometrical H Dolmetsch Heinrich Heinrich Dolmetsch Historic Styles Of Ornament Inlaid Inlay Max Seeger Mosaic Seeger Symmetrical Symmetry Tessellation


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Medieval Art

> Arts > Literature

> Europe > Germany > Posters

> Europe > Italy > Posters

> Europe > Italy > Related Images

> Europe > Italy > Umbria > Orvieto

> Europe > Italy > Veneto > Venice

> Europe > Italy > Veneto > Verona

> Europe > Italy > Verona

> Historic > Medieval architecture > Cathedrals and churches > Church history


EDITORS COMMENTS
This print showcases a stunning medieval wood mosaic, created by an unknown artist in 1898. The image is divided into different sections, each representing various locations across Europe. Figs 1-6 depict a reading-desk from the cathedral of Orvieto in Italy, while Figs 7 and 8 showcase the stalls of Frari Church in Venice. Moving on to Figs 9-17, we are presented with the vestry-door in S. Anastasia at Verona, and finally Figs 18-27 exhibit the stalls in the minster at Ulm, Germany. The artwork predominantly features band and line ornamentation combined with a unique mosaic technique using small pieces of wood arranged as stars and other shapes. The geometric patterns formed through this intricate process create an enchanting visual spectacle that exemplifies medieval craftsmanship. Plate 39 from "The Historic Styles of Ornament" translated from Heinrich Dolmetsch's original German work provides us with this remarkable glimpse into history. The lithograph captures every detail of these ornate wooden designs, showcasing their symmetrical beauty and meticulous attention to detail. This print serves as both a testament to the rich artistic heritage of Germany and Italy during the Middle Ages and a source of inspiration for contemporary interior design enthusiasts seeking to incorporate historical elements into their spaces.

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