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Two lovers in a pavilion, from an Amarushataka (Hundred poems of Amaru)... ca. 1680
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Two lovers in a pavilion, from an Amarushataka (Hundred poems of Amaru)... ca. 1680
Two lovers in a pavilion, from an Amarushataka (Hundred poems of Amaru), or an unidentified erotic series, ca. 1680
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Media ID 21230661
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Arthur M Sackler Gallery Bed Chamber Bedchamber Bedroom Embrace Embracing Freer Gallery Of Art Gold Leaf Indian Miniature Lover Lovers Lying Down Moghul Mogul Mughal Opaque Watercolor And Gold On Paper Pavilion Peacock Reclining Recumbent Hindoostan
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This 17th-century Indian miniature painting, titled "Two lovers in a pavilion" transports viewers to a world of romance and beauty. Created around 1680, the artwork is part of an Amarushataka or Hundred poems of Amaru series, although it may also belong to an unidentified erotic collection. The scene unfolds within a lavishly adorned pavilion, where two figures are locked in an intimate embrace. The opulent gold leaf accents add a touch of grandeur to the composition while highlighting the rich cultural heritage of India's Mughal period. Opaque watercolors bring vibrant colors to life, showcasing the artist's mastery in capturing nature's hues. A peacock gracefully perches nearby, its majestic presence symbolizing love and fidelity. Delicate flowers and plants surround the couple, evoking feelings of serenity and tranquility within this private sanctuary. The unknown artist skillfully portrays both male and female subjects with great tenderness and sensitivity. Their reclining postures suggest relaxation as they enjoy each other's company in this secluded space. Displayed at the Arthur M Sackler Gallery within the Smithsonian Institution's Freer Gallery of Art, this mesmerizing print invites visitors into a world where love knows no bounds. It serves as a testament to India's rich artistic tradition while offering viewers an opportunity for reflection on themes such as passion, connection, and human emotion.
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