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Lord George Bentinck, (1802-1848), 19th century

Lord George Bentinck, (1802-1848), 19th century


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Lord George Bentinck, (1802-1848), 19th century

Lord George Bentinck, (1802-1848), 19th century. Bentinck was an English Conservative politician and racehorse owner. He is best known for his part in the unseating of Sir Robert Peel over the Corn Laws. Illustration from The life and times of Queen Victoria, by Robert Wilson, (1900)

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Media ID 14914444

© The Print Collector / Heritage-Images

Bentinck Conservative Conservative Party Corn Laws George Frederick Lord Print Collector5 Robert Wilson Sportsman Wilson


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> Arts > Artists > Q > Queen Victoria Queen Victoria

> Arts > Artists > S > William Scott

> Arts > Artists > W > George White

> Arts > Artists > W > Robert White

> Arts > Artists > W > William White

> Arts > Artists > W > William Wilson

> Arts > Artists > W > Wilson Wilson

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Portraits > Black and white portraits


EDITORS COMMENTS
This print showcases Lord George Bentinck, a prominent figure in 19th-century England. Known for his involvement in politics and passion for horse racing, Bentinck was an influential Conservative politician and racehorse owner. His most notable contribution to British history was his role in the unseating of Sir Robert Peel over the controversial Corn Laws. Captured through an engraving by Robert Wilson, this portrait exudes Victorian elegance and sophistication. Lord George Bentinck's stern yet dignified expression reflects his dedication to public service and unwavering commitment to conservative values. The monochrome aesthetic adds a timeless quality to the image, transporting us back to a bygone era of political intrigue and societal transformation. As we gaze upon this print, we are reminded of the significant impact individuals like Lord George Bentinck had on shaping their country's destiny. Whether displayed in a historical exhibition or cherished as part of a personal collection, this print serves as both an artistic masterpiece and a poignant reminder of one man's indelible mark on English politics during the 19th century.

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