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Le Sphynx vu de Face, Egypte Moyenne, 1849 / 51, printed 1852. Creator: Maxime du Camp
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Le Sphynx vu de Face, Egypte Moyenne, 1849 / 51, printed 1852. Creator: Maxime du Camp
Le Sphynx vu de Face, Egypte Moyenne, 1849/51, printed 1852. A work made of salted paper print, plate 11 from the album " egypte, nubie, palestine et syrie" (1852)
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Media ID 23871765
© Heritage Art/Heritage Images
1852 Ancient Site Camp Maxime Du Chephren Du Camp Maxime Egypte Nubie Palestine Et Syrie And Giza Egypt Africa Gizeh Egypt Great Sphinx Khafre Khephren King Khafre Landmark Limestone Maxime Du Camp Middle Eastern Monolith Mythical Beasts Mythical Creatures Mythological Creature Old Kingdom Pharaoh Khafre Salted Paper Print Sphinx The Great Sphinx Ancient Egyptian Mizraim Mythical Beast Mythical Creature
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EDITORS COMMENTS
This print transports us back to ancient Egypt, specifically the year 1852. Created by Maxime du Camp, a French photographer and writer, this image titled "Le Sphynx vu de Face" captures the majestic Great Sphinx of Giza from a frontal perspective. The photograph is part of an album called "Egypte, Nubie, Palestine et Syrie" showcasing various locations in the Middle East. The Great Sphinx stands as a testament to the rich history and mythology of Egypt's Old Kingdom. Carved out of limestone during the reign of Pharaoh Khafre (also known as Chephren), this monolithic creature has become an iconic symbol worldwide. Its enigmatic expression and mythical aura continue to intrigue visitors even today. Du Camp's salted paper print technique adds depth and texture to this historic masterpiece. The contrast between light and shadow enhances every intricate detail carved into the stone surface. As we gaze upon this artwork, we are transported through time, standing in awe before one of mankind's greatest architectural achievements. Displayed at the Art Institute Chicago, this photograph serves as a reminder of our fascination with ancient civilizations and their enduring legacy. It invites us to explore not only Egypt's cultural heritage but also appreciate photography as an art form that can capture both beauty and historical significance simultaneously.
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