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Italian Renaissance illumination, weaving, and marble-mosaic, (1898). Creator: Unknown
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Italian Renaissance illumination, weaving, and marble-mosaic, (1898). Creator: Unknown
Italian Renaissance illumination, weaving, and marble-mosaic, (1898). Figs 1-6: Paintings from divers manuscripts. Fig 7: Velvet-stuff in the Museum vaterlandischer Altertumer at Stuttgart. Fig 8: Border from a silk-stuff. Fig 9: Marble-mosaic from a table in the National Museum at Munich. Plate 54 from " The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
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Media ID 19777902
© The Print Collector/Heritage Images
B T Batsford Batsford Bt Batsford Chromolithograph Dolmetsch E Hochdanz Foliage H Dolmetsch Heinrich Heinrich Dolmetsch Historic Styles Of Ornament Hochd Hochdanz Illuminated Manuscript Illumination Inlaid Inlaying Keystone Archives Marble Mosaic Ornate Reptile Reptiles Snake Snakes Stylised Urns Vase Gold Colour Intarsia Pietra Dura
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EDITORS COMMENTS
This print showcases the exquisite artistry of Italian Renaissance illumination, weaving, and marble-mosaic. Created in 1898 by an unknown artist, this piece is a compilation of various paintings from different manuscripts. Figs 1-6 present stunning examples of intricate paintings, while Fig 7 displays a velvet-stuff found at the Museum vaterlandischer Altertumer in Stuttgart. Fig 8 exhibits a border design crafted from silk-stuff, and Fig 9 features a mesmerizing marble-mosaic table from the National Museum in Munich. The image captures the essence of nature with its depiction of flowers and foliage intertwined with reptiles such as snakes. The golden color palette adds richness to the overall composition, enhancing its ornate and decorative qualities. Each element within this artwork harmoniously combines to create an enchanting visual experience. This print originates from "The Historic Styles of Ornament" translated from German author H. Dolmetsch's work. Published by B. T. Batford in London during the late nineteenth century, it offers insights into interior design concepts prevalent during that era. With its vibrant colors and meticulous detailing, this print transports viewers back to the sixteenth-century Italy where these artistic techniques flourished. It serves as a testament to human creativity throughout history and reminds us of our enduring fascination with beauty expressed through various mediums like illuminated manuscripts, weaving textiles, and marble mosaics.
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