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GUADELOUPE. - Type n°7, 1900-1920. Creator: Edgar Littee
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GUADELOUPE. - Type n°7, 1900-1920. Creator: Edgar Littee
The title of this French colonial postcard (GUADELOUPE. - Type n 7) exemplifies the standard naming structure that categorized " exotic" native subjects in the form of ethnic and occupational " types." Presenting the image subjects in this way conveyed the perception of them as " tame" colonial subjects capable of assimilation into European ways of life. The woman in this image wears a traditional, five-piece French Caribbean formal ensemble called a douillette, which is derived from the grand robe worn by early French settlers. Prior to Emancipation, dress codes required enslaved women to wear a chemise jupe, an informal bodice and skirt ensemble. Douillettes would have been worn by mulattas and free black women. Following Emancipation, black women resisted these old dress codes by donning elaborate douillettes that were previously forbidden
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Media ID 22175844
© Heritage Art/Heritage Images
Black History Caribbean Cultural Heritage Emancipation Guadeloupe Heritage Nmaahc Head Dress Litt And Xe9
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EDITORS COMMENTS
This print by Edgar Littee showcases the cultural heritage and history of Guadeloupe in the early 20th century. Titled "GUADELOUPE. - Type n°7" this French colonial postcard exemplifies the categorization of native subjects as "exotic" types, reflecting the perception of them as assimilable into European ways of life. The woman featured in this image is adorned in a traditional douillette, a five-piece formal ensemble derived from early French settlers' grand robes. Prior to Emancipation, enslaved women were required to wear more informal attire called chemise jupes. However, following their liberation, black women embraced elaborate douillettes that had previously been forbidden. Edgar Littee's photograph not only captures the beauty and intricacy of this traditional costume but also serves as an educational tool for understanding Guadeloupe's rich cultural history. The patterned fabric and headgear worn by the woman add depth and authenticity to her portrayal. Preserved at the National Museum of African American History and Culture (NMAAHC), this silver gelatin print on photographic paper offers a glimpse into Caribbean black history during a time when societal norms were being challenged and redefined. Littee's work reminds us of the importance of recognizing our shared heritage while celebrating diversity. This photograph stands as a testament to resilience, resistance, and pride within Guadeloupean culture, showcasing how clothing can be both an expression of identity and an instrument for change.
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