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A Contrast, c1838. Creator: Unknown
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A Contrast, c1838. Creator: Unknown
A Contrast, c1838. Political satire depicting British politicians: Henry Brougham, 1st Baron Brougham and Vaux (1778-1868), William Lamb, 2nd Viscount Melbourne (1779-1848), and Arthur Wellesley, 1st Duke of Wellington (1769-1852). Brougham and the Duke of Wellington are saying I would if I could, and I could if I would, and are trying to dislodge Lamb who is sitting on a box labelled Treasury. Published by Edward McLean, Leicester Square
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Media ID 18323042
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1st Baron Brougham And Vaux 1st Duke Of Wellington 2nd Viscount 2nd Viscount Melbourne Arthur Arthur Wellesley Baron Bro Baron Brougham And Vaux Brougham Contrast Doyle Duke Of Duke Of Brougham Duke Of Wellington Edward Field Marshal Henry Brougham Henry Peter Henry Peter Brougham Iron Duke John Doyle Lamb Lever Lord Lord Brougham Lord Melbourne Lord Wellington Mclean Melbourne Prime Minister Sir Arthur Wellesley The Iron Duke Treasury Viscount Viscount Melbourne Weight Wellesley Wellington William Lamb Crowbar
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A Contrast, c1838
EDITORS COMMENTS
is a captivating political satire captured in this intriguing photo print. The image portrays three prominent British politicians of the 19th century: Henry Brougham, 1st Baron Brougham and Vaux; William Lamb, 2nd Viscount Melbourne; and Arthur Wellesley, 1st Duke of Wellington. Each figure represents a distinct character and ideology within the realm of British politics. Brougham and the Duke of Wellington are depicted with determined expressions as they utter the words "I would if I could, and I could if I would". Their actions suggest an attempt to dislodge Lamb from his seat atop a box labeled Treasury. This symbolic representation alludes to power struggles within the government during that era. The lithograph's color scheme adds depth to its message by contrasting light and dark tones. The artist skillfully employs shades of color to emphasize various elements such as Brougham's crowbar lever used for leverage or Wellington's weighty presence as a field marshal. Published by Edward McLean in Leicester Square, this print showcases John Doyle's masterful caricature skills while offering viewers an insightful glimpse into the complex world of politics during the nineteenth century. It serves as both entertainment and social commentary on power dynamics within Britain at that time. This historical artifact allows us to reflect upon how political satire has long been employed as a means to critique those in positions of authority. As we delve into this visual narrative, we gain valuable insights into past ideologies while appreciating artistry that transcends time.
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