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Yawning Prints
In morning, 1900, by Lovis Corinth (1858-1925)
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Gulliver awaking in Lilliput, Illustration from Gulliver's Travels by Jonathan Swift
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Broadway on a Jewish holiday, 1906
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3671410
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3671356
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The Hopeless Dawn - cartoon from the Gallipoli campaign of 1915 published in The Anzac Book
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Untitled (woman yawning), c. 1780 (mezzotint)
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Marriage a la Mode, Plate II, The Tete a Tete, illustration from Hogarth Restored
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Male Lion, Abdullah, yawns in his enclosure at London Zoo in 1925 (b / w photo)
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A Puma / Cougar / Mountain Lion yawning and stretching at London Zoo in June 1925
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Woman with Hand in Hair (black chalk on paper)
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The Morning Herald, 1826 (etching)
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Comfort, from the Tipos Californianos series, 1850 (colour litho)
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The Morning after Marriage, or A scene on the Continent, published by W
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A Petty Professor of Modern History brought to Light, 1810 (etching with aquatint)
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Dancer, Arms Raised Behind the Head; Danseuse, les bras leves et ramenes derriere la tete
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Morning, Noon, Night, published by Thomas McLean, London (coloured etching
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Tigress Sally, yawning, while lying on the floor of her enclosure, London Zoo
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Wash Women (oil on panel)
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Writing Lines, from J Apprends l Orthographe, published by Hachette
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The Awakening of Adonis, 1899 (oil on canvas)
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Eve Bretonne (II), 1889 (pastel & chalk on paper laid down on canvas)
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Mercury puts Argus to Sleep or Mercurio Addormenta Argo
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A Petty Professor of Modern History brought to Light, published by Hannah Humphrey in
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A Mountain Lion yawning at London Zoo, 1928 (b / w photo)
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Scholars at a Lecture, March 3, 1736 (engraving)
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The Laundresses (The Ironing) c. 1874-76 (oil on canvas)
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The Boy, c. 1920s (pen & ink with w / c on paper)
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The Amusing Evening, 1821 (coloured engraving)
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Awaiting News of the Arrest of Robespierre (1758-94) in 1794, 1866
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Black Matins, or the Effects of Late Drinking upon Early Risers
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Marriage a la Mode, Plate II, The Tete a Tete, 1745 (engraving)
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Marriage a la Mode: II- The Tete a Tete, c. 1743 (oil on canvas) (detail from 4395)
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The Late Premier Minister, published by G. Bickham, Mays Buildings, Covent Garden
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The Count of Villaflor telling Pedro I (1798-1834) Emperor of Brazil and King of
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The Ragged School, West Street (previously Chick Lane), Smithfield (print)
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The Resurrection (oil on panel)
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Idleness, 1818 (oil on canvas)
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Marriage a la Mode: II - The Tete a Tete, c. 1743 (oil on canvas)
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