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Weeping Prints
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Two pages from the nursery-rhyme book The Comic Adventures of Old Mother Hubbard
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News from Sebastapol, 1875 (oil on canvas)
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The Mater Dolorosa, (oil on panel)
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Certain ladies of her companionship gathered themselves with Beatrice when she kept alone
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Paradise Lost, 1867 (oil on canvas)
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Writing the Will, 1786 (pen and grey ink and watercolour)
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Weeper from the tomb of Isabella of Bourbon, c. 1475-76 (bronze)
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Weeper from the tomb of Isabella of Bourbon, c. 1475-76 (bronze)
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Ten weepers from the tomb of Isabella of Bourbon, c. 1475-76 (bronze)
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Detail of the Pieta (painted plaster)
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Pieta, 1476 (tempera on wood, gold ground)
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Faridun goes to Irajs palace and mourns, 1330-40 (ink
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Faridun mourns by the Coffin of Iraj, 1330-40 (ink, opaque watercolor and gold on paper)
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The Lord of Burleigh (pen and black ink)
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The Agony in the Garden, c.1400-50 (tempera on poplar panel)
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The man with the muck rake (colour litho)
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The Penitent Magdalene, c. 1620 (oil on panel)
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Crucifixion of Christ, 1923 (litho)
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The state of man regretting having offended God (litho)
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The Young Heir Takes Possession of the Misers Effects
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The Theatrical Steel-Yards of 1750, 1741 (engraving)
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The Entombment of Christ (oil on panel)
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The Happy Free Labourers of England, from a print published in 1833
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Weeping Woman, 1883 (black and white chalk, with brush and stumping
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King David weeping and praying for the life of his sick child
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Mourning Saint John and Mourning Virgin, Kingdom of Castile and Leon, c
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The Magdalen in a Cave, c. 1650 (oil on canvas)
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Altar piece, right panel, detail, The Deposition from the Cross (painted stone)
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Mademoiselle George (pencil on paper) (b / w photo)
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The Hindoo Mother, engraved by E. J. Portbury, Title page from
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The giants bore Freia away, from The Stories of Wagners Operas by J
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The Dormition of the Virgin (egg tempera on wood with copper)
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Christ carrying the Cross (panel)
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By the Waters of Babylon, 1882-83 (oil on canvas)
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The Virgin Mourning (tempera on panel)
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Crucifixion
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The Trial at the Old Bailey, plate 5 of The Drunkards Children
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The Death of Sophonisba, 1655-65 (oil on canvas)
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Virgin Mary at the Foot of the Cross, 1847 (oil on canvas) (detail
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Christ and the Adulteress, 1653 (oil on canvas)
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Relief depicting the deceased surrounded by parents and friends
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Nursery school, 1898 (oil)
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The Death of Adonis, after 1888 (marble)
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Dargnieres Nouvelles, Arthur Rimbaud (1854-91) robbed by a coachman in Vienne
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Plaque depicting the Ascension, possibly from a book cover (ivory) (b / w photo)
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Despair, 1881 (oil on canvas)
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The Flight of the Swallows, 1906
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A Harlots Progress, Plate Six: The Funeral, etching and engraving)
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Susanna Accused of Adultery
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Early Sorrow (oil on canvas)
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Passions from Physiognomy, 1829 (engraving)
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The Mock Turtle - The Mock Turtle Sobbing on a Rock, c. 1865 (pen and brown ink)
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A Son of his Father, (oil on canvas)
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The Press Gang, (pencil and watercolour)
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Marie Antoinette, exiting her carriage and surrounded by her cortege
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The Princess Tied to a Tree (oil on canvas)
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Scenes from Romeo and Juliet: Juliets Chamber (IV, V), 1882 (gouache, en grisaille)
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Farewell, 1893 (oil on canvas)
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A Shepherd Weeping on a Tomb Erected to a Gnat, 1808 (oil on canvas)
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Ariadne Abandoned by Theseus, (oil on canvas)
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The Mater Dolorosa, c. 1509-1511 (oil on panel)
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Lamentation over the dead Christ, 1527 (oil on panel)
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Crucifixion, 1503-11 (oil on canvas)
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The Crucifixion, c. 1473-74 (tempera on poplar panel)
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Cassandra mourns the destruction of Troy, 1550-55 (pen on paper)
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Capture of Bruces wife and daughter at Tain, 1306, illustration from
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Farewell, 1855 (oil on canvas)
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The Parting (pen & ink on paper)
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Despair, 1903 (oil on canvas)
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The Blessings of Peace and The Curses of War, published by Hannah Humphrey in 1795
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Pieta (Christus Patiens), 1550 (panel)
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The Deposition, centre panel of triptych, late 15th-early 16th century
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The Abandoned (oil on panel)
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The Crucifixion (pen and wash)
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P. 125-1950. pt50 A Little Boy Lost: plate 50 from Songs of Innocence and of Experience
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But Men Must Work and Women Must Weep, 1883 (w / c on paper)
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Christ as a Gardener, 1508 (oil on panel)
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The Three Queens, illustration from Stories of King Arthur and the Round Table
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Virgin Mary at the Foot of the Cross, 1847 (oil on canvas) (detail
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The Entombment, detail of a female saint, 1490 (painted stone)
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Study for La D0uleur, 1899 (charcoal on paper)
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Sir Pellias encounters the Sorrowful Lady in Arroy, illustration from
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The Departure of the Citizen, 1792 (colour engraving) (see also 250729)
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The Lord Wept, illustration from The Life of Our Lord Jesus Christ
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