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Waiting Prints
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Waiting for the Ferry, 1902 (watercolour and gouache on paper)
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The Squires Arrival (oil on canvas)
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An Odalisque (oil on canvas)
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The Confession, (watercolour heightened with white on paper laid down on panel)
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The Sailors Return, (oil on canvas)
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Waiting for the Entrance, (oil on board)
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At the Racetrack, 1874 (oil on canvas)
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The Introduction, 1868 (oil on canvas)
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The Village Postman, (oil on canvas)
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An Allegory of Painting: An Elegant Company in an Interior with a Gentleman sitting for
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The Dithering Client, 1916 (oil on board)
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Joan of Arc (oil on canvas)
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By the Water, 1881 (gouache and pencil on silk mounted on cardboard)
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L Italienne (At the Fountain), 1875 (oil on canvas)
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Waiting, 1885 (oil on canvas)
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The Bridesmaids, 10th march, 1863, from A Memorial of the Marriage of Edward VII
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Waiting (oil on canvas)
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Faithful waiting in front of confessional, engraving by Bernard Picart (1673-1733
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Between Gardens, (oil on panel)
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A Bustling Street Scene (oil on canvas)
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Three Women in the Garden; Trois Femmes dans le Jardin, 1905-1915 (oil on canvas)
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Tired of Waiting, 1881 (pencil and watercolour with touches of white heightening)
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In the Fishing Season, (watercolour on textured paper)
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U. S. S. Oregon, waiting for the gong, 1896-1901 (b / w photo)
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Coming and going, and waiting his pleasure
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The Dead-Line, 1923 (litho)
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Harem Women (oil on panel)
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A Young Woman at her Toilet with a maid, c. 1650-51 (oil on wood)
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Mother and Child, (oil on canvas)
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A Female Employment Office (oil on canvas)
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The Cafe, c. 1900 (oil on canvas)
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The Faggot Gatherer, 1883 (watercolour on paper)
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Suzanne with Sunflowers; Suzanne aux Soleils, c. 1889 (oil on canvas)
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Girl at a Window; Jeune Fille a la Fenetre, (pastel and charcoal on paper)
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Child Sitting under a Tree; Kind Sitzend unter Einem Baum, c. 1905 (oil on canvas)
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A View of Copenhagen with the Knippelsbro, 1882 (oil on canvas)
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A Fjord Scene (oil on canvas)
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At the Police Station, 1857 (oil on canvas)
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The Saffron Cake, 1920 (oil on canvas)
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Backstage at the Irving Palace Theatre, New York, during a performance of
From £69.98
Queuing in Floral Street for tickets for a performance at the Royal Opera House
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Palmer House grand dining room, c.1880 (b/w photo)
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Silhouette of reserve soldiers waiting to move up to the front line during World War One
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The throne hall of Lopburi Palace where King Narai the Great met with French amabassadors
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The Guards of the Harem (oil on panel)
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Not Far to Go, (oil on canvas)
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Quartier de la Bourse, illustration from Six Quartiers de Paris
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Anticipation, 1891 (w / c)
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Stormy Weather, c. 1831-3 (w / c on paper)
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War, 1883 (oil on canvas)
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Two Girls on the Beach, Tynemouth, 1891 (w / c on paper)
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Walking to Mouseys Hall, illustration from A Frog He Would A-Wooing Go
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Ladies reposing in the harem, late 19th century (silver albumen photo)
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The Rendez-Vous, 1881 (oil on canvas)
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The sleep of Brunnhilde, illustration from The Rhinegold and the Valkyrie
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Cheap food line at Bryant Park, New York, during the Great Depression, 1931 (b / w photo)
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The Parting Guest, from The Light Side of Egypt, 1908 (colour litho)
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English prisoners at a collection point during the Great War in France
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War Loans: early applicants with prospectuses, illustration from
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Out of the Game (oil on canvas)
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Waiting Room at the Admiralty, from The Progress of a Midshipman, pub
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The Breton Fishermens Wives, 1870-73 (oil on panel)
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The Soldiers Return (oil on prepared board)
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They Come'(w / c on paper)
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Loves Young Dream, 1887 (oil on canvas)
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Interior of the Central Railway Station, Vienna (litho)
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Enter!, 1913 (oil on canvas)
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The Flight Shooter, illustration from Wildfowl and Waders (colour litho)
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Study of Paris Cafe, 1900 (albumen print)
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British sapper armed with Colt Revolver waits in mine for enemy counter-sapper to break
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The Customs House at Boulogne - verso: Graphite Sketch of Horses
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View of a Harbour, 1666 (oil on canvas)
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A ferry arriving at Leith, from A Voyage Around Great Britain Undertaken between
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Performing a Public Vaccination Against Cholera in the Murcia area
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Lord Chesterfields Ante-Room in 1748, 1869 (oil on canvas)
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The Expected Lover - Will they Give their Consent? (oil on panel)
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Hastings Railway Station
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Coffee Room in 1763, from London Coffee-Houses Past and Present
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Before the Wedding, 1880s (oil on canvas)
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Fatal Curiosity, pub. by Robert Sayer & J. Bennett, 1784 (mezzotint engraving)
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Group of Actors, 1913-24 (oil on canvas)
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A Feast at Tiflis, from Voyages du Chevalier Chardin en Perse
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An Eskimaux watching a Seal-Hole, from Journal of a Second Voyage for the Discovery
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Nydia
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