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Visor Prints
The Knight, Death and the Devil, 1513 (etching)
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Sir John Smithes armour, 1585 (pen, ink and watercolour on paper)
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Soldiers without guns, 1944 (colour lithograph)
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Women's summer hats, in straw with feathers and flowers
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Kepi of Captain John B. Richardson of the Washington Artillery (textile & leather)
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Navy kepi (textile & leather)
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Kepi of Paule Simmes, Georgia (textile & leather)
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Kepi of Captain Euclid Bardland of the Washington Artillery (textile & leather)
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Kepi of A. J. Charbaron (textile & leather)
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Federal officer's kepi (textile & leather)
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Three-quarter Armour, second quarter 17th century (steel)
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Field Armour, 1510-25 (steel, leather & modern restorations)
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Half Armour, 1600-10 (steel with gilding, modern leather, fabric & wax)
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Visor to mask of parade helmet in bronze sheet applied on metal support
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Archers and cross-bow-man, 1312
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The new shako for the Infantry, 1860 (engraving)
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Casque of King James II with cheek pieces and perforated steel visor representing the Royal Arms
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Fourteenth century Visored Bassinet
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Visored helmet dating from c. 1643
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First page of the history of King Juan I of Castile (1358-90)
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Knight, Death, and the Devil, 1513 (engraving)
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Knight, Death, and the Devil, 1513 (engraving)
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Knight, Death and the Devil, 1513 (engraving)
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Armet a Rondelle, Milan, c. 1460-75 (steel)
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Knight, Death and the Devil, 1513 (copper plate engraving)
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The Knight, Death and the Devil, 1513 (engraving)
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Knight, Death and the Devil, 1513 (engraving)
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Hounskull helmet, 1390
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Close helmet in Maximilian style, c. 1510-30 (steel with brass rivets)
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Closed burgonet helmet, early 1500s (steel)
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Burgonet with Falling Buffe possibly from an Armour of William Herbert
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Field Armour, from a Garniture
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Armet Adapted for Mortuary Use, 1505-10 (steel)
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Close Helmet, c.1580-90 (steel, brass & copper with leather)
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Close helmet and partial suit of armour in Maximilian style, Nuremberg, c. 1525 (steel)
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Half armour, 1550-1610 (steel, hammered, riveted)
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Davids sons Amnon and Absalom declare war on each other
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Burgonet, c. 1540 (steel)
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Half-suit of armour for the field, c. 1575 (steel)
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Close helmet, c. 1590-1625 (gilded steel with red velvet lining)
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Hounskull helmet, 1390 (iron, steel & brass)
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A Knight in Complete Armour in the 15th Century, c. 1880 (litho)
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Self portrait with a visor, c. 1776 (pastel on paper, mounted on canvas)
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Cap worn by Captain Burton of the 7th Connecticut Volunteers (mixed media)
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Close helmet in Maximilian style, c. 1520 (steel & brass)
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Half Armor for the Foot Tournament, c. 1590 (etched & gilded steel, brass rivets
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Fr. 119 fol. 312v Lancelot, the Knight of the Cart, 1344 (vellum)
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Half armour, 1550-1610 (steel, hammered, riveted)
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Armor for Field and Tilt, of Count Franz von Teuffenbach
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Helmet of Armor for Field and Tilt
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Close Helmet, c.1550-56 (steel)
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Closed Burgonet of Totenkopf form
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Closed sallet with grotesque face, or Schembart visor, Nuremberg, c. 1500 (painted steel)
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Burgonet, c. 1510-40 (steel)
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Fr 95 fol. 173v The Battle of Bedigran, from The Story of Merlin, c
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Half armour, 1550-1610 (steel, hammered, riveted)
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The Hammerman, 1884 (bronze)
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Blind man labeling brooms at the Bourne Memorial Building, New York
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Close helmet for the field, c. 1550-70 (steel, iron, leather & brass)
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Three-Quarter Field Armour, possibly for Henry Herbert
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Field Armour from a Garniture, c.1590 (steel, iron, brass, gold, silver, leather & fabric)
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Relief depicting a secutor (stone)
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Soldier wearing a visored helmet, from the The Vallardi Album (pen & ink on paper)
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Two combatants begin a judicial duel, from Military and Religious Life in
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Gilt armour given to Charls I by the city of London, from A Short History of
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Soldier wearing a visored helmet, from the The Vallardi Album (pen & ink on paper)
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Self Portrait, 1775 (pastel on paper)
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Printed to Order and Licensed for Personal Use
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