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Vaulted Prints
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Renaissance Indoor Staircase, 1667 (oil on canvas)
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The Henry VII Lady Chapel, aka Henry VII Chapel
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Untitled, late 19th-early 20th century (b/w photo)
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6 Idol Lane, cellars, City of London, 1971 (b/w photo)
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The Story of a Battle, c.1875 (oil on canvas)
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6 Idol Lane, cellars, City of London, 1971 (b/w photo)
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View of the nave and organ, St. Nicholas Church, Leipzig, Germany, c.1900-40 (b/w photo)
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View of the nave and organ, St. Nicholas Church, Leipzig, Germany, c.1925 (b/w photo)
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Photographic print of the stone canopy above the effigy of Bishop Wayneflete
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Pennsylvania Station, New York City
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Pennsylvania Station, Main Concourse, New York City, c.1910-30 (colour litho)
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View of the nave vaulting, c.12th-14th century (photo)
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Pennsylvania Station, Grand Concourse
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Vaulted ceiling decorated with stuccoes from the tepidarium
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Room decorated with white panels and partly vaulted ceiling
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Vaulted rooms (ghorfa) in Medenine, Tunisia, photograph by Perrin, Tunis, ca 1910
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Donkeys and vaulted rooms (Ghorfa) on road in Medenine, Tunisia, 1915-1920
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Portugal - Alcobaça. Aisle at the monastery of Santa Maria
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Spain, Andalusia, Roman necropolis of Carmona, vaulted mausoleum at Servilia Tomb
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Interior of St. Peter's, Rome, 1731 (oil on canvas)
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Polychrome stuccoes from the vaulted ceiling of the apodyterium (dressing room)
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The interior of the nave taken from the gallery above the Queen's Screen at the south end c
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Vaulted entrance with octagonal coffers
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Ceiling painting depicting Hercules between Glory and the Passions (photo)
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The Great Hall, Hampton Court Palace, Middlesex, UK, early 20th century (b/w photo)
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Architectural Scene with Women Washing Clothes at a Pool, 1798 (oil on canvas)
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View of the interior, c.1240-75 (photo)
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Interior of San Frediano, Lucca, 1845 (pen, brown ink & wash over pencil on paper)
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The Old Almonry, interior view of the Abbey (photo)
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New College Oxford: Proposed passage from Old to New Buildings, 1875-77 (ink on paper)
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Guell Crypt with its tilted column, built by Antonio Gaudi (1852-1926) in 1908-15 (photo)
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Belem Cathedral, 1917 (w / c on paper)
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Refleclion in the Salisbury Cathedral Font looking East (photo)
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The Ceiling of St. Georges Chapel, Windsor (photo)
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Card Players, 1815 (oil on canvas)
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Piazza del Popolo, during the rule of Pope Sixtus V (fresco)
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Domed ceiling of St Johns Baptistry, Florence (mosaic)
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Table set for a banquet at the Ritz-Carlton Hotel, 1913 (silver gelatin print)
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The Tea Room at the Hotel Prince George, 1907 (silver gelatin print)
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Great Avenue in the Tchartchi, 1850 (coloured aquatint)
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Remains of Bristol Castle (pencil & w / c on paper)
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Interior of St Jamess Church, 1828 (w / c over pencil on paper)
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Interior of Guildhall, 1822 (w / c wash over pencil on paper)
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Nave of St Mary Redcliffe, looking East with the Hogarth Altarpiece
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The Deanery Winchester, c. 1830 (engraving)
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The Nave of the Crypt, from the West Door, St. Johns Church, Clerkenwell
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Weaving a Rug, from Volume II Arts and Trades of Description of Egypt, pub
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Crypt at Canterbury Cathedral, c. 1920 (b / w photo)
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View of an Interior of the Doges Palace in Venice, c. 1840 (w / c on vellum)
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Set Design for La Pisanelle, Ou La Mort Parfumee by Gabriele d Annunzio
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The ceiling of the Capilla del Condestable, late 15th century (photo)
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Enthronement of the King of Poland from the Pontifical of Bishop Erasmus Ciolek
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Roskilde Cathedral, Denmark, 1874 (oil on canvas)
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Gloucester Cathedral Interior (etching)
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Interior of a Church, 1628 (oil on panel)
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Interior of a small Chapel at Tynemouth Priory, 1820 (hand-coloured etching & aquatint)
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Consecration of the Bishop from the Pontifical of Bishop Erasmus Ciolek, c
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Basement of the Temple of Fortune and Rest, 1833 (etching with brown wash)
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The Biggest Salt Mines in the World (litho)
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Fountain of Moses, Piazza San Bernardo, Rome (fresco)
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Vault of the Presbytery, Santa Maria del Popolo, Rome, c. 1484-92 (fresco)
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Vault of the Presbytery with Luke the Evangelist, Santa Maria del Popolo, Rome, c
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Guell Crypt with its tilted column, built by Antonio Gaudi (1852-1926
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The Apocalypse of Angers, first of the series, 1373-87 (tapestry)
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The resurrection of the the son of Nerva, lord of Tulle
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Interior of a Gothic Church, 1787 (oil on canvas)
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Interior of the refectory of the monastery, 1215 (photo)
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View of interior (photo)
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Cardo and entry of Cosinius Market, High Imperial Period (27 BC-395 AD)
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Basement of the Temple of the Circus, 1833 (etching with brown wash)
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Part of the remains of Bristol Castle ( Vaulted Chamber ) (pencil & w / c on paper)
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Chapel or hall in house in High Street (pencil & w / c on paper)
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Supposed Crypt under Ringer s, 22 High Street (w / c on paper)
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Ericstan, Tarrytown, 1855 (w / c, ink and graphite on paper)
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China Walk Estate: main archway, London, 1934 (b / w photo)
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Interior of Saint Peters Rome, looking west towards the Tomb of St
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The Staircase of a Palace (bodycolour, pencil & w / c on paper)
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St Nicholas Crypt (pencil on paper)
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Interior of North Porch of St Mary Redcliffe, 1824 (pencil & w / c on paper)
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Architectural Fantasy with Figures (oil on canvas)
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View of the Salle des Chevaliers, formerly the scriptorium (photo)
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Prison, set design for act 1 of Ricciardo and Zoraide
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The Palazzo Farnese, 1833 (etching with brown wash)
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The House of the Jew at Isfahan, from Voyages du Chevalier Chardin en Perse
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