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Tryst Prints
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Waiting, 1854 (oil on panel)
From £69.98
A Sunset or Landscape with Argus Guarding Io (oil on canvas)
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Kristan von Hamle being pulled in a basket to his lover's window (vellum)
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My Queen! My mistress! O lady weep no more
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Lover's holding hands, Illustration from "La Vie Parisienne", 1920. (print)
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He Gazed at Her, His Face Kindling (pen & ink & w/c on paper)
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The Letter, 1862 (oil on canvas)
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The Tryst, 1840-1904 (oil on panel) (see also 620473)
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The Tryst, 1840-1904 (oil on panel) (see also 620501)
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Lovers in the middle ages. From Illustrierte Sittengeschichte vom Mittelalter bis zur Gegenwart by Eduard Fuchs
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The Approaching Footstep, 1853 (oil on canvas)
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Untitled, from Old Captain by Myles Hemenway
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The Lover Surprised, engraved by Charles Melchior Descourtis (1753-1820) (colour engraving)
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The Eavesdropper, 1655-59 (oil on canvas)
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After a 16th century woodcut by Peter Flotner entitled The Hazards of Love
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19th century lovers in a drawing room
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Rajasthani Lady at Tryst Miniature Painting on Paper
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The Lesson Well Learned, 1919 (pochoir print)
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The Kiss on the Ladder, 1919-21 (pochoir print)
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Elegi, 1903 (oil on canvas)
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After, c. 1730-31 (oil on canvas)
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The Progress of Love: The Meeting, 1771-72 (oil on canvas)
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Harlequin and a Lady, 1912 (w / c & gouache on cardboard)
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Laila visits Majnun in a palm grove, c. 1475 (opaque w / c & gold on paper)
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Welcome Footsteps, 1883 (oil on panel) (see also 198373)
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Paolo and Francesca (oil on canvas)
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A Stolen Interview, 1888 (oil on canvas)
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A lover leaves his disconsolate mistress, c. 1625 (opaque w / c on paper)
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Page from Tales of a Parrot (Tuti-nama): Seventh night: The parrot addresses Khujasta
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Kiss, from the series A Love, Opus X
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The First Pebble, 1925 (w/c on paper)
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Couple in a Chinese garden, from Ornaments of China
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A romantic meeting, illustration from a traditional Chinese novel (w / c on paper)
From £69.98
Ms Fr 118 fol. 219v page from The quest for the Holy Grail and Arthur
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Lovers in a Wood, c.1860 (oil on canvas)
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The Alarm or La Gouvernante Fidele, 1730 (lithograph)
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Rinaldo and Armida (pen & brown ink, brown and pink wash over black chalk on paper)
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A Nayika awaits her lover, c.1700-25 (w/c on paper)
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Lovers (pastel on paper)
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A lady comes to her lovers house in a rainstorm, c
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Plaque depicting Venus and Adonis, Birmingham, c. 1755-60 (ceramic)
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Before, c. 1730-31 (oil on canvas)
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The Meeting of Dante (1265-1321) and Beatrice (vellum)
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Romeo and Juliet Kissing Passionately on a Balcony, 1926 (colour litho)
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Laila visits Majnun in a palm grove, c. 1475 (opaque w / c & gold on paper)
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The Meeting, c. 1746 (oil on canvas)
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The Dawn of Love, 1888 (oil on canvas)
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The End of the Song, 1902 (oil on canvas)
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Figures on a Moonlit Terrace (oil on canvas)
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The Meeting Place, 1915 (oil on canvas)
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Highland Lovers (oil on canvas)
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Khusraw Discovers Shirin Bathing, mid-18th century (oil on canvas)
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Lovers Discovery, 1861-62 (w / c)
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The Trysting Place (oil on canvas laid on board)
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Waiting (oil on canvas)
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The Alarm or La Gouvernante Fidele, 1723 (oil on canvas)
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An Amorous Advance (oil on canvas)
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The Rendez-Vous, 1881 (oil on canvas)
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Pointless Regrets, late 18th century (colour engraving)
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Henri IV (1553-1610), King of France and Gabrielle d
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Fatal Curiosity, pub. by Robert Sayer & J. Bennett, 1784 (mezzotint engraving)
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Welcome Footsteps, 1883 (oil on canvas) (see also 15132)
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Two Lovers in a starlit Garden, 1862 (pen and dark brown ink on laid paper)
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Lovers reclining together in the dark (black ink and wash on paper)
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Embarkation for Cythera, 1717 (oil on canvas) (for detail see 65335)
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Blanca and Abon Hamet in the Gardens of the Alhambra, from Le Dernier des Abencerages
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Annette and Lubin (w / c on paper)
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Warrior and Servant, 1653 (oil on canvas)
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A Couple, illustration from the Malavi Ragini (gouache on paper)
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The Princess of Bengal, c. 1889 (oil on canvas)
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Lovers Caught Kissing by the Womans Husband (engraving)
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The Garter (oil on canvas)
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The Natives of Rheims (oil on panel)
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Declaration of Love (oil on canvas)
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Rendezvous in the Forest, 1889 (oil on canvas)
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The Lovers, 1870 (oil on canvas)
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A Venetian courtesan, from Coryats Crudities, 1611 (engraving)
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The Trysting Place (oil on canvas)
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Lovers in a landscape, c. 1740 (oil on canvas)
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Paridise Regain d, published by J. Langham, 1783 (litho)
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The Elopement, 1792 (w / c with pen & ink over graphite on paper)
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The fat boy awake on this occasion only, illustration from The Pickwick Papers
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The Music Master, from Scenes at Bath (w / c & pen and ink on paper)
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