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Suprematist Prints
Black Square (oil on canvas)
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Red Cavalry, 1928-32 (oil on canvas)
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A Bather, 1911 (gouache on paper)
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Black Cross, c. 1923 (oil on canvas)
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Bauhaus design, c.1919-33 (colour litho)
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Olga Rozanova, Xenia Boguslavskaya and Kasimir Malevich at the Exhibition 0
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Coffee Pot, c.1924 (porcelain)
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Composition, 1924 (o/c)
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Malevich and Students of the Art School Decorating the White Barracks in Vitebsk
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Olga Rozanova, c. 1900 (b/w photo)
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Untitled, 1915 (coloured chalks on paper)
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Stage design, 1926
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Light Project for a Ballet, pub. 1930 (gouache on pochoir)
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Suprematism: Stages of its Development, after 1923 (pen & ink on paper)
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Front and back covers of On New Systems in Art, 1919 (woodcut)
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Composition with the Mona Lisa, 1914 (oil on canvas)
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Composition with the Mona Lisa, c. 1914 (collage)
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The Cabby or Droshky Driver (oil on board)
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Young Girls in a Field, 1928-32 (oil on canvas)
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Torso, Transformation to a New Shape, 1928-32 (oil on canvas)
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Three Female Figures, 1928-32 (oil on canvas)
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Three Suprematist Figures, c. 1921-2 (pencil and w / c on paper)
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Prayer II, c. 1913 (lithograph)
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Design for the Speakers Rostrum, 1919 (w / c & pencil on paper) (see also 114394)
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Two Peasants (oil on canvas)
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Half-figure in a Yellow Shirt, 1928-32 (oil on canvas)
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Three Little Girls, 1928-32 (oil on board)
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The Peasant, 1928-32 (oil on canvas)
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Two Masculine Figures, 1928-32 (oil on canvas)
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Suprematism, 1919 (pencil, w / c & ink on paper)
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Suprematist Composition, 1916 (oil on canvas)
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Suprematism, 1916 (oil on wood)
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Portrait of the Artist Alexander Rodchenko (1891-1956) 1915 (oil on canvas)
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Peasant Woman, 1928-32 (oil on canvas)
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Little Girl, 1932 (oil on canvas)
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To the Harvest, Martha and Vanka, 1928 (oil on canvas)
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Design for the Speakers Rostrum, 1919 (w / c & pencil on paper) (see also 114395)
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The Washerwoman, 1911 (gouache on paper)
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Two Figures in a Landscape, c. 1931-32 (oil on canvas)
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Composition with letters (K. L. CH. B. V. S. P. ) Delta, c
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Sportsmen, or Suprematism in Sportsmens Contours, 1928-32 (oil on canvas)
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Suprematist Composition, 1916 (oil on canvas)
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The Aviator, 1914 (oil on canvas)
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Portrait of the Artist Ivan Vasilievich Klyun (1873-1942) as a Builder
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Movement in Space, 1917-18 (oil on canvas)
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Black Circle for From Cubism and Futurism to Suprematism
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Simultaneous Death in an airplane and at the railway, c. 1913 (lithograph)
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Front and Back Cover for From Cubism and Futurism to Suprematism
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Black Square for From Cubism and Futurism to Suprematism
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Principle of the Mural Painting, 1919 (pencil & w / c on paper)
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Self Portrait as an Artist, 1933 (oil on canvas)
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Supremus No. 58 Dynamic Composition in Yellow and Black, 1916 (oil on canvas)
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The Harvest, study for a painting, 1928-32 (oil on board)
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Female Portrait, 1928-32 (oil on board)
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Suprematism, before 1916 (oil on canvas)
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The Secret of Temptation, 1908 (watercolour, gouache and pencil on card)
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Cover design for Kazimir Malevichs catalogue Suprematism: 34 Drawings
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Suprematist Cross, 1920 (woodcut)
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The Knife Grinder or Principle of Glittering, 1912-3 (oil on canvas)
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Taking in the Rye, 1912 (oil on canvas)
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Three Figures, 1913-28 (oil on canvas)
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Landscape with Five Houses, c. 1932 (oil on canvas)
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Head of a Peasant, c. 1930 (oil on plywood)
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Girl with a Pole (oil)
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The Girl with the Hat (oil)
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Suprematist Cup, 1923 (porcelain)
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View of the room with Malevichs Black Square and other Suprematist paintings
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Aviator, Costume design for the opera Victory over the sun by Aleksei Kruchenykh
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Subject from a Dyers Shop, 1914 (oil on canvas)
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Self Portrait, 1908 (oil on canvas)
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Torso, 1928-32 (oil on canvas)
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Pictorial Construction, 1916 (gouache on paper)
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Red House, 1932 (oil on canvas)
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The Sisters
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M. Matuischin (oil on canvas)
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Bust of Woman (oil on canvas)
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Reservist of the First Division, 1914 (oil on canvas with collage of printed paper
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Composition, c. 1920 (gouache, w / c & pencil on coloured paper)
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Black Circle, c. 1923 (oil on canvas)
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Hairdressers Shop, 1915 (oil on canvas)
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The Floor Polishers, 1911 (gouache on paper)
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Composition, 1918 (oil on canvas)
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Self Portrait, 1912-15 (oil on canvas)
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