Supernatural Prints

The Witches Frolic
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Ensayos, plate from Los Caprichos, 1799 (etching & aquatint)
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Codices Cavenses, Cod. 25 f. 181
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Codices Cavenses, Cod. 25 f. 181
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Laughing Demoness, c. 1831-32 (colour woodblock print)
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Terrible Revenge, 1874 (engraving)
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The Mansion of the Plates, c. 1831-32 (colour woodblock print)
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The Ghost of Kohada Koheiji, c. 1831-32 (colour woodblock print)
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The abduction on the unicorn, 1516 (etching)
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The fee shows Cinderella the pumpkin that will allow her to go to the ball
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Diana and Endymion, 1752 (marble)
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Diana and Endymion, 1752 (marble)
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Diana and Endymion, 1752 (marble)
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Fairy Tale, c. 1915 (pen & ink)
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Palm Reader, 1898 (oil on canvas)
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A Mystical Apparition, 1900 (oil on canvas)
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Magic Box of Butterflies, 1909 (woodcuts)
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Diana and Endymion, 1752 (marble)
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Jorinde and Joringel in the Witchs Wood, 1909 (oil on canvas)
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Elves, 1906 (w / c)
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The Babes in the Wood, c. 1900 (pen, ink & w / c on paper)
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Apollo and Daphne, (oil on canvas)
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Diana and Endymion, 1752 (marble)
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Diana and Endymion, 1752 (marble)
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Poster for the Opera Cendrillon by Jules Massenet, 1899 (poster)
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Diana and Endymion, 1752 (marble)
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The Enchanted Knight, 1909 (pen & ink)
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Page 165. The Liath Meisicith of the Irish Druids, 1810-17 (w / c & manuscript text)
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Harry Houdini performance poster
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Hypnosis. 1904 (photogravure)
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Floram Marchand, the Water Spouter. 17th century. 1869 (lithograph)
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Three Kings: Ralph, David and Anthony, undated (gouache on paper)
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Three Kings: The tree of life, undated (gouache on paper)
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Three Kings, undated (gouache on paper)
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The Witch (Night Piece), 1626 (engraving)
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Circe Invidiosa, 1872 (oil on canvas)
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Altar tabernacle for black magic used by Julie Thibault
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Macbeth and the Three Witches Showing Him the Armed Head (w / c)
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Clerk Saunders (watercolour with gum arabic and scratching out, on paper)
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The Vision of Faust, 1878 (oil on canvas)
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Genital Cover, 500-1550 AD (cast gold)
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Pictogram on an ox scapula with a ritual to ward off danger (bone)
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Sextus Pompeius consulting Erichtho before the Battle of Pharsalia (oil on canvas)
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The Nightmare, 1881 (charcoal on paper)
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Nightmare; Cauchemar, 1901 (pencil, ink and w / c on paper)
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L Apparition (charcoal on paper)
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Sir Galahad, 1867-1892 (oil on canvas)
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La Samaritaine, 1897 (lithogrsaph in colours)
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The Angel of the Sea, 1906 (oil on canvas)
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Abstract Head; Abstrakter Kopf, c. 1921 (oil on panel)
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Printed to Order and Licensed for Personal Use