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Sitter Prints
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Alderman H. A. Leicester, 1916 (oil on canvas)
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An academy in which men discuss the branches of study required in the education of artists: the antique
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A silhouette chair invented to make it possible to copy a profile in a single sitting
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Painting, from a series of four illustrating the Fine Arts
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Amor and Psyche, bozzetto for the Louvre marble
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Amor and Psyche reclining, bozzetto 1818 (clay)
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Portrait of French artist Marcelle Lender ( 1862, 1926 ) (photograph)
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Anthony van Dyck wooing his Model, 1827 (oil on panel)
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Rembrandt's Studio, c.1869 (oil on canvas)
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Portrait of French artist Leonie Yahne ( 1867, 1936 ) (photograph)
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The Salutation of Beatrice, 1880-82 (oil on canvas)
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Portrait of French artist Marcelle Lender ( 1862, 1926 ) (photograph)
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Nude Study, 1870s (photo)
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Figure Seated, 1890 (oil on canvas)
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La Goulue, c.1895 (photo)
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Model in New York Studio, c.1915 (photo)
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The Model, c.1902 (oil on canvas)
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Ramon Subercaseaux, c.1880 (oil on panel)
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The Studio: The Painting of a Nude, 1906 (Oil on canvas)
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Model's pose, circa 1838 (oil on paper on canvas)
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Cartoon for The Opinion of the Model, (graphite with red colored pencil)
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Text and miniature of the painter Zeuxis painting nude models from nature from Le Roman de la Rose
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The painter's studio, 18th century (oil on copper)
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The Painter's Studio, 17-18th century (oil on canvas)
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Model at bar at Folies Bergeres, 19th century (pastel)
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Text and miniature of the painter Zeuxis painting nude models from nature from Le Roman de la Rose
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Jeanne Samary, french actress and model, 1877 (photo)
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Nude Female Model, 1884 (oil on canvas)
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Photograph taken from the magazine Le nu ideal 1905 (print)
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The portrait of the Ogresse, from Le Rire Rouge, 1915 (engraving)
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Photograph taken from the magazine Le nu ideal 1905 (print)
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Cleo de Merode, 1911 (print)
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Blonde Model, c.1877 (oil on canvas)
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Seated African Woman, 1860s (oil on fabric)
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Photograph taken from the magazine Le nu ideal 1905 (print)
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Photograph taken from the magazine Le nu ideal 1905 (print)
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A Night Class, c.1881 (oil on wood panel)
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Study of a Male Nude Reclining (w/c & pencil)
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Laying Nude (painting)
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From The Studio, 1925 (painting)
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Half Nude, 1890 (painting)
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Henri de Toulouse-Lautrec in his studio, 1895 (b/w photo)
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Giorgione Painting, c. 1853 (pen and brown ink and ink wash on paper)
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Satyr and a Model, 1913 (oil on canvas)
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The time in the Atelier of Madame Vincent, 1808 (oil on canvas)
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Aretino in the Studio of Tintoretto, 1848 (oil on canvas)
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Photographer in a village, 1921 (oil on canvas)
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Juan de Pareja, 1650 (oil on canvas)
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Trying, illustration from Punch (litho)
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Postcard depicting a fashionable portrait painter at work, 1910 (colour litho)
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Portrait of Claude-Armand Gerome, brother of the artist, 1948 (oil on canvas)
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Young Woman Wearing a Large Hat, c. 1917-25 (oil on canvas laid down on board)
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The Visit, c. 1870 (oil on panel)
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The Artist painting a portrait in his studio, 1867 (colour litho)
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Study in Coloured Chalk, for a Picture, 1885 (chalk on paper)
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Photographing the first-born (litho)
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Reclining Nude (oil on card)
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Shadow-Drawing (litho)
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A portrait photographers studio, 1896-98 (silver gelatin print)
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Ingres as a Young Man, c. 1850-60 (oil on canvas)
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The Englishman (detail), 1540-5 (oil on canvas)
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Portrait of Mrs. Stanhope (oil on canvas)
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Portrait of John Reeves, before 1852 (oil on canvas)
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Portrait of a Man, c. 1630-35 (oil on canvas)
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The Female Guardian - Designed to Correct Some of the Foibles Incident to Girls
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Young Woman with Feather Fan Prepared to Go Out, 1657-59 (oil on wood)
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Pietro Aretino in the Studio of Tintoretto, 1822 (oil on canvas)
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Portrait of the Sultan of the Ulama, Khalifa Sultan (1593-1653)
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Portrait of a Woman, c. 1510-15 (oil on linden)
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Madame Henri Francois Riesener, 1835 (oil on canvas)
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A draughtsman taking details for a portrait, using a perspective apparatus for drawing
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Artist painting a portrait over a grid for accurate proportion
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The Harlequin Painter, c. 1742 (oil on canvas)
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Apelles Painting Campaspe, c. 1630 (oil on panel)
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A Portrait of Mrs Beal Bonnell, 1779-80 (oil on canvas)
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Harmony in Red: Lamplight, 1884-86 (oil on canvas)
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Bust of an Old Man, 1751-55 (oil on canvas)
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Alexander the Great and Campaspe in the Studio of Apelles, c. 1740 (oil on canvas)
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Arabella Bolton, c. 1770 (oil on canvas)
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The Painters Studio, 1843 (oil on canvas)
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The Skater (Portrait of William Grant), 1782 (oil on canvas)
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A draughtsman taking details for a portrait
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Kate Nickleby sitting to Miss La Creevey, illustration from Nicholas Nickleby
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