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Honiton, Devon: Shoes and Hats for Sale Outside The Lion Inn, (pencil
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A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks
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A Set of Twelve Illustrations to Tristram Shandy, (pen and grey ink and watercolour)
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The European Race: An Allegorical Caricature on the State of Political Europe in 1738-9
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Frontispiece showing The Pickwick Club from
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The Old Swan Inn, with a View of Putney bridge beyond, (pen and ink and watercolour)
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A Coaching Scene, (pen and grey ink and watercolour)
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Two Men, Bust Length, Looking Down: a Cartoon for a Tapestry, (black chalk
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Satire on False Perspective, 18th (engraving)
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Statue of Giuseppe Parini, 1838
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Absolute Gravity, 18th (engraving)
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In the Study; En el Estudio, (oil on canvas)
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Dean Swift, illustration from The Church of England
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Handwriting and signature of William Hogarth, from a letter to Sir Richard Grosvenor
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The Miracle of the Gadarene in the manner of a strip cartoon, c
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Place Victoire a Paris, 1784 (pencil, pen and ink and watercolour)
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A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour)
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The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage
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The Bishop and Death (pencil, pen and ink and watercolour)
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The Gaming Table, (pencil, pen and ink and watercolour)
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Charles Dickens: English writer and popular Victorian novelist (b / w photo)
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Swifts Head, taken after death, and cast of the interior of Swifts cranium
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Cartoon for An Idyll, (pencil and black chalk on paper)
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Brighton, showing Miss Widgetts circulating Library, Marlborough House
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A Full-colour Cartoon of Tapestry, Silk or Wallpaper, c. 1830-40 (pencil and watercolour)
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Napoleons coach being viewed by fashionable London
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Men of the Day no, 1871 (colour lithograph)
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Andrew Marvell, c. 1650-70 (oil on wood)
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Daniel Lock, Architect and artist, 1762 (engraving)
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Joseph Hall, 1574-1656, English bishop
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Ambrose Bierce (oil on canvas)
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Nasreddin Hodja riding his horse backwards (watercolour on paper)
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Greenwich Hospital, 1822 (w / c, brown ink and pencil on paper)
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Figures at a Fair, 1803 (pen and ink and watercolour)
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Temptation, (pencil, pen and ink and watercolour)
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The Boxing Match, (pen and ink and watercolour)
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John Bull at the Opera, 1803 (pencil, pen and ink and watercolour)
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You are a Fiddle, You are a Lyre, after 1864 (pencil, watercolour)
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Captain Cook Landing n Owyhee, from the Voyages of Captain Cook (watercolour)
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Oatehite, from the Voyages of Captain Cook (watercolour)
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Otahitiano, from the Voyages of Captain Cook (watercolour)
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Portrait presumed to be of La Bruyaeere (oil on canvas)
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Magdalen College, Oxford, 1809-1811 (hand-coloured aquatint)
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Portraits of Horace (65-8 BC) Scipio Aemilianus (Africanus Minor) (185-129 BC) and Plautus (c)
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Self Portrait, engraved by T. Cook, 1809 (engraving)
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Self portrait (pencil on paper)
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Salvator Rosa (engraving) (b / w photo)
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Menippus, 1640 (oil on canvas)
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Portrait presumed to be Clement Marot (1496-1544) (oil on panel) (detail of 246497)
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Alexander Pope (1688-1744) from The Gallery of Portraits, published 1833
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The Poets Aleksandr Pushkin (1799-1837), Ivan Krylov (1768 / 69-1844), Vasily Zhukovsky
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Robert Smythe Hichens (1864-1950) (litho)
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Anatole France (1844-1924) pseudonym of Jacques Anatole Francois Thibault (engraving)
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1200117; out of copyright
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Andrew Marvell (1621-78), engraved by John Raphael Smith (1752-1812) (engraving)
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Andrew Marvell (1621-78) engraved by Thomas Bonner (engraving) (b&w photo)
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Jonathan Swift (1667-1745) (engraving) (see also 36404)
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Portrait miniature of Thomas Love Peacock (1785-1866) c. 1805 (w / c on ivory) (b&w photo)
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1127435; out of copyright
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Horace, Virgil and Varius at the house of Maecenas
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Portrait of Thomas Carlyle, c. 1875 (pencil on paper)
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Jonathan Swift (engraving)
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Laurence Sterne, engraved by Edward Fisher (engraving)
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Denis Ivanovich Fonvizin (litho)
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Francesco Berni (engraving)
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Henry Mayhew (engraving)
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William Hogarth, from The National and Domestic History of England by William
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William Hogarth, from Old Englands Worthies by Lord Brougham and others
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Thomas Love Peacock, drawn and etched by W. H. W Bicknell, 1910 (etching)
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John Wilmot, illustration from A catalogue of Royal and Noble Authors, Volume III
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George Villiers, engraved by Bocquet
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Andrew Marvell, illustration from Old Englands Worthies by Lord Brougham
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A Vision, 1868 (engraving) (b / w photo)
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William Gifford, engraved by Samuel Freeman (1773-1857) from National Portrait Gallery
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John Wilson (1785-1854) (engraving)
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Portrait presumed to be Clement Marot (1496-1544) (oil on panel) (see 226058 for detail)
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Tomas de Iriarte (1750-91) (oil on canvas)
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Jonathan Swift (1667-1745), from The Gallery of Portraits, published 1833
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Portrait of a Man, presumed to be Clement Marot (c. 1495-1544) (oil on canvas)
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Jose Francisco de Isla (engraving)
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Self Portrait, from Gallery of Portraits, published in 1833 (engraving)
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