Ritualistic Prints

Symbolic designs on the lid of the Pastos in the vault of the Adepts, c
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Wooden Yina figure
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Frieze from Xanthos depicting wild fowl
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Ritual ancestor figure from the Tami Island, Huon Gulf, Papua New Guinea
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Headdress for the Ogbom Society, late 19th century (wood, reed, fiber, and pigment)
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Frieze from Xanthos depicting wild fowl
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Frieze from Xanthos depicting wild fowl
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Frieze from Xanthos depicting wild fowl
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Frieze from Xanthos depicting wild fowl
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Bird Mask (ge gon), 20th century (wood with metal staples and fiber)
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Divination Board (opon Ifà), late 19th-early 20th century (wood and leather with cowrie shells)
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Partial of the Book of the Dead of Nebseny
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Frieze from Xanthos depicting wild fowl
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Frieze from Xanthos depicting wild fowl
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Fragment of Aztec stone box bearing the image of a water opossum
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Ocelot offering vessel from Teotihuacan
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Frieze from Xanthos depicting wild fowl
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Frieze from Xanthos depicting wild fowl
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Partial of the Book of the Dead of Any
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Marie Laveau and her daughter, 1850
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Masks from the Arctic used to reveal inner truth of the wearer
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Masks from the Arctic used to reveal inner truth of the wearer
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Masks from the Arctic used to reveal inner truth of the wearer
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Bronze ritual wine vessel, 11th bc
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Japanese gentleman preparing to perform Hara-kiri, 1850
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Masks from the Arctic used to reveal inner truth of the wearer
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Masks from the Arctic used to reveal inner truth of the wearer
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Masks from the Arctic used to reveal inner truth of the wearer
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Wooden festival mask from The Republic of Vanuatu
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Masks from the Arctic used to reveal inner truth of the wearer
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Masks from the Arctic used to reveal inner truth of the wearer
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Mask of a deceased woman, Punu Population, from Gabon, 18th-20th century (painted wood)
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Kiowa Indians, Lone Wolf and his wife Elta
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Kwakiutl people performing a ritualistic dance to restore an eclipsed moon
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Mask, Marka Population, from Mali, 19th-20th century (metal)
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Horned mask, Baule Population, from the Ivory Coast, 19th-20th century (wood)
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Haida Eagle clan totem pole (painted wood)
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Haida Raven totem (carved argillite)
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Mask, possibly of Tlaloc, c. 1350-1521 (wood, turquoise, shell, lignite and resin)
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Emperor Sigismund (1367-1437) of Luxemburg receives the homage of his Hungarian subjects
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Offering table (greywacke)
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Burial orifice plug in stylised leaping form (mottled green nephrite)
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La Belle Assemblee, published by Hannah Humphrey in 1787 (hand-coloured etching)
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Iroquois Mask (corn husk)
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Offering table (greywacke)
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A Huge Colossus made of Osier Twigs, in which Men were burnt alive in Honour of the Gods
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Peruvian Funerary Mask, 900-1100 AD (gold, silver-copper overlays, cinnabar)
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Ceremonial mask (biola), 19th century (wood, chalk lime, resin, nails
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Nwenka mask, 20th century (wood, pigment, and metal)
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Ceremonial mask, c. 500-1 B. C. (gold)
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Profile of a man with earrings (polychrome onyx)
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Emperor Sigismund (1367-1437) of Luxemburg receives the homage of his Hungarian subjects
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Emperor Sigismund (1367-1437) of Luxemburg dubbing a Knight (colour woodcut)
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English converts to Rome including Newman, skating on thin ice while, on left
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Ceremonial mask, A. D. 900-1100 (gold, copper, and paint)
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Tinglit Bird Clan totem pole (painted wood)
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A Seneca mask used in winter rites (corn husk)
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Kwakiutl transformation mask (polychrome wood)
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The Hottentots Worship the Moon, illustration from The Present State of
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The Sacrifice of Iphigenia, c. 1720-25 (oil on canvas)
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Tenon mask, from Ile de Vao, New Caledonia, 11th-19th century (painted wood)
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Printed to Order and Licensed for Personal Use