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Polychrome Prints
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The Altarpiece in the Collegiate Church (photo)
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Pieta (painted wood)
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Head of a warrior wearing a helmet, from Satricum (painted clay)
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Masks for Khon theatre (ceramic & metal)
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Figure of a courtier from a palace frieze, Seljuk Dynasty, 1150/1250 (painted stucco)
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Adoration of the Magi, 1662 (wood)
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Altarpiece, Mo I Rana church, 1765 (painted wood)
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Virgin and Child (wood)
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Jesus Among the Doctors (wood)
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Wide view of Crouching Scribe Statue, from Saqqara, Old Kingdom (limestone
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Virgin and Child (painted plaster)
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Funerary statuette of Ptah-Sokar-Osiris (painted wood)
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Polychrome circular plate, Venetian, c. 1500 (parcel-gilt enamel)
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Jesus in front of Caiaphas, detail of a Renaissance altarpiece (painted and gilded wood)
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Jar depicting a man dancing with a snake, found in a tomb at Altar de Sacrificios
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Pompeian No 3, Plate XXV, from The Grammar of Ornament
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Indian, Plate LIV, from The Grammar of Ornament
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Greek No 4, Plate XVIII, from The Grammar of Ornament by Owen Jones (1807-68)
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Moresque No 3, Plate XLI, from The Grammar of Ornament
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Arabian No 4, Plate XXXI, from The Grammar of Ornament
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Chinese No 3, Plate LXI, from The Grammar of Ornament
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Moresque No 4, Plate XLII, from The Grammar of Ornament
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A Polychrome Fresco Depicting a Female Dignitary holding a Ruyi Sceptre while Seated in a
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St. Mary Magdalene (painted plaster)
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Virgin and Child (painted wood)
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Millefiori dish, Roman, probably Alexandria, 1st century BC - 1st century AD (glass)
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Tunic, 600-800 (cotton and wool (camelid), single interlocking tapestry weave
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Ewer, 1545-60 (glazed earthenware)
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Large Urn, Western China, Neolithic, c. 3000 BC (earthenware)
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Mary Magdalene (marble)
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Fantastic Peacock Plate, 1888-1907 (ceramic)
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Honeysuckle Tile Panel, 1872-88 (ceramic)
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Dish with Falcon Attacking a Water Bird (fritware with carved decoration
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Meat processing of the birds, detail from the tomb of Nakht, c. 1390 BC (wall painting)
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Seated man, El Chicozapote, Usumacinta, Late Classic Period, 600-900 AD (stucco & paint)
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Twisted columns and piers with sculptural decoration and polychrome inlays
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Base and piers with sculptural decoration, polychrome inlays
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Twisted column with polychrome inlays, detail from entrance in facade of Orvieto
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Twisted columns and abutments with sculptural decoration and polychrome inlays
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Wellspring decorated with polychrome glass paste mosaics, House of Small Fountain
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Virgin and Child, of Swabian origin (painted wood)
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Statuette of the Virgin Mary of Svata Hora (wood, metal & fabric)
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Statuette of the Virgin Mary of Svata Hora (wood, metal & fabric)
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Statuette of the Virgin Mary of Svata Hora, c. 1348 (polychrome pear wood)
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Detail of floor decoration (mosaic)
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Detail of floor decoration (mosaic)
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Decoration with scenes of varied and mythological fauna
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Eight composite Iznik polychrome square tiles, c. 1575 (ceramic)
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Vessel in the form of a seated ruler with a pampas cat, A. D
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Tunic, 600-800 (cotton and wool (camelid), single interlocking tapestry weave
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Statue for the Inspector of the Scribes Sekhemka, c. 2400-2300 BC (painted limestone)
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Sculpted group of the Virgin and Child and St. Anne (oak)
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Jar with twin spouts and a bridge handle, Late Nazca style (pottery)
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Virgin and Child holding grapes, early 15th century (wood)
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Elks head bridle ornaments, Altai nomadic, 5th- 4th century BC (wood)
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Plaque with the Crucifixion, c. 1150-75 (champleve & cloisonne enamel
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Detail of Christ washing the feet of the Apostles in the garden of olives
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Seated female (earthenware)
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Seated chieftain (earthenware)
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Relief with 4 levels, 1936 (painted wood)
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Stele, c. 664-332 BC (painted wood)
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Oval Asmat shield, carved in relief with stylised figures, a mask at the top (wood)
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Cloisonne vase, mark of the Hayashi Chuzo workshop, Meiji period
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Napoleon III meuble d appui, third quarter of the 19th century (ormolu, brass, pewter
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Napoleon III centre table, c. 1856 (rosewood & enamel) (see also 476434 and 476436)
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Falcon, Late Period to Ptolemaic Period, 664-30 BC (painted wood)
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King Childebert I (497-558) from the Abbey of Saint-Germain-des-Pres, c
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Calvary, detail of Mary Magdalene, c. 1530 (painted wood)
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Egyptian No 8, Plate X, from The Grammar of Ornament
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Painted Crucifix, c. 1325-35 (tempera on panel)
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Ninevah and Persia No 2, from The Grammar of Ornament
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Egyptian No 5, Plate X, from The Grammar of Ornament
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Moresque No 2, Plate XI, from The Ornament of Grammar
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Greek No 8, Plate XXII, from The Grammar of Ornament
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Renaissance No 7, Plate LXXX, from The Grammar of Ornament
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Virgin and Child (wood)
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Dish, c.1665-95 (tin-glazed earthenware)
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Favrile mosaic mantel clock (glass & bronze)
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Holy Spirit Crucifix, c. 1493 (polychrome wood)
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The Reader (ivory and bronze sculpture)
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Head of Anubis, with a hinged jaw, used as an oracle mask
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Yoruba Door Carving (wood)
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Holkham II. 23, folio from Album Ashby II (w / c on paper)
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Mural fragment of an allegorical quetzal, Early Classic period
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