Plays Prints

Akbar playing pachisi or chaupur with live pieces at Fatehpur Sikri in 1575
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Tybalt killed by Romeo, scene from William Shakespeares Romeo and Juliet
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A scene from William Shakespeares play Othello Act V
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A scene from William Shakespeares play Hamlet
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Bull charging as matador plays the cape, 19th century (illustration)
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Design for backcloth, The Truth about the Russian Dancers
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Lyn Harding as Prospero, 1904 (oil on canvas)
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Timon pursued them, still calling them what they were, smooth
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Timon bade the kind hearted steward take comfort (Timon of Athens)
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The king of France took the young maid by the hand, and said that she should be queen of
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Give me my money and let me go, said Shylock (The Merchant of Venice)
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Julia began to piece together as well as she could the torn fragments of the letter
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The poor deserted baby was found by a shepherd (The Winters Tale)
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Ferdinand followed in amazement the sound of Ariels voice (The Tempest)
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Front cover page design, from Tales from Shakespeare pub
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I, not I, never gave you aught (Hamlet), from The Complete Works of Shakespeare
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Cowards die many times before their deaths: The valiant never taste of death but
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The tree yields bad fruit'(As You Like It), from The Complete Works of
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Plead you to me, fair dame? I know you not. (The Comedy of Errors)
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What is t? a spirit?'(The Tempest), from The Complete Works of
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Portia and Bassanio-from the Merchant of Venice, 1865 (oil on canvas)
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Kanadehon Cha'shingura: Act VII, mid 1830s (colour woodcut)
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A Scene from Empress of Morocco by Elkanah Settle, 1813 (engraving)
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Theodoros, late 19th to early 20th century (colour litho)
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Blue Jeans, c. 1890 (colour litho)
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Blind Love, 1895 (pen & ink on paper)
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Tosen, 1898 (colour woodblock print)
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Untitled (woodcut)
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Advertisement of the drama Haru no Akebono Kuruwa Soga, at the Ichimura Theatre
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A Brown Bear cub plays with a Tiger cub at London Zoo, April 1914 (b / w photo)
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Romeo took leave of his dear wife with a heavy heart (Romeo and Juliet)
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The seemling friar bade her take comfort (Measure for Measure)
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Portia spoke so sweetly of the noble quality of mercy as would have softened any heart
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Frederick with looks of anger, ordered Rosalind to leave the palace (As You Like It)
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Taking off her mask, the unknown lady proved to be no niece (as was presented
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To the amazement of the beholder s, the statue came down from the pedestal
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Helena was in the utmost rage when she heard herself addressed in this manner
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Taking the Queen by the wrist, Hamlet held her fast and made her sit down (Hamlet)
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Inside cover design, from Tales from Shakespeare pub. by Ward Lock & Co Ltd
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Olympia: Les P tits Quarts d Heure, c. 1895 (colour litho)
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Ophelia, 1883 (oil on canvas)
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La Belle Assemblee, published by Hannah Humphrey in 1787 (hand-coloured etching)
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Shakespeares House, Stratford-Upon-Avon (engraving) (sepia photo)
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Nue, 1898 (colour woodblock print)
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Ikaru Kazuki (colour woodblock print)
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Helena and Hermia, 1895 (pen & ink on paper)
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Drury Lane Theatre, from Microcosm of London, by R Ackermann
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Come hither nurse. What is yond gentleman?'(Romeo and Juliet)
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And what sayest thou then to my love?'(King Henry V)
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God for Harry! England and Saint George!'(King Henry V)
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Hubert, Hubert, throw thine eye on the young boy'(King John)
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How say you? My prisoner or my guest?'(The Winters Tale)
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Alan Ayckbourn portrait by Zsuzsi Roboz in pastels c
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Mr Matthews as Caleb Quotem in the Wags of Windsor, York, c. 1820 (ink & w / c on paper)
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A scene from William Shakespeares play The Merry Wives of Windsor Act III
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Printed to Order and Licensed for Personal Use