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Paul Nash Prints
Edge of the Marsh, Pantile Cottage, Dymchurch, 1925 (oil on canvas)
From £69.98
Landscape of the Summer Solstice (oil on canvas)
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Study for Landscape of Bleached Objects, 1934 (watercolour and pencil on paper)
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Sunrise over Valley, 1943 (watercolour and pencil on buff wove paper)
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Ironmaster's Folly, 1941 (pencil and watercolour on paper)
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The Mine Crater, Hill 60, Ypres Salient, 1917 (Lithograph on cream wove)
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The Landscape Through the Window and Through the Looking Glass
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Dorset Landscape, 1935 (pencil, chalk and watercolour on cream paper)
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Landscape Towards Bredon, 1942 (watercolour on paper)
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Moonlight Voyage, Hampden Flying Above the Clouds
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Spring Landscape, 1935 (Pen and ink, watercolour and pencil on paper)
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The Peacock Path, 1912 (pen and ink, chalk and watercolour on paper)
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Sea Wall, 1935 (pencil, chalk and watercolour on paper)
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Harbour and Room, 1931 (watercolour and pencil on paper)
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Shellburst, Zillebeke, 1917 (coloured chalks on brown paper)
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German Double Pill-box, Gheluvelt, 1918 (lithograph on white wove paper)
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Dahlias, 1927 (oil on canvas)
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A Farm, Wytschaete, 1917 (Ink, chalk and watercolour on paper)
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Ruin in the Forest of Dean, 1946 (pencil and watercolour on paper)
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Wood and Hill, 1932 (pencil and watercolour on paper)
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The Fleet at Toulon No. 1, 1930 (pencil and wash with colour notes on paper)
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A Private World (photograph printed on Kodak Veribrom semi-matt paper )
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A Lane in Blue, 1910 (pencil, chalk and wash on cream paper)
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Interior, 1930 (oil on canvas)
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River and Trees, 1925 (pencil and chalk on paper)
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Autumn Landscape, 1923 (oil on canvas)
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River, 1932 (watercolour, bodycolour, pencil on paper)
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Coast Near Gibraltar, 1934 (pencil and watercolour on paper)
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Windy Hill, 1919 (pencil, chalk and watercolour)
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Night Tide, Dymchurch, 1922 (pencil and wash on Paper)
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Convolvulus, 1930 (oil on canvas)
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Michaelmas Landscape, 1943 (oil on canvas)
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The Rye Marshes, 1932 (oil on canvas)
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Costume design for a character in King Lear, 1923 (w/c on paper)
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Hallgerd Refuses her Hair to Gunnar, 1910 (chalk on paper)
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Head of Gordon Bottomley, 1922 (crayon on paper)
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Costume design for King Lear, 1923 (w/c on paper)
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Costume design for King Lear, 1923 (w/c on paper)
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Corpse Washer, 1922 (w/c on paper)
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Barbara in the Garden, 1913-14 (w/c on paper)
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Paths into the Woods, from Places, 1922 (woodcut)
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Frontispiece and title page from Places, 1922 (woodcut)
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The Tide, Dymchurch, 1920 (litho)
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Gordon Bottomley, 1912 (ink on paper)
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Winter, from Places, 1922 (woodcut)
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St Pancras, 1927 (oil on canvas)
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Plage, 1928 (oil on canvas)
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The Raider on the Shore, 1940 (w/c with black crayon and brown pastel on paper)
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Wounded, Passchendaele, 1918 (oil on canvas)
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The Elms (w/c on paper)
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Nocturnal Landscape, 1938 (oil on canvas)
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Encounter in the Afternoon, c. 1940 (w/c on paper)
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The Landscape: Hill 60, c. 1917 (ink & w/c on paper)
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The Field of Passchendaele, c. 1917 (pen & ink with w/c on paper)
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Desolate Landscape, Ypres Salient, 1917 (w/c, ink, gouache & pencil on paper)
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Sandling Park, Kent, 1924 (oil on canvas)
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Home Produce, from the series Home Gardens for Home Markets (colour litho)
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Home Produce, from the series Home Gardens for Home Markets (colour litho)
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Drawing at Oxenbridge, 1922 (w/c on paper)
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The Shore, Dymchurch, Kent, 1922 (w/c on paper)
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Edge of the Wood, 1914-15 (pen & ink and wash on paper)
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A Landscape at Wood Lane, 1913 (w/c on paper)
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Chaos Decoratif, 1917 (ink & w/c on paper)
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Their Hill (pencil, coloured crayon and w / c)
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Sunflower and Sun, c. 1945 (oil on canvas)
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Summer, (oil on canvas)
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A London Underground poster advertising the British Industries Fair
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Portrait of Barbara Nash, the Artists Sister
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Summer Flowers in a Vase, (oil on canvas laid on board)
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