Panic Prints

Title Plate, Plate I from Imaginary Prisons, c. 1750 (etching on paper)
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Mazeppa, 1846 (colour litho) (plate two of four, see also 331977, 331978 and 331980)
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Massacre of the Innocents (oil on canvas)
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Assassination of Regent James Stewart Moray (c)
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Study for the Massacre of the Innocents (brown ink on paper) (recto) (for verso see 191770)
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Darkness, from the Cycle of Human Life, 1906-07 (gouache on paper)
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Murder on the High Seas: First sight of the Torpedo (litho)
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Murder on the High Seas: First sight of the Torpedo
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The Massacre of the Innocents, 1605 (oil on copper)
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Ms Lat Q. v. I. 126 f. 36 The Massacre of the Innocents
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Perseus and Andromeda (oil on canvas)
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The Assassination of Jacques de Flesselles on the Steps of City Hall July 14
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Londoners fleeing to the country to avoid the Plague, 1630 (woodcut) (see also 87203)
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Death As Saviour (Der Tod als Heiland) illustration from Part 1
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The Massacre of the Innocents, 1593 (oil on panel)
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The Attempted Assassination of Emperor Napoleon III (1808-73) by Felice Orsini (1819-59) on the 14th January 1858
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Scene of the Massacre of the Innocents, 1824 (oil on canvas)
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Massacre of the Innocents, 1611 (oil on canvas)
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THE MOCK PHOENIX! Or a vain attempt to RISE AGAIN, 1813 (engraving)
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The execution of May 3, 1808 ou el tres de mayo (oil on canvas, 1814)
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The execution of May 3, 1808 ou el tres de mayo. Detail (oil on canvas, 1814)
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The 3rd May 1808, Madrid (detail of the infantrymen), 1814 (oil on canvas)
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Execution of the Defenders of Madrid
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Execution of the Defenders of Madrid
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Execution of the Defenders of Madrid, 3rd May, 1808, 1814 (oil on canvas) (detail of 507)
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Cowboy on horseback, circa 1925 (oil on panel)
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The devastating earthquakes in Calabria, Italy, 1783. 1789 (engraving)
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Rape of the Sabine Women (detail), 17th century (fresco)
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The nightmare a face terrifies the headdress of a huge toad (drawing)
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The Great Fire of London, c. 1666-1700 (oil on canvas)
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History of aviation, 1811 (engraving)
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English gentleman lighting his nightshirt on fire with a candle. 1900 (chromolithograph)
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Drunken English gentleman rides a bear into a drawing room. 1900 (chromolithograph)
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Printed to Order and Licensed for Personal Use