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Outstretched Prints

Outstretched Prints: Laocoon, prior to 20th century restoration, with extended arm (marble) (b / w photo)

Laocoon, prior to 20th century restoration, with extended arm (marble) (b / w photo)
From £69.98

Outstretched Prints: Tobias and the Angel, 1887 (oil on canvas)

Tobias and the Angel, 1887 (oil on canvas)
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Outstretched Prints: Print : etching, hand-coloured

Print : etching, hand-coloured
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Outstretched Prints: Victory, 1908 (bronze)

Victory, 1908 (bronze)
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Outstretched Prints: Saint Benedict of Palermo, c.1734 (polychrome & gilt wood with glass)

Saint Benedict of Palermo, c.1734 (polychrome & gilt wood with glass)
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Outstretched Prints: Athlete wrestling with a python, 1877 (bronze)

Athlete wrestling with a python, 1877 (bronze)
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Outstretched Prints: Dracula, 1931 (film still)

Dracula, 1931 (film still)
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Outstretched Prints: The Laurel Wreath, 1907 (etching)

The Laurel Wreath, 1907 (etching)
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Outstretched Prints: Ancestral Figurative Pendant, Moluccas peoples, 18th-19th century (gold)

Ancestral Figurative Pendant, Moluccas peoples, 18th-19th century (gold)
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Outstretched Prints: Rising Sun, 1915 (bronze)

Rising Sun, 1915 (bronze)
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Outstretched Prints: Winifred Bryson, c. 1910-15 (b/w photo)

Winifred Bryson, c. 1910-15 (b/w photo)
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Outstretched Prints: Carved Posts at Alert Bay, British Columbia

Carved Posts at Alert Bay, British Columbia
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Outstretched Prints: True Friendship's laws are by this way expressed: Welcome the Coming--Speed the Parting Guest

True Friendship's laws are by this way expressed: Welcome the Coming--Speed the Parting Guest
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Outstretched Prints: The Martyrdom of the Blessed Signoretto Alliata, c. 1794-6 (oil on canvas)

The Martyrdom of the Blessed Signoretto Alliata, c. 1794-6 (oil on canvas)
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Outstretched Prints: Kiowa Warriors (pochoir print)

Kiowa Warriors (pochoir print)
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Outstretched Prints: Page 383. The Bat, 1810-17 (w / c & manuscript text)

Page 383. The Bat, 1810-17 (w / c & manuscript text)
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Outstretched Prints: Christ the King, 1919 (brass)

Christ the King, 1919 (brass)
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Outstretched Prints: Winged Gorgon, c. 1915-18 (chalk)

Winged Gorgon, c. 1915-18 (chalk)
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Outstretched Prints: Winged Gorgon, c. 1915-18 (chalk)

Winged Gorgon, c. 1915-18 (chalk)
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Outstretched Prints: Christ in the garden of olive trees, 1508 (Burin engraving on copper)

Christ in the garden of olive trees, 1508 (Burin engraving on copper)
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Outstretched Prints: Nude Outstretched; Nu Allonge, (charcoal and chalk on buff paper)

Nude Outstretched; Nu Allonge, (charcoal and chalk on buff paper)
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Outstretched Prints: Plate 188. Dancing (fancy), 1872-85 (collotype on paper)

Plate 188. Dancing (fancy), 1872-85 (collotype on paper)
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Outstretched Prints: Plate 463. Reaching Up, Stooping and Turning Around, 1885 (collotype on paper)

Plate 463. Reaching Up, Stooping and Turning Around, 1885 (collotype on paper)
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Outstretched Prints: Corpus Christi, c. 1240 (bronze gilt)

Corpus Christi, c. 1240 (bronze gilt)
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Outstretched Prints: Geese in Flight, pre-1912 (colour woodblock print)

Geese in Flight, pre-1912 (colour woodblock print)
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Outstretched Prints: Eton Boy, Here I Am, c. 1923 (bronze)

Eton Boy, Here I Am, c. 1923 (bronze)
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Outstretched Prints: The Dancer, 1913 (bronze)

The Dancer, 1913 (bronze)
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Outstretched Prints: Christ on the cross (blood on paper)

Christ on the cross (blood on paper)
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Outstretched Prints: F. 41 Blue petrel. Dusky Bay New Zealand. In high S. lat. 1772-75 (w / c)

F. 41 Blue petrel. Dusky Bay New Zealand. In high S. lat. 1772-75 (w / c)
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Outstretched Prints: Gloria, 1884 (gouache over graphite)

Gloria, 1884 (gouache over graphite)
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Outstretched Prints: Plate 187. Dancing (fancy), 1885 (collotype on paper)

Plate 187. Dancing (fancy), 1885 (collotype on paper)
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Outstretched Prints: Plate 529. Various Poses, 1872-85 (collotype on paper)

Plate 529. Various Poses, 1872-85 (collotype on paper)
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Outstretched Prints: Plate 194. Dancing, 1885 (collotype on paper)

Plate 194. Dancing, 1885 (collotype on paper)
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Outstretched Prints: Plate 193. Dancing (fancy), 1885 (collotype on paper)

Plate 193. Dancing (fancy), 1885 (collotype on paper)
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Outstretched Prints: Plate 370. First Ballet Action, 1885 (collotype on paper)

Plate 370. First Ballet Action, 1885 (collotype on paper)
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Outstretched Prints: Plate 369. First Ballet Action, 1885 (collotype on paper)

Plate 369. First Ballet Action, 1885 (collotype on paper)
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Outstretched Prints: Mirror, New Kingdom (bronze) (see 241448 for front)

Mirror, New Kingdom (bronze) (see 241448 for front)
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Outstretched Prints: Mirror, New Kingdom (bronze) (see 241449 for back)

Mirror, New Kingdom (bronze) (see 241449 for back)
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Outstretched Prints: Dancer at the Bar, c.1885 (charcoal with pastel and white chalk on paper)

Dancer at the Bar, c.1885 (charcoal with pastel and white chalk on paper)
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Outstretched Prints: Telesmatic angelic figure, c. 1892 (watercolour on paper)

Telesmatic angelic figure, c. 1892 (watercolour on paper)
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Outstretched Prints: Dancer moving forwards with raised arms, c. 1919-20 (bronze)

Dancer moving forwards with raised arms, c. 1919-20 (bronze)
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Outstretched Prints: Large Arabesque, third state (bronze)

Large Arabesque, third state (bronze)
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Outstretched Prints: Mysore Rocket Man, 1793-94 (w / c on paper)

Mysore Rocket Man, 1793-94 (w / c on paper)
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Outstretched Prints: Plate 189. Dancing (fancy), 1885 (collotype on paper)

Plate 189. Dancing (fancy), 1885 (collotype on paper)
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Outstretched Prints: Small Stone Bridge, 1988 (hopton wood stone) (see also 440311)

Small Stone Bridge, 1988 (hopton wood stone) (see also 440311)
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Outstretched Prints: The Ballerina, c. 1876 (oil on canvas)

The Ballerina, c. 1876 (oil on canvas)
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Outstretched Prints: Saint John the Evangelist, 1588 (oil on panel)

Saint John the Evangelist, 1588 (oil on panel)
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Outstretched Prints: The Dancer, 1913 (bronze)

The Dancer, 1913 (bronze)
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Outstretched Prints: The Dancer, 1913 (bronze)

The Dancer, 1913 (bronze)
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Outstretched Prints: The Dancer, 1913 (bronze)

The Dancer, 1913 (bronze)
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Outstretched Prints: The Head of Pope Urban VIII (recto), (black and white chalk on light brown paper)

The Head of Pope Urban VIII (recto), (black and white chalk on light brown paper)
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Outstretched Prints: Eton Boy, Here I Am, c. 1923 (bronze)

Eton Boy, Here I Am, c. 1923 (bronze)
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Outstretched Prints: Christ in the garden of olive trees, 1515 (etching)

Christ in the garden of olive trees, 1515 (etching)
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Outstretched Prints: Eternal Father, c.1646 (oil on canvas)

Eternal Father, c.1646 (oil on canvas)
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Outstretched Prints: Page 28. A Tapoa Tafa. Now known as a Dasyurus quoll. Appears to be a Sarah Stone copy of

Page 28. A Tapoa Tafa. Now known as a Dasyurus quoll. Appears to be a Sarah Stone copy of
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Outstretched Prints: Page 10. Tapoa Tafa. Now known as a Brush-tailed Phascogale, c. 1789-90 (w / c)

Page 10. Tapoa Tafa. Now known as a Brush-tailed Phascogale, c. 1789-90 (w / c)
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Outstretched Prints: Plate 134. Descending Stairs, With Basin in Hands, 1885 (collotype on paper)

Plate 134. Descending Stairs, With Basin in Hands, 1885 (collotype on paper)
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Outstretched Prints: Plate 459. Stepping on Chair, Reaching Up and Descending, 1885 (collotype on paper)

Plate 459. Stepping on Chair, Reaching Up and Descending, 1885 (collotype on paper)
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Outstretched Prints: Plate 185. Hopping On Left Foot, 1885 (collotype on paper)

Plate 185. Hopping On Left Foot, 1885 (collotype on paper)
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Outstretched Prints: Playmates (oil on canvas)

Playmates (oil on canvas)
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Outstretched Prints: Grande Arabesque, Third Time, c. 1885-90; cast between 1919-21 (bronze)

Grande Arabesque, Third Time, c. 1885-90; cast between 1919-21 (bronze)
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Outstretched Prints: The Dancer, 1913 (bronze)

The Dancer, 1913 (bronze)
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Outstretched Prints: Anthropomorphic figure, Gangetic Plains, c. 1500 BC (bronze)

Anthropomorphic figure, Gangetic Plains, c. 1500 BC (bronze)
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Outstretched Prints: The Green Parrot; Le Perroquet Vert, 1885 (oil on canvas laid on panel)

The Green Parrot; Le Perroquet Vert, 1885 (oil on canvas laid on panel)
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Outstretched Prints: Joyous Woman, 1911 (oil on canvas)

Joyous Woman, 1911 (oil on canvas)
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Outstretched Prints: Small Stone Bridge, 1988 (hopton wood stone) (see also 440312)

Small Stone Bridge, 1988 (hopton wood stone) (see also 440312)
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Outstretched Prints: The Providential Detection, cartoon depicting Thomas Jefferson (1743-1826

The Providential Detection, cartoon depicting Thomas Jefferson (1743-1826
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Outstretched Prints: Hermaphrodite, c. 1915-18 (chalk)

Hermaphrodite, c. 1915-18 (chalk)
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Outstretched Prints: Page 4. Hepoona Roo: Signed l. l. outside frame line S. Smith

Page 4. Hepoona Roo: Signed l. l. outside frame line S. Smith
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Outstretched Prints: Plate 135. Descending Stairs and Turning Lamp in Right Hand, 1885 (collotype on paper)

Plate 135. Descending Stairs and Turning Lamp in Right Hand, 1885 (collotype on paper)
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Outstretched Prints: Plate 524. A, Throwing Water from Bucket; B, Descending Step, 1885 (collotype on paper)

Plate 524. A, Throwing Water from Bucket; B, Descending Step, 1885 (collotype on paper)
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Outstretched Prints: Plate 191. Dancing (fancy), 1885 (collotype on paper)

Plate 191. Dancing (fancy), 1885 (collotype on paper)
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Outstretched Prints: Parrots, c. 1670 (oil on canvas)

Parrots, c. 1670 (oil on canvas)
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Outstretched Prints: The Garden of Love (detail of the group with Rubenss wife, HelAeene Fourment), c

The Garden of Love (detail of the group with Rubenss wife, HelAeene Fourment), c
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Outstretched Prints: King Henry IV, Part One, 1890 (litho)

King Henry IV, Part One, 1890 (litho)
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