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Old Masters Prints
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A Basket of Grapes, Apples, Peaches and other Fruit on a Ledge, 1833 (oil on panel)
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King Charles Taking Leave of his Children, c. 1721 (oil on canvas)
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A Fellah Woman, (oil on canvas)
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The Horse Fair, 1863 (oil on canvas)
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The Resurrection, (oil on canvas)
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A Bleaching Ground, (oil on panel)
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King Ferdinand IV and Queen Caroline of Naples attending a Game of Palla a Bracciale
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The Assumption of the Virgin with Saint Thomas receiving the Girdle between Saints
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Portrait of a Gentleman aged 28, three-quarter length, in a black doublet with red
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The Piazza San Marco and the Piazzetta, Venice, looking South-West, 1741 (oil on canvas)
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Portrait of Willem Bentinck, 1st Count Bentinck (1704-1774), half-length
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Danae, (oil on panel)
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Portrait of a Gentleman, aged twenty-five, three- quarter length
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Portrait of a Lady, seated three-quarter length, in a white dress and fur-lined cape
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A dead Hare on a plinth by a sculpted Urn with a Basket of Fruit, a dead Pheasant
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The Lamentation, (oil on panel)
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Portrait of Stefano Raggio, half-length, (oil on panel)
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Roses and other Flowers in a Basket on a Marble Ledge, c. 1742 (oil on panel)
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Portrait of Elizabeth of Valois, Queen of Spain, three-quarter length, (oil on canvas)
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Cleopatra, (oil on canvas)
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A Youth Pouring Wine in a Larder, 1606 (oil on canvas)
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Christ and the Adultress, c. 1525 (oil on canvas)
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A group Portrait of a Family, full-length, in an interior (oil on canvas)
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The Liberation of Saint Peter, (oil on panel)
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A Fishmonger displaying a Pike to a Maid, 1727 (oil on canvas)
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The Man of Sorrows, (oil on panel)
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A Girl in a pink Dress and white shawl offering Oranges to a Gentleman in a green Cape
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A Gentleman in a Phrygian Bonnet being addressed by a Gentleman in a yellow coat
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A Girl in an Orange Shawl holding Turnips, A Girl in a green Bonnet and Dress
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Saint James the Greater, (tempera on gold ground panel, shaped top)
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A Winter Landscape with Skaters on a Frozen Waterway by a Village
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The Rialto Bridge, Venice with the Fondaco dei Tedeschi in the Foreground
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The Annunciation, (black chalk, pen and grey ink, watercolour heightened with white)
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Two Musicians playing a Chiatarrone and a Violin, with a Subsidiary Study of the Second
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A View of Stockholm from Kungsholmen with the Royal Palace and Storkyrkan, Tyskakyrkan
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The Blessing of the Bell of the Village Church at Ormesson by the Marquisse d
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Voltaire seated at a Desk wearing a cap, in profile to the left, c
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Verso: Study of an Angel and a standing Man, WA1846. 148 (black chalk on paper)
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Verso: Various Figure Studies, WA1846. 145 (pen & brown ink with touches of lead or chalk)
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St. George, WA1846. 16 (silverpoint, heightened with white bodycolour (oxidized)
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Milon of Croton, WA1846. 9 (pen & brown ink on cream paper)
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Recto: Study for a St John the Baptist. Verso: An Eye, WA1846
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Verso: Study of a Herm, WA1965. 47. 5 (pen & brown ink)
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The Holy Family with the Lamb, WA1951. 46 (pen & brush in brown ink heightened with white
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Recto: The Infant Christ and other Studies, WA1855. 91 (pen & brown ink over leadpoint
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The Miraculous Mass at Bolsena, WA1846. 273 (pen & brown ink with grey wash heightened
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Verso: Study for a Figure of the Almighty, WA1846. 207 (red chalk over blind stylus)
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Verso: Studies for two kneeling Women, WA1846. 198 (black chalk)
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The Head of a Horse, WA1846. 197 (black chalk or charcoal
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Recto: The Judgement of Solomon, WA1846. 196 (metalpoint on pale green prepared paper)
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Recto: Studies of a Head and a Hand. Verso: Rough draft of the sonnets
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Verso: Figure Studies and a draft sonnet, WA1846. 186 (black chalk and pen & black ink)
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Recto: Study for the Drapery of a Man in back view (Study for the Disputa), WA1846
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Verso: Adam tempted, WA1846. 180 (pen & brown ink over some leadpoint)
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Verso: Rough Sketches of kneeling Figures, WA1846. 174 (black chalk)
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Verso: Study of the Body of Christ in a Pieta, WA1846. 171 (pen & brown ink)
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Verso: Two Female Heads and a Sketch of a Woman squatting, WA1846. 168 (black chalk)
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Recto: Study for St Catherine, WA1846. 168 (pen & brown ink on white paper)
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Recto: A Man writing in a Book, WA1846. 167 (pen & brown ink on white paper)
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Recto: Four standing soldiers;, WA1846. 164 (pen & brown ink
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Recto: The Virgin and Child and St John, WA1846. 162 (pen & brown ink on buff paper)
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Verso: Architectural detail of a niche, WA1846. 159 (pen & brown ink over some blind
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Transmitted light photograph of the verso of Group of Vintagers, c. 1505-07
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Italian Picture Dealers Humbuging My Lord Anglaise, pub. 1812 (hand coloured engraving)
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Pages at a Banquet in a Palatial Interior with a Still Life of Fruit
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Pygmies at a Fair, Drawing Water from a Well in the Foreground
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The Portico and Facade of an Elaborate Neo-Classical Building (pen and brown ink)
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A Bedouin Arab (oil on canvas)
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Gypaetus barbatus Sonnini (Bearded vulture), 1805-1821 (hand-coloured engraving)
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Three Types of Peonies, 1613 (colour engraving)
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Four Types of Roses, 1613 (colour engaving)
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Flos Solis Maior, 1613 (colour engraving)
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Corona Imperialis Florum, 1613 (colour engraving)
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Birds and Snakes, Plate 62, from Locupletissimi Rerum Naturalium Thesauri Accurata
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November, from Twelve Months of Flowers, 1730 (colour engraving)
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Thirteen scholars in a garden setting, 1485 (hand-coloured woodcut)
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An illuminated page depicting St. Jerome in his study, and a border incorporating a
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Allegorical figure of Mainz, 1486 (hand-coloured woodcut)
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Above Lake Garda (at San Vigilio), 1913 (watercolour and gouache on paper)
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Portrait of Teresa Gosse, 1885 (oil on canvas)
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The Thames from the Terrace of Somerset House Looking Towards Westminster
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Saint Jerome, (oil on panel)
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(Camp de) L Infanterie Bravo Palatine, 1803 (pen and ink
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The Marriage at Cana, (on copper)
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