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Nash Paul 1889 1946 Prints
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Edge of the Marsh, Pantile Cottage, Dymchurch, 1925 (oil on canvas)
£69.98 Framed (other products available)
Landscape of the Summer Solstice (oil on canvas)
£69.98 Framed (other products available)
Study for Landscape of Bleached Objects, 1934 (watercolour and pencil on paper)
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The White Horse, Uffington, Berkshire, 1931-46 (photo)
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The White Horse, Uffington, Berkshire, 1931-46 (photo)
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Monster Field, Carswall's Farm, Newent, Gloucestershire, 1931-46 (photo)
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Object Trouve, 1931-46 (photo)
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Stone Post, 1931-46 (photo)
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Laocoon, Carswall's Farm, Newent, Gloucestershire, 1931-46 (photo)
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Washing drying on the beach, Nice, 1931-46 (photo)
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Chain and Net, John Nash's home, Meadle, Berkshire, 1931-46 (photo)
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Totems, old shipyard, Rye harbour, 1931-46 (photo)
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Atlantic Voyage, 1931-46 (photo)
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Sunrise over Valley, 1943 (watercolour and pencil on buff wove paper)
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Ironmaster's Folly, 1941 (pencil and watercolour on paper)
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The Mine Crater, Hill 60, Ypres Salient, 1917 (Lithograph on cream wove)
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The Landscape Through the Window and Through the Looking Glass
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Dorset Landscape, 1935 (pencil, chalk and watercolour on cream paper)
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Ploughed Field and Haystacks, 1931-46 (photo)
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Boat, Atlantic, 1931-46 (photo)
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Rock recessed in grass, 1931-46 (photo)
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Step Edge; below Nash's garden at New House, Rye, Sussex, 1931-46 (photo)
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Blue Pool, near Wareham, Dorset, 1931-46 (photo)
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Dead Tree, Romney Marsh, 1931-46 (photo)
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Landscape Towards Bredon, 1942 (watercolour on paper)
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Moonlight Voyage, Hampden Flying Above the Clouds
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Spring Landscape, 1935 (Pen and ink, watercolour and pencil on paper)
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The Peacock Path, 1912 (pen and ink, chalk and watercolour on paper)
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Battlefield, 1917 (watercolour, Ink and pencil on paper)
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Sea Wall, 1935 (pencil, chalk and watercolour on paper)
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Harbour and Room, 1931 (watercolour and pencil on paper)
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Shellburst, Zillebeke, 1917 (coloured chalks on brown paper)
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German Double Pill-box, Gheluvelt, 1918 (lithograph on white wove paper)
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Dahlias, 1927 (oil on canvas)
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A Farm, Wytschaete, 1917 (Ink, chalk and watercolour on paper)
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Avebury Sentinel, 1931-46 (photo)
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Empty Market Stalls, Ceuta, Morocco, 1931-46 (photo)
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The Bull Ring, Ronda, Spain, 1931-46 (photo)
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Bench Seats, Swanage, 1931-46 (photo)
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The Box Garden, Beckley Park, Oxfordshire, 1931-46 (photo)
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Seashore and Steps, Swanage, Dorset, 1931-46 (photo)
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Ruin in the Forest of Dean, 1946 (pencil and watercolour on paper)
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Wood and Hill, 1932 (pencil and watercolour on paper)
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The Fleet at Toulon No. 1, 1930 (pencil and wash with colour notes on paper)
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A Private World (photograph printed on Kodak Veribrom semi-matt paper )
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A Lane in Blue, 1910 (pencil, chalk and wash on cream paper)
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Cork Drying, 1931-46 (photo)
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Boat on the Shore, South of France, 1931-46 (photo)
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Interior, 1930 (oil on canvas)
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River and Trees, 1925 (pencil and chalk on paper)
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Autumn Landscape, 1923 (oil on canvas)
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River, 1932 (watercolour, bodycolour, pencil on paper)
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Coast Near Gibraltar, 1934 (pencil and watercolour on paper)
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Windy Hill, 1919 (pencil, chalk and watercolour)
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Night Tide, Dymchurch, 1922 (pencil and wash on Paper)
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Convolvulus, 1930 (oil on canvas)
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Michaelmas Landscape, 1943 (oil on canvas)
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The Rye Marshes, 1932 (oil on canvas)
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The Book of Genesis
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The Book of Genesis
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The Book of Genesis
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The Book of Genesis
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Study for Dead Spring, 1929 (pencil and black chalk)
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The Book of Genesis
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Costume design for a character in King Lear, 1923 (w/c on paper)
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Hallgerd Refuses her Hair to Gunnar, 1910 (chalk on paper)
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Head of Gordon Bottomley, 1922 (crayon on paper)
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Costume design for King Lear, 1923 (w/c on paper)
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Costume design for King Lear, 1923 (w/c on paper)
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Corpse Washer, 1922 (w/c on paper)
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Barbara in the Garden, 1913-14 (w/c on paper)
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Paths into the Woods, from Places, 1922 (woodcut)
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Frontispiece and title page from Places, 1922 (woodcut)
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Earth, Sky, 1937 (pencil and w/c)
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The Tide, Dymchurch, 1920 (litho)
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The Book of Genesis
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Gordon Bottomley, 1912 (ink on paper)
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Winter, from Places, 1922 (woodcut)
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Landscape at Fulmer, Buckinghamshire, 1919 (pencil, pen & ink & w/c on paper)
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The Book of Genesis
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Shellburst, Zillebeke, 1917 (coloured chalks on brown paper)
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A Dawn, 1912 (ink, w/c & chalk on paper)
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St Pancras, 1927 (oil on canvas)
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Void of War, 1918 (litho)
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