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Mysterious Prints
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Tree and Stars (charcoal)
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The Enigma (litho)
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Excalibur the Sword, illustration from The Story of King Arthur and his Knights
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Set design for a production of Hamlet (Act One) at the Comedie Francaise
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The Phantom Ship (oil on canvas)
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Tibet, 1936 (tempera on canvas)
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The Captive, 1879 (oil on canvas)
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A Foregathering of Witches (w / c with wash over graphite on paper)
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The Hotel Woodward, Broadway and 55th Street, New York, 1920 (silver gelatin print)
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The Haunted House, Thornton Road, 1920 (w / c on paper)
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Picturesque view at the Temple of the Cross, Palenque, plate 20 from
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The Star of the Kings (oil on panel)
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Golden Water (Princess Parisade) c. 1858 (w / c on paper)
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Illustration by Arthur RACKHAM (1867-1939) for The Dream of a Summer Night by William
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The engagement of the Doge of Venice with the Adriatic Sea
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Nelly Carriere (Tete de femme), 1895 (lithograph on wove paper)
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Classical Lady (pastel on paper)
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The mystery continues: police investigation. This is the second time that witnesses say
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Death of the Louis Henri Joseph de Bourbon, Prince of Conde
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L Epinette mysterieuse'Jean Baptiste Raisin (1655-1693)
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Bert the Bigfoot, Sung by Villon. Queens, nine glass panels acided
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Winter: A Lady, full-length, in Exotic Costume, wearing a Mask, in a Landscape
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Young woman in the Greenery; Jeune Femme dans la Verdure, 1882 (oil on canvas)
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Memory of Bas Brhaut, 1858 (cliche verre)
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Arrangement in Flesh Color and Grey: The Chinese Screen (oil on canvas)
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Head of a woman, c. 1910 (pastel, wax crayon & crayon on paper)
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The Night (Vallotton & Goerg 164C), 1895 (woodcut)
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A Foregathering of Witches, 3 (w / c with wash & ink over graphite on paper)
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The Mysterious Garden, 1911 (w/c & ink over pencil on vellum laid on board)
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I am still the great Isis! Nobody has ever yet lifted my veil! My offspring is the sun
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Girl Seated in a Chair, (oil on canvas)
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Le Forze di una Strada, 1911 (oil on canvas)
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A Ferry at Sunset, (watercolour with touches of white heightening)
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Moonlight at Karnak (w / c on paper)
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The Immaculate Conception (detail of Toledo) 1607-13 (oil on canvas) (see 90015)
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The Pontine Marshes, c. 1840 (oil on paper)
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Brown and Gold, 1895-1900 (oil on canvas)
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Landscape with Castle, 1873 (w / c)
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Carved ball from Glass Hill, Towie, Aberdeenshire, Neolithic, c.3000 BC (stone)
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Carved ball from Glass Hill, Towie, Aberdeenshire, Neolithic, c.3000 BC (stone)
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La Grotte de la Loue, 1864 (oil on canvas)
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Jack O Lantern, 1872 (oil on canvas)
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Lovers in a Wood by Moonlight, 1873 (oil on card)
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Sitting goat playing flute in a clearing. Painting by Camille Corot (1796-1875), 1856
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The sheep park, moonlight. Painting by Jean Francois Millet (1814 - 1875), 1872
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Path through woods to a thatched house, 1866 (graphite, pen, and brown ink on paper)
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The Enchantress (oil on canvas laid down on board)
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Young Ottoman, 1879 (oil on panel)
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A young gentleman, clasping a hand from a cloud, 1588 (w / c on vellum)
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Queens who wasted the East by proxy... Queens, nine glass panels acided
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Representation of the Iron mask (died 1703) imprisoned on the island of Sainte Marguerite
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Dinner, lamp effect. (1899. Oil on wood)
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Castle with an Estuary Beyond, 1856 (w / c with gum arabic on paper)
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Portrait of a Man, c.1520-24 (oil on canvas)
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The Crossing, (oil on panel)
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The Port of Sollo, Majorca, (pencil, pen and ink and watercolour heightened with
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Along the River, (oil on canvas)
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Winter Evening, (oil on panel)
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Elves in a Wood, 1908 (pen & ink with w / c on paper)
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The Window, Gisors; Le Fenetre, Gisors, 1912 (oil on canvas)
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The Canal to Nemours; Le Canal a Nemours, (pastel on canvas)
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View of Malta off the Harbour at Night, 1876 (oil on board)
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Two Women, c. 1895 (oil on canvas)
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Sphinx, frontispiece to Hieroglyphes et Poemes by Rey de Gourment, 1894 (litho)
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The Castle, 1878 (pen & ink and wash on paper)
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Time and Chance happeneth to all alike, 1901 (oil on canvas)
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The Reader (oil on panel)
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A Winter Morning, Hoar Frost Melting, 1885-1894 (w / c on paper)
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The Enchanted Sea, 1900 (oil on canvas)
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Arrangement in Black and Brown, the Fur Jacket (oil on canvas)
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View of Stonehenge, 1668 (coloured coloured engraving)
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Les Colombes de Cagliostro, illustration from
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Siberia, 1894 (oil on canvas)
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The Castle (ink, wash & colour on paper)
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The Dead City (ink, wash & w / c on paper)
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Fatality, 1893 (chalk & pencil on paper)
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Woman with a Child, late 1890s (oil on canvas)
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A Port in Flanders (pen & ink, pencil and wash on paper)
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Music (oil on canvas)
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Carved ball from Glass Hill, Towie, Aberdeenshire, Neolithic, c.3000 BC (stone)
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Femme Mysterieuse, c. 1909 (pencil, charcoal and coloured chalks on card)
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Fantastic Landscape with Monks, 1720 (painting)
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Joseph (Giuseppe) Balsamo (1743-1795), dit Alessandro Comte de Cagliostro received by
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The Nightmare, 1782 (painting)
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