Monochromatic Prints (#2)

Titlepage from The Story of Venus and Tannhauser, 1895 (litho)
From £69.98

Emile Zola, 1893 (litho) 88@Zola (1840-1902)
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How Queen Guenever made her a nun
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King John smiles as he signs Magna Charta, c. 1887 (pen & ink)
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Henry Irving as Becket at the Lyceum Theatre
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Flosshilde, illustration for Das Rheingold, published in The Savoy magazine, 1896 (litho)
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Apollo pursuing Daphne (pen & ink)
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Dreams, 1894 (litho)
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Headpiece, an illustration from Le Morte d Arthur by Sir Thomas Malory, 1893-94 (litho)
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Border Design for Le Morte d Arthur by Sir Thomas Malory, 1893-4 (pen & black ink)
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Frontispiece to Volpone, 1898 (litho)
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Count Valmont, frontispiece for Les Liaisons Dangereuses by Pierre Cholderlos de Laclos
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La Dame aux Camelias, illustration from The Yellow Book, 1894 (litho)
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Les Passades, illustration from The Winter Number of Today, 1894 (litho)
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Et in Arcadio Ego, illustration from The Savoy, 1896 (litho)
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Front Cover Design for The Savoy, 1896 (litho)
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Madame Rejane, illustration from The Yellow Book, 1893-94 (litho)
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The Kiss of Judas, 1893 (litho)
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Portrait of himself in bed, from The Yellow Book Vol. III, October 1894 (litho)
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Illustration for The Masque of the Red Death'by Edgar Allan Poe, 1895 (litho)
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Illustration from The Black Cat, a short story by Edgar Allan Poe, 1895 (litho)
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Design for the cover of At the First Corner
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The Examination of the Herald, 1896 (litho)
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Aubrey Beardsley, aged 2 years and 3 months (photo)
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Fourth Tableau of Das Rheingold, illustration from The Savoy, 1896 (litho)
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Illustration for L Education Sentimentale, 1894 (litho)
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Lady Golds Escort, illustration from The Yellow Book, 1894 (litho)
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The return of Tannhauser to the Venusberg
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Poppy (collage on paper)
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Facade of the Cathedral of San Lorenzo photo)
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Plate VII from Studies in Design, c. 1874-76 (litho)
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Carnation (collage on paper)
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Large dish, late 14th century (porcelain)
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Hop plant (collage on paper)
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Coloured glazed vessel (earthenware)
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Bust of Nude Woman, 1916 (etching on paper)
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A Page (pen and black ink on white paper)
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A Faun (pen and black ink on white paper)
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The Annunciation, preparatory cartoon for the Cappella Raffo fresco in the Misericordia
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Plate XIV from Studies in Design, c. 1874-76 (litho)
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Furnishing silk, third quarter 17th century (silk)
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Facsimile of a copperplate with perspective view of Paris in 1607
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Dress silk, late 19th century (silk)
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Dress silk, 1750s (silk)
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Suprematist Cross, 1920 (wood engraving from original woodblock) (b / w photo)
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Primeval Forest, 1854 (oil on pre-primed canvas)
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Chrysanthemums, a stencil for printing on cotton
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Printed to Order and Licensed for Personal Use