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Miserable Prints
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Men and women lining up during the 1902 Coal Strike for their allotment of coal
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Couple, 1927 (oil on canvas)
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The Public Scribe, 1790 (etching)
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Human Misery, 1889, (Zincograph with sanguine ink on canary yellow wove paper)
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Human Misery, 1889 (zincograph on canary yellow wove paper)
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Miserable, detail from Triumph of Death
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England's intention: closed due to lack of work (litho)
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The Children of the Poor - poem by Victor Hugo, London c1875. Wood engraving
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A Miserable Plight'
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Writing home to the village (litho)
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Herring Seller; Heringsverkaufer, 1925 (watercolour and pencil on paper)
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The Pitiful Children, illustration from L Annee Illustree, 1868 (engraving) (b / w photo)
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The internal economy of Dotheboys Hall
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The internal economy of Dotheboys Hall
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The internal economy of Dotheboys Hall
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Portrait of Therese Girard Aged Three Years and Seven Months, 1882 (oil on canvas)
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Industrial Landscape and Workers; Industrielandschaft mit Arbeitern, 1927 (oil on board)
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Reverie, c. 1916-17 (oil on canvas)
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Group portrait of unidentified little girls, probably the Roman Catholic Orphan Asylum
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Human Misery, 1889 (zincograph printed in reddish-brown ink with borderlines in graphite
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Housing conditions of poor labouring family, partly caused by high rents
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Edgar Degas, the Diogenial Painter (litho)
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Achilles mourning the death of Patroclus (pen & ink on paper)
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this is a Sorry Sight! Pub. 1786 (hand coloured engraving)
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Three sick mice, three sick mice, gave way to tears (colour litho)
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The Sentry, before Sebastopol, 1854 (pen & ink with w / c on paper)
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These Frenchmen Reached Germany (sepia photo)
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A woman entering and leaving an abortion clinic, engraved by Godefroy Engelmann
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Anti-Saccharites, or John Bull and his Family leaving off the use of Sugar
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Which Way Shall I Turn Me, How Shall I Decide? published by S. W. Fores in 1793 (etching)
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Reproduction of a poster advertising the novel Le Coupable, by Francois Coppee
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Portrait of Anna Joseph Monialis, (oil on canvas)
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The Sculptors Model (oil on canvas)
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Courtship and Marriage (engraving)
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Poster advertising a charity gala in aid of the families of shipwrecked sailors
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King Midas (pen and ink & w/c on paper)
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Little girl wearing large hat (w / c on paper)
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The Man Who Lives by his Wits, no. 28 from Galerie Physionomique
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The Cause of the Poor (etching)
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Misery, Mexico City, 1928 (b / w photo)
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The Unlucky Sportsman, 1792 (oil on panel)
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Psyche Throwing Herself into the River, 1866 (woodcut)
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Three hungry mice, three hungry mice, searched for some food (colour litho)
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Three cold mice, three cold mice, wake up next morn (colour litho)
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Billy Purvis (bodycolour, ink, pencil & w / c on paper)
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A Troubled Elizabeth, late 19th century (oil on canvas)
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Female Emigration!, printed by R. Redman for G. S. Tregear, 90 Cheapside, London
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Our Teams Lost By... Goals to... From... (colour litho)
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Seated Woman in Interior (oil on canvas)
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Mary Magdalene, illustration from Women of the Bible
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The Wine Duty, or The Triumph of Bacchus and Silenus with John Bulls Remonstrance
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I am miserable, he said, Miserable!, 1936 (colour litho)
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Indigestion, 1835 (hand-coloured engraving)
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Ireland. After an eviction: a scene in Mayo, 1886 (engraving)
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The Sun May Shine A We Be Cold, 1848 (pen & brown ink on paper)
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The Rain it Raineth Every Day, 1889 (detail of 77655)
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Portrait of Catherine Roumy (oil on canvas)
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A Woman, 1917-20 (oil on canvas)
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Russian manual labourers, late 19th century (sepia photo)
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Elegance and Misery, Mexico City, 1928 (b / w photo)
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Misery (oil on panel)
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Characters in High Life, published by Hannah Humphrey in 1795 (hand-coloured etching)
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Irish and American Bar, Rue Royale- poster for The Chap Book
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Prince Smith (oil on canvas)
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The Anatomy of Melancholy, published by R. Ackermann
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Misery, 1807 (etching)
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Houseless and Hungry, 1869 (engraving)
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In the Trenches, 1874 (oil on canvas)
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Here I and Sorrow Sit, Act II Scene I of King John by William Shakespeare
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Head of a Child (pastel on paper)
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Napoleon (1769-1821) after his Abdication (oil on canvas)
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Disappointed love, 1821 (oil on panel)
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A Salvation Army Womens Shelter, illustration from The Graphic, February 27 1892
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Caricature of William Gladstone
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