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Master Prints
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The Slave Market
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The Giaour, Conqueror of Hassan; Le Giaour, Vainqueur d Hassan, (oil on canvas)
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Fetnab and the Caliph, 1930s (colour litho)
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Vel Status and his slave (wall painting)
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Attachment, 1829 (oil on canvas)
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Diamond Mining in Brazil (w / c on paper)
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End of Oppression Token, Cain and Abel, obverse (copper)
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The End of the Days Shoot, 1894 (oil on canvas)
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Sacrificing to Bel, frontispiece from Myths and Legends of Babylonia and Assyria by Lewis Spence
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The Departure of the Master of the House (oil on canvas)
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Teaching to Ignorant, 1795 (plaster)
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Teaching to Ignorant, detail, 1795 (plaster)
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Jan Hus, from Living Biographies of Religious Leaders
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Ms 3054 fol. 1 Presentation of the book, from Tacuinum Sanitatis (vellum)
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Plate 3 from Progressive Lessons on Landscape for Young Beginners
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Master of the Vitae Imperatorum: The Trinity
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Ms 2167 f. 13v Maximilian Sforza attending to his lessons
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Map of Tarn-et-Garonne with a view of Montauban and portraits of Ingres and Jean Parisot de La Valette (colour litho)
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The Meet (oil on canvas)
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Brussels allegorical tapestry depicting the month of December from
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Christ nailed to the Cross with a Donor with his Arm in a Sling presented by a Priest
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Calvary (oil on canvas)
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Portrait of Hendrik Goltzius, c. 1610 (engraving)
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Frontispiece from The Posthumous Papers of the Pickwick Club
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The Unruly Classroom (oil on panel)
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Master Building'teapot, 1929 (silverplate)
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Richard and the Master of St John, Joppa, 23 July 1191, from A Chronicle of England BC 55
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Don Emanuel Frockas (black chalk on paper)
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The children of Frederick and Ellen Ray of Abingdon, Berkshire, in a landscape
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The Six Master Poets, Edo Period (ink on paper)
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The School Room as it Ought to be, 1879
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A Physician with a Urine Sample (oil on canvas)
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Studio with Three Painters, 1834 (oil on canvas)
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The Return from the Sports of the Field, 1786 (coloured engraving)
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The Find, engraved by Huffman and Mackrill (coloured engraving)
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Introduction of the art of printing, from Illustrations of English
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Maharana Bhim Singh of Mewar with a Hawk, Udaipur (Mewar) Rajasthan, c
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Terre a Terre to the Left Seen from Behind (top)
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The Scholar Mounted between the Pillars (top)
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Introduction of the Art of Printing (engraving) (b / w photo)
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Relief depicting a boy reading to his teacher, detail from the Sarcophagus of
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Plate 3 from The Rakes Progress at University
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Bust of Marcus Fabius Quintilianus (35-95BC) (marble)
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Michelangelo (1475-1564) Showing a Student the Belvedere Torso, 1849 (oil on canvas)
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A Domestic Incident, from Les Bons Bourgeois, c. 1835-40 (colour litho)
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Senate House Passage, Cambridge, 1843 (w / c and bodycolour with gum arabic)
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Brussels allegorical tapestry depicting the month of December from
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Carte de visite of Jules Perrot (b / w photo)
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Le Maitre, 1907 (oil on canvas)
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Idle Boys, 1815 (oil on panel)
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The Music Master (pencil & w / c on paper)
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Waiting for Master, 1870 (oil on canvas)
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The Drawing Lesson, 1634 (oil on canvas)
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Melencolia I by Albrecht Durer (1471-1528) on of his 3 master engravings completed
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Moral teaching for shopboys, giving good and bad examples of behaviour
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The Full Gallop or Carriere (top) and Terre a Terre to the right
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The Manege Gallop or Carriere (top) and Terre a Terre to the Right seen
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Nocturne, 1870s (oil on panel) (pair of 128788)
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The Volte Renversee to the Right (top) and The Horse Learning to back
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The Rider Fixing his Curb in its Place before he Mounts (top)
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Pster advertising C. C. Meinhold & Sons lithographers, Dresden (colour litho)
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Self portrait (oil on panel)
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An Effendi, man of law in his study, 18th century (engraving)
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A Watchmaker and his Apprentice (oil on panel)
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St. Johns College, Cambridge, 1843 (w / c)
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Summons of the Grand Masters Lodge, mid 1700s (litho)
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Joseph, Overseer of Pharaoh's Granaries, 1874 (oil on panel)
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Frontispiece to Robert Fludds Utriusque Cosmi Historia
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The Fore Horse of the Team, from The Pytchley Hunt, engraved by F
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Reproduction of a mural showing a servant dressing a ruler for a ceremony
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The Fellow Prentices at their Looms, plate I of Industry and Idleness
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