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Loincloth Prints
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Smoke Purification, (oil on canvas)
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Saint Sebastian, c. 1480 (tempera on canvas)
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The Penitent St. Jerome (oil on canvas)
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Baptism of Christ (recto), 15th century (pen & brown wash) [see 5938231]
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The Temptation of St Benedict, c. 1587 (oil on canvas)
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Plate 652. A, B, C, D, E, Horses Rearing, etc. 1885 (collotype on paper)
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Plate 353. Support Arms and Arms Port, 1872-85 (collotype on paper)
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Plate 349. Fencing, 1872-85 (collotype on paper)
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Plate 332. Boxing; Cross-Buttocks (Shoes), 1872-85 (collotype on paper)
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Plate 152. Jumping; Running Straight High Jump (Shoes), 1872-85 (collotype on paper)
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Plate 61. Running at Full Speed (Imperfect Action, Shoes), 1872-85 (collotype on paper)
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Plate 59. Starting for a Run (Shoes), 1872-85 (collotype on paper)
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Plate 31. Walking, Carrying 75-lb stone on Right Shoulder, 1872-85 (collotype on paper)
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Plate 522. A, 97 Jumping; B, 98 Handspring; C, 98 Somersault
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Plate 405. Carrying Hand of Bricks up a Ladder, 1872-85 (collotype on paper)
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Plate 360. Throwing a Spear, 1872-85 (collotype on paper)
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Plate 334. Boxing; With Gloves (Shoes), 1872-85 (collotype on paper)
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Plate 322. Man Lifting Dumbbells, 1887 (collotype on paper)
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The Prodigal's Return, 1869 (oil on canvas)
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Standing Christ (wood)
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Foulah woman, 1904 (marble, bronze & onyx) (b / w photo)
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Jesus Stripped of His Clothing
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St Sebastian, c. 1502 (oil on panel)
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South East Coast: Cafre nation, 1820s-30s (colour litho)
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Adam and Eve (Labour: Whan Adam Delved and Eve Span, Who Was Then the Gentleman
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Study of a Male Nude (red chalk over black chalk on cream laid paper)
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Preparation and baking of bread, 2500-2350 BC (painted limestone)
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The Madonna and Child, (oil on panel)
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Plate 365. Headspring, A Flying Pigeon Interfering, 1872-85 (collotype on paper)
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Plate 322. Lifting and Letting Down Two 50-lb Dumb-Bells, 1872-85 (collotype on paper)
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Plate 320. Lifting a 50 lb Dumb-Bell, 1872-85 (collotype on paper)
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Plate 317. Heaving a 70-lb Rock, 1872-85 (collotype on paper)
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Plate 647. Jumping a Hurdle; Bareback; Rider, 105, Nude, 1885 (collotype on paper)
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Plate 542. Multiple Cerebro-Spinal Sclerosis - Walking, 1885 (collotype on paper)
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Plate 507. Carpentering, 1872-85 (collotype on paper)
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Plate 378. Blacksmith, Hammering on Anvil, Two Hands, 1872-85 (collotype on paper)
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Plate 374. Blacksmiths, Two Models, Hammering on Anvil, 1872-85 (collotype on paper)
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Plate 373. Acrobat, Press Up From Chair, 1872-85 (collotype on paper)
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Plate 372. Acrobat, Horizontal Press Up, 1872-85 (collotype on paper)
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Plate 354. Carry Arms, Parade Rest, and Trail Arms, 1872-85 (collotype on paper)
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Plate 341. Boxing; Open Hand, 1872-85 (collotype on paper)
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Plate 336. Boxing; Open Hand (Shoes), 1872-85 (collotype on paper)
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Plate 324. Curling 50-lb. Dumb-Bell, Model, 3 / 4 length, 1872-85 (collotype on paper)
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Plate 323. Lifting and Letting Down Two 50-lb Dumb-Bells, 1872-85 (collotype on paper)
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Inhabitants of Port Dori, watercolor by Jules-Louis Lejeune
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Korah Hottentots of the Cape, c. 1820s / 30s (colour litho)
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Congo tribesmen and fetish figures guard the palace of the Saba or sovereign, c
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Relief from the Tomb of Nes-Peka-Shuty
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A Canadian Indian marriage ceremony, from Le Costume Ancien et Moderne
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Saint Sebastian, c. 1603 (oil on copper)
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Statue of Sesostris III (1887-49 BC) as a young man (diorite)
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Man, Sri Lanka (gelatin silver print)
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A poor Arab refuses to sell his mare to a rich buyer when he discovers the buyer is European
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St. Sebastian tied to the tree, c. 1501 (Burin engraving)
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Pain, 1918-19
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Crucifixion, 1511 (Burin engraving on copper)
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Egyptian Water Carrier, (oil on canvas)
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The Snake Charmer, 1884 (oil on canvas)
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The Adoration of the Magi, c. 1440-60 (tempera on poplar panel)
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Emperor Montezuma II (c. 1470-1520), detail, painting by Juan Ortega, 1885 (oil on canvas)
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A Man from Easter Island, engraved by Albuerne, 1799 (coloured engraving)
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Ms Lat. Q. v. I. 126 Baptism scene, from the Hours of Louis d Orleans
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Udasees, c. 1862-64 (b / w photo)
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Kanaks, New Caledonia (b / w photo)
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The Encounter between Hernando Cortes (1485-1547) and Montezuma II (1466-1520)
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The Triumph of Quassia, published by Hannah Humphrey in 1806 (hand-coloured etching)
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Kushites carrying tributes of gold, ivory and animal skins, from the Tomb of Rekhmire
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The Man of Sorrows, 1509 (Burin engraving on copper)
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F. 36 A Man of the Sandwich Islands, Dancing, c. 1773-84 (w / c)
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Advertising chromolithography of chocolates Guerin Boutron, THE MAMMALS
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Plate 506. Bricklaying, 1872-85 (collotype on paper)
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Plate 371. Acrobat, Vertical Press Up, 1872-85 (collotype on paper)
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Plate 368. Acrobat, Descending Stairs on Hands, 1872-85 (collotype on paper)
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Plate 366. Running, Hitch and Kick, 1872-85 (collotype on paper)
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Plate 356. Kneeling, Firing and Rising, 1872-85 (collotype on paper)
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Plate 355. On Guard, Walking and Turning Around, 1872-85 (collotype on paper)
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Plate 352. Shoulder, Order, and Carry Arms, 1872-85 (collotype on paper)
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Plate 338. Boxing; Open Hand (Shoes), 1872-85 (collotype on paper)
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Plate 321. A, Lifting a 50 lb Dumb-Bell; B, Posing, 1872-85 (collotype on paper)
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Plate 160. Jumping; Running Broad Jump (Shoes), 1872-85 (collotype on paper)
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Plate 60. Running at a Half-Mile Gait (Shoes), 1872-1885 (collotype on paper)
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The Village Barber, 1842 (hand coloured lithograph)
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Mato-Tope, adorned with the Insignia of his Warlike Deeds, 1844 (hand coloured aquatint)
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Detail of a relief (stone)
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